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Music's impact on globalization
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The influence music has throughout the world is measureless. It is measureless because it kindles feelings, memories, and emotions. Something all humans can relate to. Music helps identify a culture as well as educate other countries. An important aspect is it can create an educational setting while also acknowledging the differences between cultures. I feel there is a need for people to listen and learn about music outside of one’s cultural boundary. The information and opinions expressed by my peers helped me realize this. I think I can say that that the role of today’s music is a key component in the process of globalization. Nevertheless, this doesn’t provide enough of a reason to believe that music has a blending effect on the world. …show more content…
Now I feel my ears are familiar with all genres of Northern Indian music. Indian music relies mainly on vocal presentation to be the key factor in each song. I feel that each vocalist performs with emotion and the words being sung sound meaningful to them. What makes Indian music so special is the amount of unique instruments used and played in each song. I had never heard of ¼ of these instruments before this class. I feel the instruments also play a key factor in defining the sound of Indian music. Before reading “The Mystery of Samba”, I was apprehensive because I was praying it wasn’t going to be like Chernoff. I was also praying it wasn’t going to be full of musical type chapters that I wasn’t going to understand. Then when I began reading I realized I liked it a bit better than Chernoff because it was easier and lighter to …show more content…
When speaking his opinion, I could understand it more when he explained a real life anecdote. “It was the personal significance of my participation in actual social situations that made me think I understood what involvement with music means in Africa” (Chernoff, 3). There are so many great stories of his times studying, and detailed conversations with his drumming teachers that brought this book to a humanizing level. I felt his transition into talking about not only African music, but African culture and humanity was important in understanding Africa as a whole easier. I learned in class that African music, or even any type of music is much more than “organized sound.” That concept was important for me to learn in order to develop a deeper respect for other cultures music. Although, I didn’t always agree with his ideas, he was good at putting many ideas into prospective. The readings, usually followed by a class discussion didn’t always make me agree with you or the author, but often made me challenge my own
Some scholars theorize that the Middle Passage to the Americas was so traumatic that most African influence was eradicated, and that few traces of Africa exist in African-American music. This “cultural tabulala [sic] rasa” theory is rightfully rejected by many scholars (Wilson 3). The inflow of African people to the New World was brought on by the existence of slavery, and resulted in the creation of a sort of extension of the African continent in a different hemisphere. In his article “The Significance of the Relationship Between [sic] Afro-American Music and West African Music,” music scholar Olly Wilson refutes the tabula rasa theory, and provides extensive examples of the ties that continue to exist between the two distant geographical regions. Another prominent scholar who recognizes the integration of African elements in American musics is Henry Louis Gates, Jr. Though his much deeper and more analytical approach to African musics is divergent from Wilson’s, both scholars acknowledge African diaspora musics and examine them in different ways based on different criteria.
This world is a big place. It is very diverse, in culture, beliefs, traditions, and even music. Music is an important part of this world; not just pop music and what many first world countries are used to, but music of the world as well, such as melodies in Cuba or Africa. These two countries share many characteristics in their music, despite being two very different places. From the melody, to the rhythm, and even the instruments and cultural practices, the countries of Cuba and Africa have both very similar traits in their music.
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
Music is one of the most powerful and influential language which to many people in
Music is an art and a wonderful gift to human race. It soothes, stimulates and makes us feel happy. It affects our moods in many different ways from lullaby to war cry for changes in the society. Music is actually distinct to different people. Above all, it has a transformational importance that is captured in its art and nature. Music draws our emotions and it has an impact of bridging different cultures across the continents. Slave songs were very vital channels through which all kind of information was conveyed both positive and negative.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Monson, I. (2010).Freedom sounds : civil rights call out to jazz and Africa. New York Oxford: Oxford University Press.
There is no art, music, and literature like here in sub-Saharan Africa. What is important to Westerners, such as the artist, label, and static-like wall hanging, means nothing to us. African art is living, spiritual, and meant to go back to the Earth once the soul of the item has run out. As the Bamana of Mali say, the art are “things that can be looked at without limit”. Our artwork has changed, emerged, and survived eras of turmoil and inversely, hope. I have found passing through the global gateway into Africa has made me appreciate this culture more, and appealed to me on a level that made me choose being a part of it.
Breckenridge, Stan L. (2003). "The 'Path African American music for everyone. Second Edition. Iowa: Kendall-Hunt Publications, Inc. Enotes.
The vocal tradition is especially strong in Indian music. It is understood that the song is probably the most ancient form of music. Vocal music occupies a considerable part of Natya Shastra (Indian music). The samaveda is the oldest musical text in India. Most of the classical songs of north India are devotional in nature, but there are few genres which are especially oriented toward religion. Most notable is the bhajan, dhun or kirtan for Hindus, the kawali (qawali) for Muslims, and the shabad for Sikhs (Indian music). Not all the music is serious for there are also many popular genres. The gazal is one style, which is known for it rich poetic, and romantic content. The Hindi geet which is basically just a song and undoubtedly the most popular is the film song (Indian music). There are also a few genres which are oriented specifically toward musical education. The most notable example is a genre called lakshan geet. In this style the words of the song actually describe the rag which is being performed (Indian music). India also has a rich tradition of folk music. These will vary from region to region.
Music plays a huge role in the structure of a society. It can have both negative and positive influence on cultures and communities. First, musical sounds and instruments can be a dividing factor between the people within the same culture. These opposing social and economic identities within these cultures can lead unnecessary animosity between the members. However, music can also be one of the forces that unite members of a culture and provide a sense pride for everyone. This makes it easier for people to display their identification to that culture.
Music has an influence on the world far beyond entertaining drivers on their morning commute. Though commonly thought of as simply an art form, music has been a powerful tool throughout history. In some ways, it has changed the course of history in monumental ways. Music has been used to end the regimes of dictators, spark the fires of civil rights movements, and bring aid to disaster ridden countries.
The influence that music has throughout the world is immeasurable. Music evokes many feelings, surfaces old memories, and creates new ones all while satisfying a sense of human emotion. With the ability to help identify a culture, as well as educate countries about other cultures, music also provides for a sense of knowledge. Music can be a tool for many things: relaxation, stimulation and communication. But at the same time it can also be a tool for resistance: against parents, against police against power. Within the reign of imported culture, cross cultivation and the creation of the so-called global village lies the need to expand horizons to engulf more than just what you see everyday. It is important to note that the role of music in today’s world is a key tool in the process of globalization. However, this does not necessarily provide us with any reasons that would make us believe that music has a homogenizing affect on the world.
Indian music is a very varied type of music which ranges from classical to film, more commonly known as pop. Both types are extremely popular throughout the Indian society in all classes. Music is apparent in Indian culture as a way of expression.
...ether to create music. It was very different than western music in the sense that it seemed and felt very community based and the reliance on each other is what keeps the music flowing. I feel as though this concert really brought together a lot of the themes we have learned in this class, not only in our section about Africa but each section and it helped bring to life what tone, rhythm, timber and form really are for someone who is not very musically inclined. Throughout time, community, through music, has been able to manifest itself in any place and I feel as though this is what this ensemble proves, it shows the individuals as part of the whole, working together to communicate the story and struggle of African people. So, this shows that music is a form of communication, forever bringing new ideas, thoughts and aspects of a different culture to a new audience.