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Responsibility of freedom
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Free Will: Playing the Game
Jawaharlal Nehru, the first prime minister of India, once said, “life is like a game of cards. The hand you are dealt is determinism; the way you play it is free will.” In the anti-war novel Slaughterhouse-Five, author Kurt Vonnegut takes a closer look at the ideas mentioned by Nehru through the protagonist Billy Pilgrim. Billy, a World War II veteran suffering from post-traumatic stress disorder, struggles to adjust to post-war life. To distance himself from the horrid experiences of the war, he imagines that he can travel through time as well as go to the fictitious planet of Tralfamadore. Throughout the novel, the Tralfamadorians, the aliens that inhabit the planet, present Billy with the idea that everyone has a predestined fate and that free will does not exist. However, Vonnegut uses diction and imagery in Slaughterhouse-Five to
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contradict this Tralfamadorian ideology and emphasize the theme that when people fail to use their free will, they also fail to develop the experiences that constitute a fulfilling life.
To show the importance of exercising free will, Vonnegut first employs descriptive imagery. In the scene where Billy is taken aboard the spaceship, the Tralfamadorians ask if Billy has any questions. To this, “Billy licked his lips, thought a while, inquired at last: ‘Why me?’” (97). Most people would be panicking if they were abducted by aliens, yet Billy’s calm demeanor suggests that he is very unconcerned with his situation and accepts the abduction as his fate. Vonnegut ridicules Billy’s apathetic perspective on life by showing how his unwillingness to change his situation leads to his isolation and senseless lifestyle. To answer Billy’s question, the Tralfamadorians ask him whether he has ever seen bugs trapped in amber. Billy responds yes: “Billy in fact, had a paperweight in his office, which was a blob of
polished amber with three ladybugs embedded in it” (97). Bugs embedded in amber cannot move or exhibit free will as they are frozen in time. By comparing the small ladybugs to Earthlings, the Tralfamadorians imply that humans are like the tiny helpless bugs, and nothing humans do can change anything in the moment. The Tralfamadorians continue this analogy by saying that they were “trapped in the amber of this moment. There is no why” (97). This quote exposes how futile it is for Billy to ask “why me” to the Tralfamadorians. The aliens imply that there is no moral, no effects and essentially no purpose to life. However, Tralfamadore is merely a fantasy world created by a disillusioned Billy. Through Billy’s seemingly lifeless existence, Vonnegut satirizes the Tralfamadorian beliefs to convince people to make decisions and live life to the fullest. Vonnegut’s use of imagery in this passage accentuates the overall message of the book by ridiculing Billy’s lifestyle and urging the readers to employ their free will in order to experience a meaningful life. In addition to imagery, Vonnegut also uses straightforward yet descriptive diction to illustrate the theme. After Billy finishes watching a war movie, he goes out to the lawn, fully aware that a flying saucer from Tralfamadore is in the sky. He knows that “he would see it soon enough, inside and out, and he would see, too, where it came from soon enough-soon enough” (96). Repetition of the phrase “soon enough” stands out since Billy knows that the saucer will be here in time, yet he does not try to run away. Instead, he calmly waits for it on his lawn because he thinks this is how the event is supposed to be played out. Billy has the opportunity to make a decision as he waits, but he does not because he is under the impression that he has no free will. He is living just for the sake of living; he takes no action and waits for events to happen to him. Similarly, when a ladder snakes out from the saucer, “Billy’s will was paralyzed by a zap gun aimed at him from one of the portholes. It became imperative that he take hold of the bottom rung of the sinuous ladder, which he did” (96). Paralyzed is a word with strong connotation, and by describing Billy’s will as paralyzed, Vonnegut emphasizes the fact that Billy is unable to act on his free will. As a result, he lives confined by his own beliefs. The use of the word “imperative” indicates it is of utmost importance for Billy to act on the alien’s wishes and that there are no other options but to climb on the saucer. However, Billy is not being forced into doing anything. The only thing that is guiding his actions is his mindset that nothing can be altered, since all the happenings of life are predetermined. Thus, Billy carries out his actions with no real purpose. Another example of powerful diction that emphasizes the theme of the story is when the Tralfamadorians explain to Billy that they are in the “amber of the moment” (97). Using the phrase “the amber of the moment” as opposed to another phrasing like “stuck in the moment” leaves a more profound impact on the reader, as readers can visualize Billy and the Tralfamadorians helplessly entrapped in a blob of the hard resin. By writing in a satiric tone, Vonnegut is expressing that one should do the opposite of Billy as otherwise they will lead a purposeless life. Through the use of precise diction, Vonnegut again emphasizes the idea that free will should be exercised so that one can enjoy a rich and meaningful life. Using both imagery and diction, Vonnegut expresses the theme that free will should be exerted in order to avoid a life without direction or memorable experiences. As Vonnegut explains through his novel, Slaughterhouse-Five, there are some things in life that can not be changed, but unlike Billy’s ideology, the past, present, and future are not all set in stone. We should use our free will to alter the things that we can because our attempts to better ourselves and the world around us are not futile. As Nehru explained, we must use the hand we are dealt to change the game.
“Force is all-conquering, but its victories are short-lived.” Stated Abraham Lincoln. That quotes applies to Slaughterhouse-Five because even when you think you have conquered something and achieve the victory doesn’t mean that it will last long. Billy Pilgrim is the protagonist of Kurt Vonnegut Jr. anti-war novel, Slaughterhouse-Five. Billy Pilgrim is non-heroic in the anti-war novel which makes the theme of the book Slaughterhouse-Five a man who is “unstuck” in time.
Critics often suggest that Kurt Vonnegut’s novels represent a man’s desperate, yet, futile search for meaning in a senseless existence. Vonnegut’s novel, Slaughterhouse-Five, displays this theme. Kurt Vonnegut uses a narrator, which is different from the main character. He uses this technique for several reasons.
This independent reading assignment is dedicated to Slaughterhouse-Five, written by Kurt Vonnegut. Vonnegut experienced many hardships during and as a result of his time in the military, including World War II, which he portrays through the protagonist of Slaughterhouse-Five, Billy Pilgrim. Slaughterhouse-Five, however, not only introduces these military experiences and the internal conflicts that follow, but also alters the chronological sequence in which they occur. Billy is an optometry student that gets drafted into the military and sent to Luxembourg to fight in the Battle of Bulge against Germany. Though he remains unscathed, he is now mentally unstable and becomes “unstuck in time” (Vonnegut 30). This means that he is able to perceive
Billy has no control over his being in a time warp. In the midst of his life in New York he will suddenly find himself Tralfamadore; he has become "unstuck in time" ( 22). The Tralfamadorians eventually show Billy the important moments of his life, but they do not always show them in sequence. They do this so Billy can fully understand the true reasons for and the importance of the events.
In Kurt Vonnegut’s Slaughterhouse-Five the main character Billy Pilgrim experiences few emotions during his time in World War II. His responses to people and events lack intensity or passion. Throughout the novel Billy describes his time travel to different moments in his life, including his experience with the creatures of Tralfamadore and the bombing of Dresden. He wishes to die during most of the novel and is unable to connect with almost anyone on Earth. The fictional planet Tralfamadore appears to be Billy’s only way of escaping the horrors of war, and acts as coping mechanism. Billy seems to be a soldier with Post Traumatic Stress Disorder (PTSD), as he struggles to express feelings and live in his reality. At the beginning of the novel the narrator proposes his reason for writing the book is to explain what happened in the Dresden fire bombing, yet he focuses on Billy’s psyche more than the bombing itself. PTSD prevents Billy from living a healthy life, which shows readers that the war does not stop after the fighting is over and the aftermath is ongoing. Billy Pilgrim’s story portrays the bombing and war in a negative light to readers, as Vonnegut shows the damaging effects of war on an individual, such as misperception of time, disconnect from peers, and inability to feel strong emotions, to overall create a stronger message.
After a dramatic event happens in someone’s life such as war, some people cannot function the same way as they did previously. To make a reference to the novel, "Slaughterhouse five" written by Kurt Vonnegut, Billy Pilgrim’s character experiences war during World War II. Some drastic changes happened in his way of dealing with the fact of surviving a war. He claims to travel in time and to meet Aliens, called the "Tralfamadorian’s". This essay will discuss Billy believing that he is meeting Aliens and traveling in time, but in fact he only has Post-Traumatic Stress Disorder (PTSD) after surviving the war.
Vonneguts character Billy is showing frequent signs of mental illness throughout the book. Most of the chapters show his delusions in the repeated use of the extraterrestrials, the Tralfamadorians. Many scenes from his travels with the aliens can be seen in different parts of his life that Billy may not have realized he had seen and taken to insert into his own imaginary delusions. Vonnegut gives us many scenes to prove that the Tralfamadorians are just a construct of Billy’s broken mind through the use of Kilgore Trout's science fiction novels and other pieces of his life.
Slaughterhouse-Five or the children's crusade by Kurt Vonnegut, the main character Billy Pilgrim stands to show what goes on in war. Vonnegut, also a war survivor in Dresden, started writing Slaughterhouse-Five or the children’s crusade in order to show how he lived life and used Billy Pilgrim to show his beliefs on war. Vonnegut uses strange writing tactics throughout the book, such as using child like tone in a war book. He evidence his views upon war within the book multiple times. Vonnegut generally opposes war. He also inputs a lot of sarcasm inside of this novel, this tends to make him sound insane. Vonnegut uses the Tralfamadorians to answer certain question a human doesn’t know because the Tralfamadorians aren't restricted by time. Billy remains unstuck in time and often time jumps inside the novel between wars; even to the point of definite death. Vonnegut uses Billy like God used Adam, and Eve to demonstrate certain actions and consequences.
The book, Slaughter House-Five, written by Kurt Vonnegut, is based on the main character named Billy Pilgrim who is a little "lost" in the head. Billy is always traveling to different parts of his life and rarely in the present state. Throughout the book Billy mainly travels back and forth to three big times in his life. In each different time period of Billy's life he is in a different place; his present state is in a town called Illium and his "travels" are to Dresden and Tralfamadore. When Billy is in Illium he is suppose to have a "normal" life; he is married, has two children, and works as an optometrist. Then Billy travels back to Dresden where he was stationed in the last years of WWII and witnessed the horrible bombing. When Billy travels to Tralfamadore he is in an "imaginary" state, everything that happens to him is more like a dream. Through Billy's travels in time he shows that he is striving to find meaning in the events that happened in his life that he is afraid to acknowledge. As Billy says himself, "All moments, past, present and future, always have existed, always will exist," (1) this just proves even further that fact that Billy cannot ever forget any event in his life.
In the novel Slaughterhouse-Five by Kurt Vonnegut, he talks about World War II and the bombing of Dresden. He writes about this historical event through the character Billy Pilgrim, Billy is drafted into the army at age twenty-one during World War II. He is captured and sent to Luxembourg and then later Dresden as a prisoner. Throughout the novel Vonnegut constantly ridiculous Billy. He describes Billy as a character that has no individualism and no choice in anything that happens in his life. Billy is used to show that everything happens because of fate. As a prisoner Billy has no control over his day to day life. While Billy is in Dresden the city is bombed, because of luck, only Billy and a few others survive the bombing in a slaughterhouse.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
“Slaughterhouse-Five” is an anti-war novel. It describes a flesh-and-blood world. Main character is Billy Pilgrim, he is a time traveler in this book, his first name Billy is from the greatest novelist in the USA in 19 century’s novel “Billy Budd” ; and his last name is from “The Pilgrim’s Progress” by John Bunyan. Differently, the main character in “The Pilgrim’s Progress” ’s traveling has meaning and discovering, Billy Pilgrim’s traveling just has violence and escape. In the novel “Slaughterhouse-Five” by Kurt Vonnegut ’s main character, Billy Pilgrim is sane and his time travel is half in his mind half is real. He is looked so innocent and weakness, there is a sentence which is spoken by Billy Pilgrim “So it goes.” (2) This quotation shows that a poignant sense of helplessness.
Throughout the Slaughterhouse-Five, Kurt Vonnegut displays the clash between free-will and destiny, and portrays the idea of time notion in order to substantiate that there is no free-will in war; it is just destiny. Vonnegut crafts this through irony, symbolism and satire. And he successfully manages to prove that free-will is just a hoax that adopted by people that cannot percept time fully.
A leitmotif is a recurring phrase in a novel that recalls past associations to subtly unify the work as a whole. In Kurt Vonnegut's Slaughterhouse-Five the phrase “so it goes” is repeatedly used throughout the novel. When the main character, Billy Pilgrim, is taken by aliens called the Tralfamadorians, they tell him that they look at life and instead of focusing on the bad things in life and they say “so it goes,” and move on because everything is already predestined to happen so people should just look at it and say it happened, or “so it goes” and move on. This idea plays an important role in the meaning of the book as a whole. In Slaughterhouse-Five “so it goes” is a leitmotif used to emphasize the important themes in the novel through
They explain it to him as simply as they possibly can, “All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I 've said before, bugs in amber” (108). Their outlook on time does not lend itself to free will, just as any earthly deterministic institution. Tralfamadorianism is directly related to and used to critique Christianity in Slaughterhouse-Five. In Vonnegut’s Dresden Novel: Slaughterhouse-Five Stanley Schatt reaffirms this idea of free will v.s. determinism, “Since Vonnegut’s novels are usually constructed around two diametrically opposed points of view, it is not surprising that Slaughterhouse-Five is built around the irreconcilable conflict between free will and determinism” (Schatt). Billy benefits greatly from this new cosmic outlook. He believes so much in the teachings of Tralfamadore that he even becomes a Jesus-like figure later in his life, eventually being publicly executed much like his Christian doppleganger. In his article, David L. Vanderwerken discusses the deterministic qualities of Tralfamadorianism, its argument against determinism, and the possible allure of it,