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George Orwell’s essay, “Shooting an Elephant,” was written as an attack on British imperialism and totalitarianism. Orwell recounts an experience of shooting an escaped elephant from his time as a policeman in Burma during the British Raj, utilizing a remorseful, reflective tone. He observes that “When the white man turns tyrant it is his own freedom that he destroys” (14), and that “He wears a mask, and his face grows to fit it” (14). Orwell is not only correct in his assertion that totalitarianism is harmful, he further explains how it is detrimental to all those that are umbrellaed under it.
The most prevalent example of tyranny harming both oppressor and oppressed in recent reading is Frederick Douglass’ piece, “Learning to Read and Write.” Douglass explains how his mistress was initially kind and tender-hearted, but being a slave owner transformed her into a monster. Having to exert the kind of cruel power that she did turned her cold and evil. She grew to fit the mask of slavery and became something she originally was not. It is in the same way which Orwell grows to fit the mask of his role as the white man in the Burmese village. He is supposed to show no fear or cowardice, so he shoots the innocent elephant. Orwell’s behavior acts as a mask of his true emotions - he clearly knew he ought not to shoot the elephant, but his role in the village meant he had to. This showcases the irony of how Orwell is the central power in the village, but crowd psychology has forced into doing something he would rather not. Douglass and Orwell, while from very different places and very different ends of the spectrum of totalitarianism, make virtually the same observation: by the end of his reign, a tyrant will be just as broken as the subjec...
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...plicitly, in the case of the bully, or implicitly, in the case of Orwell’s kill.
Works Cited
Douglass, Frederick. "Learning to Read and Write." 50 Essays: A Portable Anthology. Ed. Samuel S. Cohen. 3rd ed. Boston: Bedford/St. Martin's, 2007. 129-34. Print.
Harms, William. "Psychopaths Are Not Neurally Equipped to Have Concern for Others." UChicago News. The University of Chicago, 24 Apr. 2013. Web. 21 Nov. 2013. .
The Matrix. Prod. Andy Wachowski and Larry Wachowski. Dir. Andy Wachowski and Larry Wachowski. By Andy Wachowski and Larry Wachowski. Perf. Keanu Reeves and Laurence Fishburne. Warner Bros., 1999. DVD.
Orwell, George. "Shooting an Elephant." 50 Essays: A Portable Anthology. Ed. Samuel S. Cohen. 3rd ed. Boston: Bedford/St. Martin's, 2007. 284-91. Print.
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
Although shooting the, now seemingly calm, “mad elephant” is morally wrong to George Orwell, in his narration of Shooting an Elephant, he has to do so as he is a representative, or more so a pawn, of the British authority in the occupied country of Burma. Being such, he wages a war with his inner self to seek which decision needs to be carried out. With two outcomes in mind, one being that he will be seen as a fool if he does not shoot the elephant and the other being an authority of the law by truly showing it and protecting the villagers, he has an epiphany. With such an authority, the law and someone’s moral conscience diverge. He then realizes what must be done and shoots the elephant to protect the imperialistic authority. As the excitement
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
George Orwell, an ardent opponent of endemic social inequality, records in his persuasive essay Shooting an Elephant a life-changing moment that discloses far more than just shooting an elephant. In his essay Orwell eloquently describes the scene of killing an elephant and articulates the sensations he feels during the brief yet emotional event. Orwell utilizes a myriad of literary techniques to convey the situational, ironical presentation of imperialism. Orwell's objective is to convince his audience, the working class of Britain, that imperialism both has a negative impact on those governed and degrades those exercising their power. First and foremost, Orwell begins to describe the atmosphere of Moulmein, Burma in order to set the scene for the events that follow.
A police officer in the British Raj, the supposedly 'unbreakable'; ruling force, was afraid. With his gun aimed at a elephant's head, he was faced with the decision to pull the trigger. That officer was George Orwell, and he writes about his experience in his short story, 'Shooting an Elephant';. To save face, he shrugged it off as his desire to 'avoid looking the fool'; (George Orwell, 283). In truth, the atmosphere of fear and pressure overwhelmed him. His inner struggle over the guilt of being involved in the subjugation of a people added to this strain, and he made a decision he would later regret enough to write this story.
One of the first representatives of imperialism takes place with the elephant’s rampage. This happens when a chained up elephant has an attack of “must” and in turn rampages the village bazaar. Symbolically, the Burmese people became restless and acted out after being oppressed through imperialism – much like the elephant and its chains. This oppression of the Burmese is shown by them giving Orwell a difficult time and abusing him. Orwell describes this as a very difficult
With the usage of effective diction in his essay, Orwell excellently conveys his emotions and message to his readers. He often uses the word “natives” for the Burmese: “Here was I, the white man with his gun, standing in front of the unarmed native crowd” (15). By doing so, he shows his emotions and respect towards the Burmese because calling them “natives” suggests that he agrees on the fact that they are the true owner of Burma and not the British Empire. Also, by frequently using the word “natives”, Orwell reminds his readers the existence of imperialism in Burma so that the readers do not simply hang on to the elephant but also get the message incorporated in the essay. The body of the elephant is compared to machinery as Orwell thinks that killing an elephant “is comparable to destroying a huge and costly piece of machinery” (15). This comparison makes the readers realize that the British Empire is also like a huge piece of machinery, so the death of it would be a serious matter to both oppressor and people being oppressed. When Orwell wa...
In this story ,Orwell is taking part in imperialism by proving his power and dignity to the natives presenting imperialism metaphorically through the use of animals. He is using the elephant as a symbol of imperialism representing power as an untamed animal that has control over the village. He uses a large and very powerful animal to represent a significant metaphor for imperialism.. In doing so he leads to the understanding that the power behind imperialism is only as strong as its dominant rulers. Orwell?s moral values are challenged in many different ways, ironically enough while he too was the oppressor. He is faced with a very important decision of whether or not he should shoot the elephant. If he does so, he will be a hero to his people. In turn, he would be giving in to the imperial force behind the elephant that he finds so unjust and evil. If he lets the elephant go free and unharmed the natives will laugh at him and make him feel inferior for not being able to protect the...
During Orwell's time in India he is exposed to several unethical situations. As an imperial officer, Orwell is often harassed, "I was an obvious target and was baited whenever it seemed safe"(Orwell 521). Therefore, Orwell's initial feelings are fear and rage toward the Burmese. He displays his hate in wanting " to drive a bayonet into the Buddhist priest's guts"(522). However, thou...
He illustrates the effects that imperialism can cause on a society. He creates an abominable diction through words such as “hatred,” “rage,” “evil,” which are feelings that according to Orwell “are normal by products of imperialism.” (Orwell, 1101) Through his diction he appeals to pathos as he creates a feeling of appalment among his audience. Orwell utilizes the appeal to ethos as he recounts the shooting of an elephant, which becomes a metaphor for imperialism. Orwell claims that this event “was enlightening” (Orwell, 1101) as it allowed him to understand the nature for which humans take some of the actions they carry. During the event of the elephant on the loose in the streets of Burma, Orwell uses the rhetorical device of imagery to describe the crowd of “yellow faces” who demonstrated enthusiasm for the killing of the elephant. As Orwell contemplates the action point of shooting the elephant he realized that he would “have to shoot the elephant after all” (Orwell 1103) since the people expected him to do so. “two thousand people marching at my heels, and then to trail feebly away, having done nothing- no that was impossible.”(Orwell, 1103) Like Thoreau had stated, the
Orwell is an unhappy young policeman who lives in mental isolation. He hates British imperialism, he hates Burmese natives, and he hates his job. He is completely alone with his thoughts since he cannot share his idea that "imperialism was an evil thing" with his countrymen. Orwell sees the British rule as "an unbreakable tyranny, as something clamped down. . . upon the will of prostate peoples" because he observes firsthand the cruel imprisonments and whippings that the British use to enforce their control. Nor can he talk to the Burmese because of the "utter silence that is imposed on every Englishman in the East." This "utter silence" results from the reasoning behind imperialism that says, "Our cultures are different. My culture has more power than your culture. Therefore, my culture is superior in every way, and it will rule yours." If one is a member of a superior culture, one must not make jokes, share confidences, or indicate in any way that a member of the inferior culture is one's equal. A wall, invisible but impenetrable, stands between the British and the Burmese. His hatred for...
The character, himself, is part of the British rule and is supposed to have all of the power. The Burmese, though, dangle the power in front of him. He is weak and unsure of himself, stating that he “wears a mask, and his face grows to fit it” (60). The character is not able to stand up for what he believes in -- that is, not shooting the elephant. There is a back and forth struggle in his mind about whether or not the elephant needs to be killed. Orwell’s character is fully aware that it is wrong and immoral to shoot an innocent creature, but eventually secedes to the demands of the Burmese, attempting to prove his cooperation and loyalty to those watching. In a way, the Burmese represent the pressures of society. Because of this, the audience can sympathize with the main character. There are always times when we, the readers, are unsure of ourselves, but we eventually make a decision. Whether we make the decision for ourselves or are assisted by others, in the end, we must take responsibility for our own actions. In a broader sense, Orwell’s character represents the internal conflict that everyone faces: should we conform to society or should we be our own
George Orwell uses setting, characterization and symbols to show that true power come from following the dictates of one’s conscience. The state of power established through the imperialistic backdrop show that Orwell should have control over the Burmese. Also, the perspective and ideas given by Orwell show his true character and lessens the overall power set up for him. Lastly, the symbols Orwell uses show representation of traditional forms of power, but take on different implications in the story. These points come together to prove that power exists within one’s self and not through one’s position, conquests or by the items they possess. In the end, it can be said that man’s journey for power will be a continuous struggle until the end of time but that in order at attain power, one must learn to listen to one’s conscience.
"Shooting an Elephant" is perhaps one of the most anthologized essays in the English language. It is a splendid essay and a terrific model for a theme of narration. The point of the story happens very much in our normal life, in fact everyday. People do crazy and sometimes illegal moves to get a certain group or person to finally give them respect. George Orwell describes an internal conflict between his personal morals and his duty to his country to the white man's reputation. The author's purpose is to explain the audience (who is both English and Burmese) about the kind of life he is living in Burma, about the conditions, circumstances he is facing and to tell the British Empire what he think about their imperialism and his growing displeasure for the imperial domination of British Empire.