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Relationships in a midsummer's night dream
Relationships in a midsummer's night dream
Gender in a midsummer nights dream
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Love is chaotic and free, and because love is so powerful, we often do extreme and erratic things to capture it. The tradition of marriage, or mawage, is so firmly established in history that the gender roles common to marriage are often inescapable, no matter how strong love is, or how powerful a person is. In A Midsummer Night’s Dream, William Shakespeare uses imagery to portray the theme of gender roles and show how love has the spell-bounding power to either change or reinforce those roles. A Midsummer Night’s Dream begins with commentary on the classic gender roles of an engaged couple Hippolyta and Theseus. However, the classic gender role of women’s subservience to her husband is made complicated by war and victory. Theseus, duke of Athens, conquers the Amazons, and consequently takes Hippolyta as his prize. The prize mentality that Theseus embraces is rather barbaric, similar to wild animals fighting for a mate, and aids in reinforcing detrimental gender roles. Previous to being conquered, Hippolyta had been the ruler of a great nation and was by no means a weak or submissive woman. Although she had been shamefully conquered for marriage, Hippolyta refuses to be a beautiful statue that lies in the outskirts of the palace to be gawked at. Hippolyta secretly has control over her situation, as shown in the first passage of the play in Act 1, Scene 1. In this scene, Theseus discusses their wedding day with a tone of longing. Imagery of anticipated seasons of the year with slowly moving days is used when he fantasizes about the wedding day and describes Hippolyta as holding his desires from him. Although Hippolyta has an intimidating Amazon warrior image, Theseus is enamored by Hippolyta’s beauty and will do anything to gain... ... middle of paper ... ...er roles, and is portrayed as a submissive wife once again. As in all comedies, the end must be positive, up-lifting, and expected. If Titania would have demolished the gender roles, the play would not have been comedic and the reader would have been left with a queasy feeling of unrest. Love truly has a great effect on the couples of Hippolyta and Theseus, and Titania and Oberon. In the case of Hippolyta and Theseus, Hippolyta is able to manipulate the gender roles in the relationship because Theseus’ love for her trumps all. However, in the relationship of Titania and Oberon, Oberon values controlling their hierarchy of power before his love for Titania, and thus, gender roles do not change, but are in fact worsened. Whether or not gender roles are changed, love is a chaotic process that causes people to act in ways that seem implausible to the outside world.
In Shakespeare’s play, A Midsummer Night’s Dream, love appears to be the common theme of several storylines being played out simultaneously. Although these stories intersect on occasion, their storylines are relatively independent of one another; however, they all revolve around the marriage of Theseus, the Duke of Athens, and Hippolyta, the Queen of the Amazons. If love is a common theme among these stories, then it is apparent that love makes people act irrationally.
Is love controlled by human beings who love one another or is love controlled by a higher power? There are many people who believe that a higher power has control over love. An example of a higher power would be a cupid, a flying angel-type creature who is supposed to shoot arrows at people to make them fall in love. There are other people who reject the idea that a higher power controls love and that the people who experience love can control it. In the novel, "A Midsummer Night's Dream", by William Shakespeare, several examples of love's association with a higher power are presented. With the use of examples from the above novel, this essay will discuss the evidence that love is associated with a higher power. Examples like: Thesius arranging a marriage between himself and Hippolyta, Egeus choosing who Hermia should marry and the fairies who have the ability to control love in the Enchanted Forest.
Love can be quite chaotic at times. As much as poets and songwriters promote the idea of idyllic romantic love, the experience in reality is often fraught with emotional turmoil. When people are in love, they tend to make poor decisions, from disobeying authority figures to making rash, poorly thought-out choices. In the play A Midsummer Night’s Dream, Shakespeare uses various motifs to illustrate how love, irrationality, and disobedience are thematically linked to disorder.
Several relationships begin true love such as Hermia and Lysander’s and Hypolyta and Thesus’ but some that did not begin in true love, end as true love such as Helena and Demetrius’.
In William Shakespeare 's A Midsummer Night 's Dream, following the climax of the play, Theseus, the Duke of Athens, makes an interesting observation about the nature of the one thing that has driven the conflict of the story: love. "Lovers and madmen have such seething brains/ Such shaping fantasies that apprehend/ More than cool reason ever comprehends" (V.I.4-6). Theseus ' statement, making lovers akin to madmen, casts the action in a somewhat different light than one might ordinarily see it. If lovers do, in fact, think and behave as madmen do, as Theseus seems to be suggesting, this speaks not only to the nature of the conflict and confusion between the four lovers, but to the nature of the relationships between nearly every character in the play, artificially induced though some of them may have been. This somewhat altered view of the matter calls to
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
In William Shakespeare’s “A Midsummer’s Night Dream” two worlds are contrasted throughout the play. The Athenian state is governed by order, law, and reason; the forest or Fairy world lies within the realm of the imagination where anything is possible. While both worlds run parallel in the play, their inhabitants are influenced by one another. Their rulers, Theseus and Oberon, play critical roles in the events of the story. Theseus acts compassionately with a sense of duty, order and respect; his initial rulings for Hermia provide the exposition for the comedy (May 75). Oberon acts compassionately as well, but acts on a whim and resorts to trickery if it suits his desires; his actions direct the complication in the plot (May 75). Their personalities are characterized by how they attempt to help the young lovers, how and why they make decisions and how they interact with their loved ones and subjects. The rulers’ similarities govern the reasons behind their actions; their differences contribute to the success of the story.
A Midsummer Night’s Dream, by William Shakespeare, is a play that illustrates a good picture of woman’s lack of freedom. It is a story of several couples, among which there is a fairy king, Oberon, who proves his sovereignty over the queen of the fairies, Titania. The two have an ongoing conflict about who should keep the Indian boy, whose mother had recently died. Titania doesn’t want to give him up because she and the boy’s mother knew each other very good; whereas Oberon has no relations to the boy, but really wants him as a servant. Ultimately, Oberon wins the boy by using a trick of his on Titania, revealing her weakness. Shakespeare uses Oberon to show this power of man over woman and to expose woman’s unheard, meaningless, and feeble opinions through Titania. In several scenes throughout the play, the female character, Titania, struggles to do as she desires; however, Oberon takes things under his control and helps to portray the female as weaker than the male.
A Misummer Night’s Dream is a comedy play written by William Shakespeare. In this play there are multiple themes however the most evident theme is love. Why is love an evident theme? It is an evident theme because the play commences with two Greek mythology characters─ the Duke of Athens, Theseus and Amazon queen Hippolita planning their marriage. However as Theseus plans his marriage he has to help Egeus persuade his daughter Hermia to marry Demetrius. Unfortunately both the Duke and Egeus failed to persuade Hermia into marrying Demetrius so the fairies (another set of characters. The fairies in this play consisted of goddess of chastity and Queen of fairies, Titania and King of fairies Oberon and his assistance Robin Goodfellow) decide to resolve this issue by involving a “western flower” whose juice “ will make…man or woman madly dote upon the next live creature it sees…” Through each and every action of the characters Shakespeare implies that love is makes us crazy, but it moves the world. Love is something that needs to be felt with the heart and once someone feel it, their life can change forever.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
In the struggles of Hermia and Lysander to find a place where they can freely express their true love, it is evident that the course of something as scarce as true love always comes with obstacles. Lysander says: “How now, my love? Why is your cheek so pale? / How chance the roses there do fade so fast?” (1.1.130-131), showing that he and Hermia make a faithful couple truly showing their adoration for each other. However, Hermia’s father Egeus refuses to allow to these two lovers marry. This is the conflict Hermia faces: to disobey her father (and the Athenian law), or to mind her father’s will and allow this “edict in destiny” to lose course. “O hell, to choose love by another’s eyes!” (1.1.142), Hermia decides. Hermia chooses to follow the path her true love brings rather than to do what her father insists. In this example, complications manifest in the troubles with true love. In addition, even Titania and Oberon have difficulties
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
Euripides depicts erotic love as a consuming and destructive force. How Hippolytus manages to remain chaste generates represents his resilience from succumbing to eroticism. Young women devote themselves to Hippolytus due to his intense commitment to chastity and devotion to Artemis, his scorn towards Aphrodite, and the acceptance of his fate. Evidence throughout the play displays why Hippolytus is worthy of esteem.
Forced love was displayed was also another type of love displayed in the play as well. Theseus forced Hippolyta to marry him after he captured her. Hippolyta was the queen of the Amazons. Theseus quoted “I woo’ed thee with my sword/ and won thy love doing thee injuries” (Act 1. Scene 1) Theseus obviously felt that because he conquered Hippolyta, she was obligated to marry him. Another example of forced love was when Egeus was trying to force his daughter, Hermia to marry a man that she didn’t want to.