Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sylvia plath imagery in lady lazarus and daddy
Explication essay on lady lazarus by sylvia plath
Analysis of daddy sylvia plath
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sylvia plath imagery in lady lazarus and daddy
In poems of Sylvia Plath, entitled "Lady Lazarus" and "Daddy" some elements are similar, including used hostile imagery, gloomy atmosphere as well as recurring theme of suicide, but the poems differ in respect of the speaker’s point of view and attitude towards addressed person or unfavorable surroundings. These elements are employed by Plath in order to intensify the impact on her audience and convey all extreme emotions. Another issue that is considered to be worthy of thinking over is the question why the poet refers to Holocaust and the suffering of the Jews in Nazi concentration camps.
First of all, it should be decided who is the speaker in poem "Daddy". This issue as well as the controversial use of Holocaust imagery by Sylvia Plath may be resolved with quoting here her own words, which explain who the speaker is :
The poem is spoken by a girl with an Electra complex. Her father died while she thought he was God. Her case is complicated by the fact that her father was also a Nazi and her mother very possibly part Jewish. In the daughter the two strains marry and paralyze each other—she has to act out the awful little allegory once before she is free of it.
The daughter “Barely daring to breathe or Achoo” (5) addresses the memory of the father with increasing rage which contribute to impression that the poem is out of control. The poem begins with a series of images about father/ oppressor which progress from godlike: “Marble-heavy, a big full of God, / Ghastly statue with one gray toe / Big as Frisco seal” (8-10) to demonic. Although expressions, such as “swastika” (46), “brute” (49), “the rack” (66) indicate victimization, the poem is also about longing and love. In place of what is really frightening, that is a...
... middle of paper ...
... Oliver & Boyd. [http://www.usm.maine.edu/~jkuenz/391/daddy.htm, accessed 6 May 2007.]
Brown, Sally. Plath , Sylvia. Oxford Dictionary of National Biography. Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/37855, accessed 6 May 2007]
Dickie, Margaret. 1979 Sylvia Plath and Ted Hughes. Urbana: the University of Illinois Press. [http://www.usm.maine.edu/~jkuenz/391/lazarus.htm, accessed 6 May 2007]
Kirszner, Laurie and Mandell Stephen. 2004. Literature: Reading, Reacting, Writing. London, New York: Thomson & Heine.
Oberg, Arthur. 1978. Modem American Lyric: Lowell, Berryman, Creeley,-and Plath. Rutgers University Press. [http://www.usm.maine.edu/~jkuenz/391/lazarus.htm, accessed 6 May 2007]
Orr, Peter, ed. 1966. The Poet Speaks. London: Routledge and Kegan Paul. [http://www.sylviaplath.de/plath/orrinterview.html, accessed 6 May 200]
The Holocaust was a vile and horrific event that took place in Germany under the dictatorship of Adolf Hitler, gruesomely taking the lives of around 6 million Jews. To compare one self’s experience to that of those gassed and subjected to atrocious conditions is unbecoming at the least. The vast majority agree with this notion as well, including Irving Howe. Irving Howe, writer of the article “The Plath Celebration: A Partial Dissent” describes making Plath’s comparison her life to that of a Jew in her poem “Daddy” as “monstrous” and “utterly disproportionate” (1082). While Howe makes a reasonable argument, I disagree when he states that “Sylvia Plath tries to enlarge upon the personal plight” (1082). Accusing Plath of using the
The Unabridged Journals of Sylvia Plath: 1950-1962. 430 Ed. Karen V. Kukil. Transcribed from the original manuscripts at Smith College. New York: Anchor, 2000.
Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on
The Editors of Encyclopædia Britannica. "Sylvia Plath (American author)." 23 September 2013. Encyclopedia Britannica Online. 9 April 2014 .
Pollitt, Katha. "A Note of Triumph [The Collected Poems]". Critical Essays on Sylvia Plath. Ed. Linda W. Wagner. Boston: G. K. Hall & Company, 1984. 67 - 72.
When Sylvia Plath was told her father died at the tender age of nine, she bitterly said, “I’ll never speak to God again.” In her brief but indispensable writing career, Plath distinguished herself in the poetical realm with her body of work that includes but is not limited to poems, short stories, and one semi-autobiographical novel. Her legacy lives on through her dark themes laden with powerful images such as the moon and skulls, while a father-type figure acts as a significant force either as a central antagonistic power or an influential shadow looming in the background. Brooding thoughts and despondent emotion overcome the reader when faced with one of Plath’s numerous works such as “Daddy,” “The Colossus,” and “Lady Lazarus.” Sometimes straightforward in understanding, Plath’s works contain intermittently placed, unique choices in diction like “mule bray, pig-grunt” throughout her works. On February 11, 1963, Plath was found with her head placed in her kitchen oven (death by carbon monoxide), yet she continues to resonate with people to this day; is it because we are able to relate to her melancholy and heartache? Or because of our sickening-interest in her suicide and the events that led to it? Maybe it is both. Because of her father’s death at a young age, Sylvia Plath’s poems underlies a theme regarding her suicidal demise and victimization at the hands of a patriarchal society, particularly from her husband, Ted Hughes, and late father, Otto Plath.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Sylvia Plath lived a good, yet depressed life. She was born on October 27th 1932, in Boston Massachusetts to Aurelia and Otto Plath. Sylvia grew up with her brother in an ordinary household, under a strict father. Her childhood was happy, until in 1940, a week and a half after her eighth birthday, her father died due to complications of his untreated diabetes. This led to a loss of faith for a young Sylvia that she would never be able to regain and fueled her desire to write poetry and stories when she was ten. During her adolescence, she won many awards and honors for her writings and at age eighteen she received a scholarship to Smith College. That was when Plath’s symptoms of her severe depression began to emerge. In 1953 she attempted to take her own life, by overdosing on sleeping pills. She was hospitalized and given electro-shock therapy, and she fictionalized her experiences in her novel, The Bell Jar. In 1955 Plath moves to Cambridge England on a scholarship and met Ted Hughes, and English Poet...
Sylvia Plath uses a diverse array of stylistic devices in "Lady Lazarus," among them allusion,
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
Even with the differences in relationship with their fathers, both Sylvia Plath and Theodore Roethke struggled with depression and mental illness due to losing a major parental figure like their fathers at young ages. It is difficult to lose someone and you can see in Plath’s and Roethke’s writings that they had complicated relationships with their fathers that shaped and influenced their
In the poem, “Daddy,” Sylvia Plath shows her character to have a love for her father as well as an obvious sense of resentment and anger towards him. She sets the tone through the structure of the poem along with her use of certain diction, imagery, and metaphors/similes. The author, Sylvia Plath, chooses words that demonstrate the characters hatred and bitterness towards the oppression she is living with under the control of her father and later, her husband. Plath’s word choice includes many words that a child might use. There is also an integration of German words which help set the tone as well. She creates imagery through her use of metaphors and similes which allow the reader to connect certain ideas and convey the dark, depressing tone of the poem.
Throughout the poem "Daddy" by Sylvia Plath, the author struggles to escape the memory of her father who died when she was only ten years old. She also expresses anger at her husband, Ted Hughes, who abandoned her for another woman. The confessional poem begins with a series of metaphors about Plath's father which progress from godlike to demonic. Near the end, a new metaphor emerges, when the author realizes that her estranged husband is actually the vampire of her dead father, sent to torture her. This hyperbole is central to the meaning of the poem. Lines 75-76 express a hope that they will stop oppressing her: "Daddy, you can lie back now / There ís a stake in your fat black heart." She concludes that her father can return to the grave, because she has finally rid herself of the strain he had caused her, by killing his vampire form. Despite this seeming closure, however, we will see that the author does not overcome her trauma.
Plath’s father died early in her life leaving her with unresolved feelings, and this brought a lot of troubles later on in life. Sylvia was a great student but when she was overwhelmed with disappointments after a month in New York, she attempted suicide (“Sylvia Plath”). After receiving treatment and recovering, she returned to school and later moved to England where she met her future husband, Ted Hughes (“Sylvia Plath”). Their marriage with two children didn’t last when Ted had an affair. They separated and Ted moved in with the new woman, leaving Sylvia and their two children. Battling depression during this time, Sylvia soon ended her life. She left behind numerous writings that many might see as signs of her depression and suicide attempts.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.