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Shakespear's julius caesar leadership
The corruption of power
The corruption of power
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What comes to mind when one thinks of “Romans”? Power, dominion, or even greatness could describe these noble people. The Romans were arguably one of the most powerful civilizations in history, so how could a people of such greatness come to such ruin? Power is a dangerous privilege for any worldly nation to possess, and when mixed with a scandalous concoction of greed and corruption, could spell the end of an entire civilization. Julius Caesar showcases Shakespeare’s own interpretation concerning the demise of Rome’s most famous leader. This play spotlights various examples of imagery to help the audience understand the author’s interpretation of this historical tragedy. Imagery is a kind of figurative language used to help the reader interpret a story through sensory description. The themes of power and corruption are displayed through many examples of Imagery in Shakespeare’s Julius Caesar such as the barrenness of Caesar’s wife, the offering of a crown, and a series of foreshadowing omens.
The first imagery device to consider can be found during a celebration of the Roman feast of Lupercal when Caesar asks Antony to “...touch Calpurnia; for our elders say, The barren, touched in this holy chase, Shake off their sterile curse.” (I, ii, 89) The imagery used in this passage is a little less obvious, so one must break down the quote to understand what is being said. It was part of Roman cultural tradition for a naked participant to run through the streets of the city during the festival. It was also believed that if this runner touched you, it was good luck. Caesar is asking Antony to touch Calpurnia because he believes that it will “shake off [her] sterile curse,” meaning that she is supposedly infertile, and a touch from Antony...
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...the play when the very item Caesar sought after for power is used to lure him to his demise. As the play continues, the rest of the conspirators are not convinced by Caesar’s dramatic scene, and decide that it’s time to put an end to Caesar’s plans before things get out of hand. They prove Caesar’s true ambitions by calling him out of hiding “To give this day a crown to mighty Caesar.” (II, ii, 94) Thus showing that even in fear, Caesar cannot turn down such an easy opportunity. He does not think himself unworthy as he lead the people to believe, otherwise wouldn’t he have turned down this proposal as well? This turn of events proves to favor the image of a corrupt and power-seeking leader. He decided to venture out willingly into the tempting trap laid out before him, even despite all the omens forbidding it. Omens, being the next Imagery device given by Shakespear.
...ther gifts he asks “when comes another [as great as Caesar]?” (877) in order to make the crowd feel complete and utter guilt for their betrayal and anger towards the conspirators who killed their beloved idol.
In the following scene, Caesar is set to receive his crown. The night before, Calpurnia sees bad omens, and hopes that Caesar will stay home. On the other hand, the conspirators are planning the assassination of Caesar at the Capitol, and they need him there to receive his fate. Knowing Caesar well, Decius urges Caesar to go to the Capitol and receive his crown. Using various rhetorical devices, Calpurnia attempts to urge Caesar to stay home, while Decius tries to get Caesar to the Capitol.
In this scene, Caesar shows no eagerness to gain power or fame as the citizens have assumed therefore showing no ambition whatsoever. The imagery and logical reasoning persuade the audience into rethinking if Caesar was ambitious and believe that Caesar was
Julius Caesar is the leader of Rome and is seeking to become king in a matter of time. Though he is a good military strategist, he lacks knowledge in running government and is too greedy to have any concern for the peasants when he is alive. Caesar is all about conquering and power and he is afraid of nothing. Before he is murdered, he says “The things that threatened me ne’er looked but on my back. When they shall see the face of Caesar, they are vanished” (II, ii, 575). Th...
In life, people and things are not always as they appear. William Shakespeare displays this idea throughout his play, Julius Caesar. The play portrays the historical murder of one of ancient Rome's most precious leaders, Julius Caesar. The play takes its readers through the minds of the conspirators as they plot this massive murder and deal with the responsibilities of its consequences. During the aftermath of Caesar's death, Octavius talks to Antony about how they should bring peace back to Rome. He states, "And some that smile...have in their hearts...millions of mischiefs" (4.1.50-51). Here, Octavius is referring to the false appearance of the conspirators. He says that they might appear harmless, but behind their false smiles is a heart full of dirty tricks. He is also saying that someone's outward appearance doesn't always symbolize how he or she feels inside. This theme of appearance versus reality can be seen various times throughout Julius Caesar. It is developed through the personalities and actions of Antony, Brutus, and Cassius. These characters deceive their friends and add to the intriguing plot of the play.
The play The Tragedy of Julius Caesar by William Shakespeare showcases many characters and events that go through many significant changes. One particular character that went through unique changes was Julius Caesar. The 16th century work is a lengthy tragedy about the antagonists Brutus and Cassius fighting with the protagonists Octavius, Antony, and Lepidus over the murder of Julius Caesar. Although the play’s main pushing conflict was the murder of Julius Caesar, he is considered a secondary character, but a protagonist. Throughout the theatrical work Julius Caesar’s actions, alliances, character developments, and internal and external conflicts display his diverse changes. William Shakespeare retold a very unique event
William Shakespeare’s play The Tragedy of Julius Caesar is a story full of manipulation and jealousy that changes the way people think. Ancient Rome had umpteen different ways of handling situations that, in today’s world, would be considered unethical; such as battles that were very much horrifying and vivid. However, these battles were not important with the development of the plot. Shakespeare uses various ways of the idea of manipulation and betrayal to lead readers into the rest of the narrative.
In Shakespeare’s play, "The Tempest," an underlying theme of barbarism versus civilization appears. Shakespeare creates characters that exemplify symbols of nature or nurture. The symbolism of the characters is derived from their actions. These actions show Shakespeare’s view of the uncivilized and the civilized, as well as help the reader develop his own opinion of each side.
The Shakespearean play Julius Caesar, tells the behind the scenes story of the conspirators plan to kill the influential ruler, Caesar. In the play Caesar makes a speech referring to himself and describes his method of ruling Rome while comparing himself to the North Star. Prior to the speech the conspirators have come to the Senate to convince Caesar to forgive and restore Cimber after his banishment. But Caesar responds with this speech about him being persistent about his decisions. The speech that Caesar makes about himself can be considered an Epideictic or a Forensic speech, for the reason that he commends himself while creating an opinion of his past actions. This excerpt from the play leads up to the devious conspirators plan unfolding and the upsetting death of Caesar. Rhetoric is used throughout the speech in order to manipulate and convey how invincible Caesar is as well as express the overall theme of the play, be means of delivery, disposition, and style.
Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on the villains who killed his beloved Caesar. After Antony turns a rioting Rome on him and wages war against him and the conspirators, Brutus falls by his own hand, turning the very sword he slaughtered Caesar with against himself. Brutus is unquestionably the tragic hero in this play because he has an innumerable amount of character flaws, he falls because of these flaws, and then comes to grips with them as he bleeds on the planes of Philippi.
In William Shakespeare's play The Tragedy of Julius Caesar, two speeches are given to the people of Rome about Caesar's death. In Act 3, Scene 2 of this play Brutus and Antony both try to sway the minds of the Romans toward their views. Brutus tried to make the people believe he killed Caesar for a noble cause. Antony tried to persuade the people that the conspirators committed an act of brutality toward Caesar and were traitors. The effectiveness and ineffectiveness of both Antony's and Brutus's speech to the people are conveyed through tone and rhetorical devices.
The motif of ambition runs continuously throughout Julius Caesar, written by William Shakespeare, which originates in Ancient Rome and highlights the power struggles, politics and deceit of those vying for power. Ambition leads many of the characters such as Caesar, Cassius, and Brutus to a fate different from what they expected. The play revolves around Caesar, his ascent to power and his eventual loss of everything. Although ambition may lead these public officials to power, it is the same ambition that will be their downfall, ultimately resulting in the death of Julius Caesar, Cassius, and Brutus.
	Shakespeare illustrated Caesar as a tragic hero by showing that he was a noble man of high rank. Every Roman followed his leadership and Caesar also defeated the great Pompey. First of all, At the Feast of Lupercal Caesar manipulated the commoners and made himself look noble to the commoners. Casca said, "Why there was a crown offered to him;...people fell a-shouting" (I,ii,221-223). Next, To show how noble and great Caesar was, the Romans would stand along the street sides to watch him pass by. "Madam not yet, I go to take my stand; /To see him pass on to the Capitol," said the soothsayer (II,iv,25-26). Finally, Caesar had the greatest rank possible as he would have been crowned king if it wasn’t for the conspiracy’s plot. As Casca said, "Indeed they say senators tomorrow; /Mean to establish Caesar as king..." (I,iii,87-88).
In order to analyse how Shakespeare uses imagery to describe Antony and his world of Rome, and Cleopatra and her world of Egypt, it is necessary to look at how he breathes life into their larger than life personalities by the use of powerful, vivid language.
Throughout the play, Shakespeare establishes a love-hate relationship between Antony and Cleopatra. In doing so, there are times when the lovers are characterized as stark opposites of each other as well as instances where these characterizations are reversed. The Romans, represented b...