The settings and landscape within Beowulf, translated by Seamus Heaney, resonate with the intense mood of the epic poem through the syntax and imagery of the battles depicted within the epic poem.
As Beowulf prepares to battle Grendel’s mother, the mood of the epic poem grows ominous and more serious. Specifically, the manner in which Grendel’s mother is described highlights the difficulty and intensity of the approaching battle. Beowulf plunges into the “haunted waters” in which Grendel previously resided, ready to attack and murder the beast below (Heaney 105). Immediately, the syntactical choices have changed, and now more intense words are utilized to describe what is occurring in the epic poem. Once Beowulf has made his way to the bottom of the ocean, Grendel’s mother wastes no time in attempting to catch him in her “brutal grip” with her “savage talons” (105). The “wolfish swimmer” carries the hero to her “court”, while a “bewildering horde came at him from the depths” (105). The words used to describe what is occurring display each event in detail, and allow the author to achieve the idea that Grendel’s mother is a savage beast. Additionally, she is said to live
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These associations provide a common reference of hell, a place that most people believe is evil, brutal and intense. The combination of these
Grendel, written by John Gardner, is a novel based off the early epic poem, Beowulf. Gardner tells the tale in the perspective of the monster, Grendel, who is struggling to understand the purpose of life and his place in the world. In Gardner’s novel, Grendel terrorizes the kingdom of Hrothgar for 12 years, killing men in the night relentlessly. With the descriptions of battles and heroic deeds, Gardener conveys to the reader, the ideals of Anglo-Saxon heroes as courageous, self-righteous, humble, and loyal beings that are humanly flawless. The book Grendel tears down all these fundamental ideologies of Anglo-Saxon heroism by giving Grendel the monster a nihilist perspective that makes heroism sound stupid and meaningless.
In times before printed books were common, stories and poems were passed from generation to generation by word of mouth. From such oral traditions come great epics such as England’s heroic epic, Beowulf. In Beowulf, the monster Grendel serves as the evil character acting against the poem’s hero, as shown by his unnatural strength, beast-like qualities, and alienation from society.
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
The poem, Beowulf, centers around the epic battles between man and demon. The poem deals with a hero’s journey and the battles he faces. Each monster brings a different set of obstacles and tactics that Beowulf must use to defeat it. Beowulf fights Grendel, Grendel’s mother, and a dragon, each battle had its own set reasons, preparation, and outcome, however there are some similarities between them.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
In the epic Beowulf, the reader can clearly find the very distinct conflicts, although some go unnoticed. This poem came to be around the birth of Christianity and the dying out of paganism. In Beowulf, the battles between the monsters and the warriors are interpreted as a battle between the old way of faith and the coming of Christianity. Beowulf himself comes across many conflicts of his own. A literary critic, Alfred Bammesberger, analyzed the person who gives Beowulf the idea to go to Herot and fight Grendel, “.... Beowulf wanting to fight single-handed and challenge Grendel based on the information he had given to his uncle, the Great King Hygelac” (Bammesberger). The Danish king asks not for help however, Beowulf goes anyways. While he has many physical battles with enemies, he also has internal conflicts that seem to hold heavy in his mind. These conflicts include but are not limited to, “Battle of Grendel”, “The Battle with Grendel’s Mother” and “The Last Battle.”
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
The author creates a realistic picture during the battle between Beowulf and Grendel. Throughout the scene, light and dark portray events according to their corresponding characters. Beowulf, the hero, symbolizes light and goodness while Grendel symbolizes darkness and wickedness. The poem describes him as demonic, “While a baleful light, flame more than light, flared from his eyes” (726-27). Beowulf continues to represent
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”
A writers mind is very intellectual, they tend to have an unparalleled vision within their sense of understanding. The differences of this vision, compared to the levels of understanding, shows itself transversely throughout the novel Grendel and the epic poem Beowulf. Both forms of literature are distinct in the plot and setting, but Gardner’s perceptiveness of Beowulf in his novel differs from the view of the unknown author’s relay of Beowulf in the poem. In the poem, Beowulf is portrayed as an epic hero, brave honorable, and dignified, with vast generosity and munificent loyalty. While in the novel, he is portrayed as an unsettling stranger that connives his way into everyone’s life by his dangerous nature and entrancing stories.
Beowulf is an interesting story in that it has a meaning that is firmly rooted in fantasy creatures based in mythical origins while providing insight into religious ideals and practices of the time. It also speaks of tradition and the struggle of man against things perceived as evil. In this tradition especially, Beowulf is an incredible allegory regarding the struggle of good and evil in the Christian tradition.
Symbolism is the practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or ideas. Symbolism is one of the most common practices of writing, and has been used for centuries. Symbols can often tell a story better than a human can because of there deeper meaning. When epic poems became popular during the Anglo-Saxon period they were filled with harrowing tales of bravery, and courage. Epic poems are long narrative poems that often have characters facing impossible tasks and still finding courage to defeat them. While many marvel at the original Anglo-Saxon dialect of Beowulf, Seamus Heany's modern English translation allows all readers to enjoy this tale.
Beowulf looked over on the wall next to them and saw a magnificent sword hanging on the wall adorned with beautiful carvings, it was blessed with magic. No normal man could ever have lifted that sword, but Beowulf was no normal being. He waited for the right moment to go and retrieve the sword, and when he found the perfect opportunity and he ran straight towards the wall. He pulled the sword down with great force and began running towards Grendel’s mother. Beowulf took in a deep breath as he leaned back and heaved the sword forward. Beowulf had sliced straight through Grendel’s mother’s scaly neck, blood began to pour everywhere and he heard her bones cracking as the sword passed through her.
Christ, Carol T., Catherine Robson, Stephen Greenblatt, and M. H. Abrams. "Beowulf." The Norton Anthology of English Literature. New York, NY: W.W. Norton &, 2006. Web.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.