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An Essay On The History Of Photography
History of photography essay
Essay on the history of photography
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Imogen Cunningham and Edward Weston were two influential pioneers of photography. Through the images they created, photography became accepted as an art form in and of itself. Without the work of these two, the field of photography might have become an entirely different landscape than it is today. As both Cunningham and Weston were members of the same photographer’s society, Group f/64, their images share some artistic qualities and have similar philosophy behind them. Despite this, there are many fundamental differences between their artwork, such as subject matter, inspiration, and composition. By examining the works of Imogen Cunningham and Edward Weston, we may find these differences between them among the similarities.
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It is difficult to categorize many of his photos, but he has a large number of close-up still lifes and landscapes. His close-ups are also varied, with many shots of different vegetables and shells. Despite the variety of his subjects, Weston’s photographs have several features in common. Most were taken with high detail and sharpness. Much like Imogen Cunningham’s photos, Weston appeared to use a large f-stop to capture all the detail the scene had to offer. Each detail in every square inch of the photo is equally important, adding a different layer or impression to the overall image. Another common feature possessed by several of Weston’s photographs is the dynamic way light is used. The light and shadow are intense, blending together in ways that make even ordinary objects somewhat abstract. The effect produced by the light feels so deliberate, it is almost as if Weston directed every photon to its proper place. The parts of the subject that were obscured in the shadow add to how abstract many of Weston’s photos were. While Weston’s use of lighting was impressive in many different types of photos, where it perhaps shined the most was in his still lifes. His still lifes also had several other features in
For Emerson, the reticent beauty of nature was the motivator. To him, photography should be recognized because its still-life beauty was able to persuade the public’s appreciation of the life and nourishment
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
The first part of Delights and Shadows, “Walking on Tiptoe,” contains a series of pictures of people come in contact with his daily life. He records their strengths
Born of Irish immigrants in 1823 in a little place called Warren County, New York; Mathew Brady is known as “The Father of Photojournalism.” While a student of Samuel Morse and a friend of Louis Daguerre (inventor of the “Daguerreotype,” a method of photography that the image is developed straight onto a metal coated surface), in which he had met while under the study of Morse, Brady took up his interest in photography in the year of 1839, while only seventeen years of age. Brady took what he had learned from these two talented and intellectual men to America where he furthered his interest in the then-growing art of photography.
William Rogers Louis and Hedley Bull. Oxford: Clarendon Press, 1986. 261-284. See the corresponding section. May, Ernest R. and Gregory F. Treverton.
To be named one of the top photographers of the 20th Century is a substantial credit on its own, but to do so with no formal training or background in the art is remarkable, yet accomplished by Philippe Halsman. It all started at the young age of fifteen, when Philippe would photograph friends and family with his father’s 9x12-cm view camera, developing the glass plate “miracles” in the family’s bathroom sink. Even in these early years, using rudimentary equipment, it was evident Halsman had a gift and would leave a definitive mark on the photographic industry. With his ability to capture the true spirit of the subject and his advanced technical abilities, his career was destined to be nothing short of successful (B. Johnson 180).
Peanut butter and jelly, a common combination of two separate entities, most people have heard of this duo, many enjoy it, but only one manufacturer packaged them together in a handy snack. Much like the tasty treat that is Goobers is the tasty duo of Adam Fuss and Roland Barthes. Two separate men, Adam Fuss and Roland Barthes put together in one reading, complementing and accentuating each other. Fuss and Barthes, they share an interest in photography, they share an interest in the foundation and principles of photography, more over they share an interest in photography that is deeply personal. Fuss takes the camera out of photography. Barthes takes photography out of art. Both men want to get to the essence of what a photograph is, one by thinking and writing about it and one by doing it. In this paper I will show how Adam Fuss’ work matches up with and demonstrates the ideas of Barthes’ in Camera Lucida. I will look at one body of work at a time and show which parts of Barthes’ ideas are present in the work, in its creation and its theory. I will start with his first professional body of work, move through to his most recent work and then look back to some of his childhood pictures. Whether Barthes' ideas actually influenced Fuss’ work I am not sure of, I have not found any text or interview that leads me to believe that it is, however I would not be surprised if it has.
In the chapter, “The Mirror with a Memory”, the authors, James Davidson and Mark Lytle, describe numerous things that evolved after the civil war, including the life of Jacob Riis, the immigration of new peoples in America, and the evolution of photography. The authors’ purpose in this chapter is to connect the numerous impacts photography had on the past as well as its bringing in today’s age.
Oxford U. Press, 1988. pp. 113-114. 121-149 2. What is the difference between a.. Purcell, Nicholas.
of the book. London [u.a. ]. : SAGE, 2008. Print. The.
Bra... ... middle of paper ... ... ed. Bailliere Tindall. London: 1985.
Born to Nettie Lee Smith and Bill Smith on December 18, 1918 in Wichita, Kansas was William Eugene Smith, who would later revolutionize photography. His mother Nettie was into photography, taking photos of her family, especially her two sons as they grew up, photographing events of their lives (Hughes 2). Photography had been a part of Smith’s life since he was young. At first it started out always being photographed by his mother, and then turned into taking photographs along with his friend Pete, as he got older. They often practiced developing photos in Nettie’s kitchen, and he later began to create albums with his photographs. His photographs diff...
Masters. With his small hand camera he unobtrusively photographed people’s lives around the world. He was solely responsible for bridging the gap between photojournalism and art. He has published more than a dozen books of his work. The greatest museums in the world have shown his work.
He photographed clowns and actors. But later in his career he wanted to photograph real emotions, not fake. He photographed Dorothy Parker and the dark side of her emotions, and the toll life had taken on her. He wanted to show the hidden emotions of people, like King Edward and his wife, Wallis Simpson. He watched them interact together and wanted to bring out real emotions, not fake smiles.
A close analysis of Geoffrey Batchen’s Burning With Desire reveals several themes that combine to illustrate the thoughts of the general populace during the time of the proto-photographers. This was the time of Romanticism, where the very idea of Nature moved artists and poets to produce fantastic works that encompassed her beauty. However, this was also the time of the Enlightenment, where progressive thinkers were discovering new truths about the world, and calling into question old theories of how the world works. Further analysis of Chapter 3: Desire allows the reader to understand two very important trends in early photography; that is, the idea that photography and Nature affect and are affected by one another, and that photography enables