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Importance of mysteries
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Your hands shake, your heart pounds, your mind burns with curiosity; what is it about a mystery that excites the senses of a human being? A mystery, by definition, is a novel dealing with an intriguing, puzzling crime, (Merriam-Webster, 535). But what is it about these stories that make them worth reading? No book can really call itself a mystery, unless it is realistic and creative, has a ‘good’, quality villain, and the enigma is worth solving. First, a mystery must be realistic and creative. If the mystery was not realistic, or in other words, could not be followed logically, the reader could not possibly even try to solve the quandary, and it would, therefore, lose most, if not all, of the readers’ interests. But a realistic mystery should not be so logical that it is boring; it must also be creative. …show more content…
The villain, or antagonist, of a mystery must be cunning and creative. If he or she was neither cunning nor creative, the detective would easily find and catch them, making for a short, and not very interesting, story. Which brings us to our next point: the villain should be seemingly un-catchable. This makes the detective’s(s’) job more challenging and gives him a heroic persona once he finally catches the villain. Like the overall story, the villain must also be unique in some way, shape, or form. If, for example, every villain in every mystery was a woman who had killed her husband for insurance money, the reader would only want to read one mystery and be done, because they were all the same. But, if in one mystery the villain was a woman, who had killed her husband for insurance money, and in another the villain was a male serial killer, the reader would want to read both, because each one had a different villain who did what they did for different reasons and in different ways. This is why it is important to have a ‘good’, quality villain in a mystery worth
Logos is a major factor when writing the plot of any mystery story. “The logic you use as an author or composer also significant when you tell a story. Usually follows a pattern in which the plot and characters unfold in a logical manner to the reader.”In some instances the detective, or person trying to solve the mystery is an average person. The story is laid out so that you know what they know and if you are smart enough, you can solve the mystery as quick, or even before it is revealed, without reading the end. My boyfriend is quite good at this when watching one of my favorite shows, Bones. It is a type of mystery where the story gradually unfolds and the big reveal is shown at the end tying it all together. Quite often I have to tell him to keep it to himself so I can watch the story unfold. In some instances mysteries are derived from real
Literary villains are all around us. For instance, Voldemort from Harry Potter and Darth Vader from Star Wars. What makes a villain? They will go through anyone or damage anything to reach their goal. No matter how small or how tall they are, anyone can be a villain.
Everyone at one point has been captivated and intrigued by the plot of a movie or a book. This captivation is generated by the one tool that authors and directors love the most, suspense. Authors want their audience and readers of their writing to be enthralled by creating tension and thrill in their plot. The usage of style, characterization, point of view, and foreshadowing allows authors and directors to create suspense in their work. Suspense is a very difficult approach to master but with the correct tools it can be as simple as a walk through the park.
Mystery is used to give the story a scary and unusual setting. First, the story about Ship Trap Island is used to arouse superstitions. These superstitions bring you into the story to make the reader desire more about the mystery. Second, mystery is used whenever Rainsford hears the shots, the screams, and later sees the bloody brush. This makes you want to know what was hunted down and killed there. Lastly, mystery engross General Zaroff’s huge chateau. Connell’s description of a home on the edge of a cliff with tall towers, iron gates, and a gargoyle knocker makes for a good mystery. This home makes the reader think, why is this here.
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
The good guys always win in mysteries because that’s what the reader wants to happen.
are there until we reread the book. By setting up the mystery in this way, Crispin makes his book one that the reader cannot put down. His entire way of introducing the characters, settings and mystery make this a very remarkable book.
first some type of mystery, but as we read the ending we realize that it is
The roots of the blossoming tree of crime fiction can be traced back to the ancient soil of The Bible, and beyond, in literature which contains mysteries to be solved, and figures who act as detectives. Mystery was present in Classical Greek tragedy. In Oedipus Rex (c. 429 bc) the identity of Oedipus is a mystery, the unravelling of which influences the movement of the plot. In fact the very term 'anagnorisis' indicates a discovery - a revealing of a mystery.
A detective story is a genre of fiction in which a person attempts to solve a crime. The detective may be a professional or an amateur, and generally has nothing to gain from solving the crime. However in Sophocles’ “Oedipus the King”, the main character Oedipus is not only determined to solve a crime, but he is also in pursuit to find his own identity. This is similar to Arthur Conan Doyle’s “A Scandal in Bohemia” where Sherlock Holmes has been hired to work as a detective in return for monetary compensation. Both situations enable Oedipus and Sherlock to gain from unraveling the mysteries that sweep their towns hence making these stories different from most detective stories.
This article describes the search for pattern in the detective process which is metaphorically represented by the abbey's library. William's misconception of the importance of the clues leads him to realize that although clues are meant to help to get at the truth of matters, they do not necessarily fall into a pattern that leads to the truth. Like there is no correct way to go through a labyrinth to its centre, there is no correct way to follow clues and signs to the truth. In the end, although the murderer is discovered, trying to link all the clues to lead him to a final answer, William is led astray in his investigation.
The very essence of any detective story is the mystery. Unlike murder mysteries, which have a lot in common with detective stories, Holmes's problems are not invariably as severe as homicide. These mysteries are not usually insignificant though, and "Often they have to do with theft or murder" (Adventures). The first mystery may be an important and confusing conundrum, but there is often a more worthy case that presents itself after the first has commenced. This adds a level of intrigue to the tale because "The first story leads towards dissolution, the second towards restoring order" (Horsley). In each adventure, someone has been or is in danger of being wronged by another person, and comes to Sherlock for help. This creates "A clear and unambiguous triangle of characters - the investigator, the victim, and the transgressor" (Horsley). All of this is incorporated into the author's puzzle.
Agatha Christie, author of the murder mystery And Then There Were None, used foreshadowing and both external and internal conflict to portray the theme of her novel that justice can be served for the crimes that go unpunished. Christie used these elements because she enjoyed mystery and she liked to keep her readers engaged while reading. Agatha Christie is still considered one of the best, if not, the best murder mystery writer today because she wrote the first murder mystery novel and she wrote many more after that that was well loved by people.
The most important part of any type of book or story is that it be interesting. This proves to be particularly important in detective fiction as well. What could be more interesting than having a crime committed in front of you, given all (or most) of the details and still not be able to figure it out? This is exactly how detective fiction authors draw people into these stories and books. By weaving an intricate and interesting plot full of fascinating characters, and all types of details about the crime, readers get drawn into the plot and cannot stop reading until they find out the solution to the mystery. Simply put, readers are drawn to detective fiction because it is so easy to become completely engrossed in the stories. The trick of the author is how to create such an environment to keep readers coming back again and again to the genre.