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Heart of darkness by joseph conrad analysis
Analysis of novel of heart of darkness
Imagination composition essay
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Authors often use imagery in their writings for the purpose of forming a mental picture in the mind of the reader and to create a more descriptive, interesting and interactive text. For example, colours may be associated with the emotion of characters or animal imagery may be used to define a particular character’s behaviour. Imagery can be a key component in a story, when used in an effective manner. Often the colour red is used to show anger, while the colour green represents a character’s envious attitude. In Heart of Darkness, Joseph Conrad makes particular use of imagery throughout the novella, and most effectively to highlight two apparently contradictory aspects of Kurtz’s personality. First, Kurtz is portrayed as a character with an …show more content…
First, Kurtz is shown to be a remarkable man when he is described by other characters in the novella. Marlow hears about Kurtz’s positive qualities from several characters before he ever meets him and starts to perceive him as someone of interest whom he would like to meet, and hear speak. He develops an admiration for his apparent knowledge and feels a connection to him based on his own traits. At the Central Station, Marlow hears the brick maker speak of Kurtz and how he believes he will one day take control of the company. To emphasize Kurtz’s superiority, the brick maker exclaims, “He is a prodigy… He is an emissary of pity and science and progress, and devil knows what else” (Conrad 94). The brick maker uses imagery as a way to compare Kurtz to a prodigy, a person with exceptional qualities not usually seen by most people. Kurtz being compared to a prodigy truly stresses his incomparable talents because of the uniqueness associated with the title, and also generates his identity for the reader. An important …show more content…
In the novella, Marlow is told of Kurtz’s incredible and passionate speaking skills and desires to have a conversation with him. His speaking skills highlight another way in which Kurtz has positive qualities to his character. Marlow outlines his skill and clarifies, “Of all his gifts the one that stood out pre-eminently, that carried with it a sense of real presence, was his ability to talk, his words- the gift of expression, the bewildering, the illuminating, the most exalted and the most contemptible, the pulsating stream of light, or the deceitful flow from the heart of impenetrable darkness” (Conrad 124). Marlow uses imagery to emphasize Kurtz’s impressive and how he is able to draw people into his conversation. He states that Kurtz’s greatest gift is his ability to speak charismatically because he is able to connect to others and learn what they want to hear. Marlow describes Kurtz’s speech as a stream of light that he uses to enlighten people by drawing them closer to him by acknowledging their best qualities. One of the characters who favour Kurtz’s speaking abilities the most is the Harlequin, who shares the idea that one does not speak to Kurtz, but instead they listen to him to fully understand his brilliance. Kurtz’s talent is important to the novel because it explains another positive feature of the man who is described without flaws. The
In both the film and the movie, Kurtz is portrayed as a man of great stature and mastery whose actions become questioned due his barbaric conduct. While Marlow slowly learns more and more regarding who Kurtz is and what he has done through others’ conversations, Willard educates himself about Kurtz through pictures and files he has of Kurtz. He states that he feels like he already knows a thing or two about Kurtz that are not in the papers he has, and that beyond the bridge, there is only Kurtz. This goes to show how Kurtz develops a prof...
Marlow reinforces that Kurtz represents “ ‘all [of] Europe’ ” and that his immense wealth in ivory and including his role as a figurehead upon the natives serves as a representation of the European society as well. This representation of Kurtz by Marlow helps unravel his mystery by describing Kurtz as an emissary for Europe that will hopefully also unravel the problematic nuances of Europe in the future. Marlow arrives in the inner station and meets the Russian before Kurtz, the narrator on the Nellie with Marlow claims that the Russian “nodded with a nod full of mystery and wisdom” when he had told Marlow about his experiences with Kurtz (52). The Russian supports the mystery behind Kurtz as well by explaining impact he leaves upon him. This claim by the narrator elucidates that some of Kurtz’s “charm” rubs off on those who are fortunate enough to meet him, therefore describing Kurtz as a some kind of enrichment to life
In Joseph Conrad's Heart of Darkness, symbolism is quite prevalently used to portray the development of the heart of darkness. Conrad used a variety of symbols, including characters, objects, and ideologies.
In Joseph Conrad’s Heart of Darkness, Kurtz and the Council demonstrates natural human needs in order to survive and achieve personal desires. His dissolution and corruption take place as he travels deep within the Congo. His behaviour that lacks moral ethics is accepted by everyone in the Congo due to the severity of the area. Kurtz’ imperialistic actions of obsession with power and wealth, and his view of colonialism lead to his ultimate dissolution. He believes that his way of darkness is good, although it is the sole reason to his corruption.
In Heart of Darkness, Joseph Conrad presents the character of Kurtz as a man who is seen differently by all who know him depending on their individual experiences with him. His cousin knew him as a man with great musical talent, others knew him as a great leader, and his “Intended” fiance knew him as an admirable humanitarian; but all of these knew him to be a remarkable genius. When the narrator, Marlow, first hears of him, he is told that Kurtz is known as a great leader destined to hold high positions and fame. However, as he travels the river, he also learns that Kurtz has become insane during his time in the African jungle. After Marlow finally comes into contact with him, he discovers that Kurtz has become a god among the natives and has been brutally collecting the coveted ivory. Marlow finally convinces the deathly ill man to return to the ship where he finally dies. Upon his death, Kurtz’s facial expression causes Marlow to feel as though he may be seeing his entire life passing just before it ends; and finally, he murmurs his final words “The horror! The horror!” (Conrad, p. 64).
The writer uses imagery, because he wants to let the readers into his mind. By describing the scene for the readers, makes the readers fell like they were there. Therefore, it gives us a better ability to emphasize with him.
3. Kurtz, who is not the protagonist or antagonist is a very significant character in the book as Marlow and Kurtz essentially form a team as the novel progresses. He is the chief of the Inner Station and Marlow basically follows him. Kurtz is a man of many talents (he is a talented musician and painter). His abilities are nothing without his charisma and his ability to lead. Kurtz is a man who understands the power of words, and his writings present a complexity that obscures their horrifying message (his writings are often hard to understand, as they are complex in structure, often hiding the morbid message behind them). Although he remains a “puzzle,” e...
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Without personal access to authors, readers are left to themselves to interpret literature. This can become challenging with more difficult texts, such as Joseph Conrad’s novella Heart of Darkness. Fortunately, literary audiences are not abandoned to flounder in pieces such as this; active readers may look through many different lenses to see possible meanings in a work. For example, Conrad’s Heart of Darkness may be deciphered with a post-colonial, feminist, or archetypal mindset, or analyzed with Freudian psycho-analytic theory. The latter two would effectively reveal the greater roles of Kurtz and Marlow as the id and the ego, respectively, and offer the opportunity to draw a conclusion about the work as a whole.
Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.
“He was commonplace in complexion, in features, in manners, and in voice,” the manager is seen as a common man since he lives and works a normal life; however through Marlow’s description of him we see that the manager is “uneasy” about something. (Conrad 32-33) We later learn that his uneasiness comes from his inability to pursue anything in life and that he is jealous of Kurtz because of his success. The manager has no redeemable qualities to look up to; Marlow says that he has no “genius for organization, or for order even.” (32) This makes us wonder how he even obtained the job as a manager, but we soon learn that he has always been present at his job for the past three years, and from this Marlow remarks by saying “perhaps there was nothing within in,” meaning there was no way of him ever becoming sick since he lacks the aspirations to that as well.
Thus, in this novel, the characters of Marlow and Kurtz, are, at one time, shown to have been dominated by their super-ego, brought up in the British society believing in the White man’s burden. Then, both the characters journey through the African jungles, where they are confronted by horrors that they struggle to stay human and civilized. While Kurtz gives in completely to his id and becomes an inhumane barbarian, controlled by his wants and wishes; Marlow doesn’t completely give in as much as Kurtz but does remain psychologically affected from his experiences. Finally, through this intense struggle between the personalities of the characters, Conrad tries to tell us that human personality is indeed very fragile, and can be compromised without restraint.
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.