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2. Feng shui principles for open public space What’s factor that indicates a successful or failed public space design? Steven Holl () states some consideration that he believes should be fundamental in accomplish a successful urban space. First, Geo-spatial is balance relationship natural landscape connected with surrounding. Next is an experiential phenomenon which determining the qualities of urban life; spatial energy and mystery, qualities of light, color, sound, and smell. Time, light, history, materials and urban geometry intermesh to form a unique impression. The third is urban porosity, which mean the freedom of pedestrian movement, so they can change direction in seconds, not blocked by large urban constructions without entry or exit. The fourth is Sectional cities that urbanism has moved beyond the usual ‘X’ and ‘Y’ dimension only, but also the ‘Z’ dimension of the development of buildings design new experiences in space, light and perception. Public space has to be flexible which materials and products dissolve and disperse. For illustration, its like the open space, which can adapt to change- like a rock canyon in which material is eroded by the river flow- calls for an architecture of duration rather than one of throwaway space. Another important factor is the synthesis of landscape, urbanism, and architecture can be realized in city fragments when all aspects are conceived integrally. This integration should carry over into texture, material, colour, translucency and reflection of the city. case studies : Principal’s feng shui or method for public space Any type and size of projects could be applied use feng shui principles, no matter it’s a public or private projects. Feng shui could be natural open spaces su... ... middle of paper ... ...orable atmosphere. On top of that, another consideration in feng shui is outdoors spaces should have strong relationship with buildings that surrounding the site. The purposefully and beautifying exterior surrounding arrangement invites and fascinate advantageous chi energy onto the entire property. However, no matter how ideal the location, any other factors can alter the feng shui design such as proximity to high tension wires, the corners, colours, and heights of neighbouring buildings, direction, speed, noise and curves of roads and overpasses can influence the feng shui of a site. The balance in shape, size and placement of different function and features to attract positive energy onto the site and ensure proper circulation help symbiotic relationship between land structures. It creates specific subtle emotion that reflects a sense of natural rhythm and space.
Growing up in the Bay Area next to San Francisco ha slead me to become fascinated by the complexity of the cities of the world and how they affect so many people. I love the idea that these cities were all planned and thought up of by individuals working together for a larger goal. The planning of cities affects all its inhabitants in ways that they probably do not even realize which makes these plans and the planning process even more compelling. I am also interested in what makes cities unique. Cities are all made up of roughly the same things: blocks, big buildings, parks, cars, and people. Even though the basic elements of cities are the same they all still have there own unique character. I think one of the most distinguishing factors of cities is how they were designed to accommodate certain needs of their inhabitants outside of where they live or work. Cities can easily be overwhelming or a harsh place to live, which is why certain areas need to be set aside to offer some kind of escape. In addition to being a place to withdraw, parks and recreational areas can be a distinguishing characteristic of a city. In San Francisco, the Golden Gate Park, Union square, the Presidio, the wharfs and many other areas set it apart from all of the other cities of the United States and the world. How the planners of San Francisco thought about the areas that the inhabitants needed outside of work and home helps give it its individuality as a major city. Just like how someone must plan all cities, people planned all the parks and recreational areas of cities that have such a widespread effect. By looking at Fredrick Law Olmsted and the Urban Design and Social Context approach he represents, one can learn more about landscape architecture in...
In conclusion, the debate between aesthetics and functionalism has been around for a long time. It becomes clear however, through research, that the first thing architects consider is function, and then aesthetics. It is because of this approach that aesthetics becomes somewhat of a by-product of the whole design process. By looking at examples of various buildings, it is apparent that aesthetics is important to structure and in many instances has been successfully coupled with function. But in no circumstance should aesthetics take precedence over the function and practicality of a building. It seems more likely that a happy medium between function and aesthetics can be reached, on a project by project basis, and then applied to the design process of creating the building.
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
The question of how different building features can affect the building users has occupied the attention of many researchers and building industry professionals the last decades. In addition, many are concerned as well about how to use effectively all this knowledge in that way to influence the decisions about the design of the building. According to Vischer (2009) the research on the building performance and use can be characterized as intelligence gaining. The measures taken for assessing building performance include users' experience of environmental comfort and satisfaction, as well as subjective data and measurements related to different building systems. But these data are not strong on their own unless there is no evidence of how users are affected (Vischer, 2009).
Despite the fact that novel technologies are continuously under development to complement existing practices in coming up with greener buildings, the universal intent is that such structures are designed to diminish the general effect on the built environment on health of the humans in addition to the natural environment via: Diminishing environmental degradation, pollution and waste, improving productivity of the employee and guarding occupant health, efficient usage of water, energy, in addition to other resources.
Renzo respects that is it important to not become self referential with design. Therefore, to truly understand the reality of a city, Renzo will never accept a new job without visiting the space first. This is to find the fundamental emotions, which he states is the true source of inspiration (Archinect, 2006). Furthermore, Renzo and his team will make hundreds of models after research to test their theories. “Versions enable us to understand how the pieces will work with each other”, Renzo once said (BMIAA, 2015).
The concepts about green architecture can generally be organized into several areas of application. These areas include sustainability, materials, energy efficiency, land use, and waste reduction.
During the 10th to 12th centuries known as the Heian era, Japan was breaking away from the styles of the Chinese T'ang Dynasty. New ideas were developing as the Imperial court converted what it had learned. In the area of garden design, however, Chinese thought was still a powerful force. Most of the aesthetic principles we see as Japanese had not yet developed. The dominant architectural style, called Shinden, was essentially a modification of Chinese design. Buildings were arranged somewhat symmetrically and according to the laws of Chinese geomancy called Feng shui. Within the mansions, a central building, the shinden (sleeping hall) would be linked to other outlying buildings by covered causeways. Beyond the tile roofs and verandas was the gar...
The "Feng Shui for Beginners" Journal of Accountancy 200.6 (2005): 36-39. Proquest. 9 Apr. 2012 http://search.proquest.com/docview/206773679/135FDC7FD415722418F/1?accountid=136258>. Asis Leif Designs. 2001/2012. 6 May 2012 http://www.asis-leif.com/5_elements_feng_shui.htm>
The study and theories of architecture over the years has been interpreted, transformed, and implemented in many ways some of which are coherent and related to one another and others which completely refute all other approaches. In this paper I will discuss the Theory of the Urban Artifact as posed by Italian Architect Aldo Rossi In his work "Architecture of the city"(1966). The title of the Rossi's book "Architecture of the city" reflects his understanding of the city as a man-made object, a single work of architecture in its totality, one that is not individual rather it is composed of many different parts that make up this totality. For Rossi one of the main elements for understanding a city is its urban artifacts.
The perfect green building would protect the environment which surround the project site, and could be used as a building that is going to achieve a purpose. The construction and operation levels of the green building will help to have a healthy environment without disrupting the land, water, energy and resources used inside the building and around the building in the project site; this is the actual definition of the green building.
Jacobs proposed that cities are in need of four main modes of diversity which are, need for mixed primary uses, small blocks, aged buildings, and concentration. All of the areas being destroyed for highways contained these features, however, they were considered to be hinderance to urban development because they failed to follow the modern idea of
Well-recognized cities worldwide have built over the years great buildings with a variety of designs and concepts however consequently too much building has been making grievous decrease on energy efficiency. Now, “Green Architecture” has been popularized and as a result a modicum of energy efficiency has increased and also it has substantiated a new perspective, a new versatile way on architecture.
Meanwhile, due to the fact that the space is being designed specifically for the individuals needs therefore, it conveys personality and energy of the person. Evoke harmonized feelings, perspective and state of the client’s needs play major role in the final design. For instance, if a client wants to keep some of their existing sentimental valuables (such as a piece of art work), designers must work around that need. The designer can create do-it-yourself projects where they can satisfy the customer’s needs while being on budget. Harmony and balance are also important, so designers must keep in mind functionality ( feng
If there are more people, more, density, and a good mixture of uses, it will be a safer city... You cannot find a single city that does not wish to make the city center more vibrant or livelier.” This quote from Jan Gehl, the principal of Gehl Architects, illustrates the importance of having a sustainable city. The Central Park project has showcased to the world on how the landscape we design or occupy, can affect our daily activities and surrounding neighborhood. It sets an example of how design must be appreciated as a crucial factor in sustainability and emphasized on the fact the connection of people and nature should not be ignored. All in all, landscape architects are the ones to determine the physical characteristics of the public realm environment, to decide whether a city is attractive to people and whether people will choose to live in the city in the long