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The importance of gothic architecture
Gothic and Renaissance architecture
The importance of gothic architecture
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Architecture, one of the most fascinating art forms, is often perceived as cultural symbols as well as work of art. For hundreds of thousands of years, people were constantly seeking ways to build bigger and higher architecture. It was until the 12th century, with the innovative engineering breakthroughs, the size and the scale of architecture have reached an unprecedented level that even modern architecture could not compete with. Taller than the ancient pyramids in Egypt, large enough to hold the Statue of Liberty; with a hundred million pounds of stone, seemingly weightless, yet as heavy as the Empire State Building. This is a revolution in architecture: Gothic cathedrals.1 This essay will focus on showing the beauty of Gothic cathedrals In this case, there are 3 main innovations that make Gothic cathedral possible to build. The first innovation is the pointed arch, which was the defining internal characteristic of gothic architecture. It was used to direct weight onto load-bearing columns at a sharp angle, thus allowing for much taller vaulted ceilings.3 Its significance was both practical and decorative. On the one hand, the pointed arch effectively distributed the force of heavier ceilings and thus could support much more weight than previous pillars that we saw in Romanesque period; on the other hand, the pointed arch has a sharper outlook than the Romanesque rounded arches in my opinion. The second innovation is the ribbed vault. A ribbed vault is an arched form created by the intersection of two or three barrel vaults used to support the weight of walls or roof. Using a combination of pointed arches and ribbed vaulting allowed cathedral walls to be built thinner, higher, and allowed more space for openings. Ribbed vaults could look utilitarian or highly decorative depending on where the vault was located in the cathedral.4 The third innovation is the flying buttress, which is another character-defining feature of medieval Gothic cathedral. A flying buttress is made up of two parts: the buttress, a large masonry block; and the “flyer,” an arch spanning between the buttress and the exterior wall. A flying buttress works by Imagine at the time when ordinary people walked into the cathedral, for the very first time in their life they immediately got stunned by the height and beauty of the stained glass. These walls of glass depict narratives from the Bible, like Adam and Eve, Noah’s Ark and the Resurrection of Jesus Christ. In an age when few people can read and write, stained glass window become the multimedia stories of their day, the Bible written in light. 6 And then they look up and see the beautiful ribbed arches that cross the ceiling, they must all feel so lucky and moved to be in such a sacred place. They were probably just marveling, like, “What is this? Am I in heaven right now?” And I think this was moving. At least I am still moved by this beautiful imaginary
In conclusion, I admire the work ethic of the individuals who built this cathedral because it shows work ethic, precise with mathematics, and a strong religious faith. During this Gothic time frame in history majority of their art resembled images that the Holy Bible describes. Religion during this time period was represented very well even experts are still amazed as to how this cathedral were built so tall and high. Even though this cathedral has been exposed to stress, with the assistant with the flying buttress, ribbed ceiling, and metal this cathedral will be an ongoing restorative process so that it will be around for generation here to come to admire its beauty.
Thesis: Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction offers St. John the Baptist more flexibility in design and style. Still, their likeness and variations extend far beyond the realm of their design.
Q: Use St Peter’s basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vierzehnheiligen in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form.
I chose two cathedrals for my post, the Durham Cathedral and the Chartres Cathedral. The Durham Cathedral, my example of Romanesque architecture, was built from local sandstone in 1087-1133 CE (the east wing was replaced in 1242) and is currently located in Nothern England. The Gothic style structure, the Chartres Cathedral (also known as the Cathedral of Notre-Dame), was mostly constructed between 1194 and 1220 CE due to a fire causing it to be rebuilt. Assembled utilizing limestone, this colossal structure is currently located in France and is known for it’s strikingly beautiful stained-glass windows. These structures share a few similarities, like their ribbed groin vaults (the crossing segments on the ceiling of the hallways), the high-placed windows as well as their huge circular window that were added to provide light and a
After walking inside and trying to first experience, the church, and all its beauty and ornateness, I began examining the floor plan and elevations of the cathedral. Grace Cathedral was build in a gothic style, which it represents in its architecture inside and out. There were three huge rose windows. One at the very top of the main entrance and one on either end of the transept. There wer...
Another inspirational architect in this time was William Kent. His designs using ogee pointed arches with a classical cornice inspired Batty Langley to produce a study in which he analyzed Gothic in terms of classical orders. A comparison with true mediaeval and Gothic architecture at this time shows that at this time all Gothic architecture was a decorative style to be applied as ornament to regular structures and s...
The structural and technical features of the story point towards a religious epiphany. The title of the story, as well as its eventual subject, that of cathedrals, points inevitably towards divinity. Upon first approaching the story, without reading the first word of the first paragraph, one is already forced into thinking about a religious image. In addition, four of the story’s eleven pages (that amounts to one third of the tale) surround the subject of cathedrals.
This cathedral was built during the Medieval Period for the worshipers of God. To this day pilgrims come to see the pure, Gothic cathedral. The massive cathedral seems to loom overhead as if a symbol of God watching over the worshippers that visit. The earlier church burned in 1194, it was rebuilt and has gained a much more appreciated and admirable character distinction, statuary, and stained glass. The distinct character of the thirteenth century was captured, through the “Age of Faith” period. The architecture is Gothic which was very popular in the 1200s. Gothic architects created a frame of support with columns and arches so that the walls no longer need to support the ceilings, but are freed up to hold windows. The Gothic structure allows for plenty of windows. Chartres has a significant collection of medieval stained glass, with over 150 early thirteenth century windows. The windows allowed sunlight to enter the dark, Gothic cathedral in order to highlight the story of Christ through the stained glass windows told throughout history to pilgrims alike. These windows create a spiritual and promising place for thought and prayer. Stained glass was used to help teach the stories of Christ to people that were illiterate during the medieval times. While most worshippers of that day were illiterate, comprehending the symbolism of the story of Christ in each of the windows was vital and gave meaning towards adversity during the medieval ages, as they struggled through their dark and dreary lives, which were filled with hopefulness, while viewing the story through the stained glass windows. The windows are also...
... beauty and light in the building, they realized that the church must really hold the key to salvation, for they were able to construct a place so similar to the afterlife that many people longed for. It seemed almost as if Abbot Suger had visited heaven and created a physical representation in the Basilica of St. Denis.
You may think today “Hey, I totally wonder sometimes what the Middle Ages Churches and Gothic Medieval Cathedrals where like. What were they important for? Were they Churches like the ones today? How long did it take to build? “ Well that may be SOME of the questions you may have but you may have more. In this essay you're about to find out why the Medieval Gothic Cathedrals were so important for, and how much rule and and wide range of power they had over the people in the Middle Ages, and last but NOT least, the creative sublime (I’ll delete this comment later on if you see this but “sublime” is my own words not internet word) of the Gothic style windows of the Cathedral. First, the one I like most, the Gothic stain glass windows of the Gothic Cathedral. Stained glass is argued to an opinion or belief, one of the most important aspects of Gothic cathedrals. As its popularity rose, mainly during the mid 12th century, the increased existence of stained glass presented large changes to the way the general residents were learning about the religion. The windows became illuminated optic (“Optic” is my own wording) talk of biblical stories, which may have had an even greater impact than the spoken word of the priest. In this research paper, I will be primarily focusing on the stained glass windows and architectural styles employed in five Gothic buildings in France, each having their own unique and worthy attention and characteristics to the development of stained glass windows. By looking at the architectural improvements shown in these structures built during the Gothic time frame, we are able to see the impact all over the place to itch for increase...
Several elements from Gothic architecture were borrowed from the Lombards and the Franks. They took the compound pier and archivolt, the alternate system, and the ribbed and domed vault. It can be seen that the main dispositions of the Gothic plan are derived from Carolingian developments of the early Christian basilica. The most fundamental element of Gothic architecture is the pointed arch, whi...
Their purpose is to redirect weight from the roof of a building to the ground. In Romanesque architecture, regular buttresses consisted of exceptionally thick walls that sat parallel to the structure, in direct contact. Structures built using this type of architecture were modest in size because of the limitations of the rounded arch, and due to the fact that thick, cumbersome buttresses could not be continuously built on top of one another. Another innovation of the Gothic period was the development of the flying buttress. This style of buttress is favourable to that of the standard buttress because it allows for structures to be built much higher than previously possible.
The Romanesque architecture style, which occurred during the late 11th century to the middle 12th century, literally means “roman-like” architecture. The Romans, who were inspired by the Etruscans, used barreled and groined vaulting. Romanesque architects later adapted the use of rounded arches, giving the style its name. The Romanesque style, being inspired by the Roman architecture, used the plan of the basilica style. Romanesque cathedrals were not originally designed for aesthetic purposes. Romanesque style replaced flat wood ceilings with stone vaulting. It was one of the first styles to use mainly all stone, but the walls of the Romanesque cathedrals were built very thickly. They were almost like a fortress. Romanesque cathedrals had few windows as a result of their thick walls so the churches were very dark. In a sense, this echoed the life that was outside of these sanctuaries’ walls during the Middle Ages.
The windows were of stained glass showing bible stories and saints lives in them, And the design structure enabled cathedrals to rise higher than ever. It even became a contest for architects – who could build a cathedral as tall as possible. A cross shape was used for windows allowing crossbowmen to shoot attackers from the inside, and a cross plan was also used for the shape of a cathedral as seen from a bird’s eye view.
When I was a child I used to be frightened of entering such a place for it seemed so imposing and somewhat dangerous, especially when music was being played. One day, in order to keep a promise I had made, I saw myself forced to enter. It took me quite a while to get the courage to pass through the old oak door, but the moment I stepped in, I realized just how enchanting and breathtaking this building could be. Its fantastic architecture and exquisite frescoes reflect perfectly the unity between this earth and the unseen kingdom of angels in such a manner that one cannot say where one ends and the other begins. The way in which the church was built is also the vivid testimony of a medieval period. Although it is a place that can sometimes be cold and ask for respect it is where prayers are answered and magic is done. An overwhelming feeling of inner harmony takes over you once you enter and God seems much closer. Darkness and light are welded perfectly together creating Redemption’s house. The tower allows you to see the entire town from the smallest river to the biggest building site, offering you its mightiness.