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Reality and illusion in the glass menagerie
The theme of illusion versus reality in the glass menagerie
Laura characterization in the glass menagerie
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Recommended: Reality and illusion in the glass menagerie
In Tennessee Williams The Glass Menagerie, we are given opportunity to see and understand that even truth can be cloaked by illusion. There are four main characters, we have Tom Wingfield whom is the narrator of the play. By day is a warehouse worker in a shoe factory, often absent minded for he would must rather be focusing on his passion for poetry and writing. By nightfall he often finds refuge from his mother's constant berating in the local movies. Laura Wingfield is Tom's beloved sister. Crippled since childhood from a disease known as plurosis, Laura is also emotionally crippled as an adult, in the sense that she is so incredibly shy attending business school was simply too much for her. To others it is no issue but to her it's all than she can see. Instead of fulfilling her mothers wishes she spends her days carefully attending to her delicate glass animals and listening to her father's record collection.
Amanda Wingfield is the mother of Tom and Laura. She is a gracefully aging Southern Belle seemingly stuck on the values and traditions of the past that she once flourished so well in. Even though she has been abandoned by her husband and left to care for two children alone, Amanda is ever resiliently optimistic – though her life is not at all what she had planned for it to be. To Tom she is a constant nag and even more of an incentive to chase the dream within his grasp. She is just as dominating with Laura, insisting Laura always be ready and pretty for her “gentleman callers.” Laura knows deep down inside that these callers will never come, but Amanda cannot let go of the idea. She forces Laura to retreat into her world of imagination even further. Jim O'Connor is by the far the most ordinary out of them all. Jim i...
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...im as a keepsake. The figurine becomes a memory of Laura that Jim can bring with him when he leaves Laura and returns to his life, but it also indicates the normal woman that Laura will never become.
Laura was in high school when she developed an inflammatory lung disease called pleurosis that eventually left her crippled. Being absent from school for some time, when she did come back her fellow classmate Jim O’Connor asked what happened to her. She said she had pleurosis and he misunderstood it as “blue roses”. From that day on he gives her the nickname “Blue Roses.” The name turns Laura’s defect into an asset: her peculiar, otherworldly qualities are seen as special rather than debilitating. Laura is closely based on Tennessee Williams’s sister, Rose, who underwent a lobotomy while Williams was writing the play, and the nickname is also likely in tribute to her.
Amanda Wingfield is mother of Tom and Laura. She is a middle-aged southern belle whose husband has abandoned her. She spends her time reminiscing about the past and nagging her children. Amanda is completely dependent on her son Tom for finical security and holds him fully responsible for her daughter Laura's future. Amanda is obsessed with her past as she constantly reminds Tom and Laura of that " one Sunday afternoon in Blue Mountain when she once received seventeen gentlemen callers" (pg.32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. Amanda also refuses to acknowledge that her daughter Laura is crippled and refers to her handicap as " a little defect-hardly noticeable" (pg.45). Only for brief moments does she ever admit that her daughter is crippled and then she resorts back into to her world of denial and delusion. Amanda puts the weight of Laura's success in life on her son Tom's shoulders. When Tom finally finds a man to come over to the house for diner and meet Laura, Amanda blows the situation way out of proportion. She believes that this gentlemen caller, Jim, is going to be the man to rescue Laura. When in fact neither herself nor Laura has even met this man Jim yet. She tries to explain to Laura how to entertain a gentleman caller; she says-talking about her past " They knew how to entertain their gentlemen callers. It wasn't enough for a girl to be possessed of a pretty face and a graceful figure although I wasn't slighted in either respect.
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Laura's mother and brother shared some of her fragile tendencies. Amanda, Laura's mother, continually lives in the past. Her reflection of her teenage years continually haunts Laura. To the point where she forces her to see a "Gentleman Caller" it is then that Tom reminds his mother not to "expect to much of Laura" she is unlike other girls. But Laura's mother has not allowed herself nor the rest of the family to see Laura as different from other girls. Amanda continually lives in the past when she was young a pretty and lived on the plantation. Laura must feel she can never live up to her mothers expectations. Her mother continually reminds her of her differences throughout the play.
The family dynamics for Tennessee Williams are evident of a lifestyle of despondency and tension within the household. Tennessee Williams mother Edwina Williams she considered herself a Southern Belle, and his sister Rose Williams was a sickly adolescent whom he shared his imaginative dramatizations with as he transcribed his plays. While Williams was in graduate school at the University of Iowa, Rose was institutionalized for schizophrenia and was underwent a pre-font lobotomy. “The symbolization of lobotomy in the “Glass Menagerie” play signifies the hurt that Tennessee Williams felt by his parents by not collaborating to him that his sister underwent surgery. In the play, Williams substitutes the mental illness of his real sister, with a physical limitation “a limp” which Williams substituted for the mental illness of his real sister, Rose. Even the father’s absence reflects periods when his bullying sales man father, Cornelius Coffin Williams, would go on the road, leaving Tom, Edwina and Rose at one another’s mercies (Charles Matthews, 1996-2016).”
...o have an employed man in her life. Amanda served as a perfect model to exemplify this belief, and the way that Williams’ makes use of naturalistic themes in his play. He proves that without a strong man in the house to support Amanda and Laura, the women would not survive. While Amanda tries to raise her children without a husband, she exhibits many naturalist mannerisms. Williams’ reveals examples of Charles Darwin’s theories of “survival of the fittest”, and of natural selection through Amanda, and her interactions with her son, her daughter, and her character and disposition. Williams’ also demonstrates the naturalistic principle that character traits and personalities are hereditary. Tom Wingfield was the main provider for the family, and when he followed his father’s footsteps and abandoned Laura and Amanda, the women were left unaided and hopeless.
Having lost her husband and being left alone to raise her two children Tom and Laura, Amanda finds herself in a very undesirable situation. This situation is only made worse through Amanda's disappointment in her children, whom she considers lost. She believes her son to be unrealistic, as he is constantly dreaming about becoming a respected poet rather than committing to a steady job. As a result, Amanda is very confused and uncertain about her and her children's future. Worse still, the fact that Laura is crippled, which she refuses to acknowledge however, worries her even more, insofar as she tries to arrange everything for her lest she will live paralyzed in the threatening world. Aware of the reality, she enrolls her in a secretarial course in the hope that she would become, if not successful in her career, at least independent in making ends meet. Disappointed by Laura's inability to cope with the studies in the business school, Amanda cannot but desperately find her a reliable husband who can provide material and emotional...
Tennessee Williams’ play, “The Glass Menagerie”, depicts the life of an odd yet intriguing character: Laura. Because she is affected by a slight disability in her leg, she lacks the confidence as well as the desire to socialize with people outside her family. Refusing to be constrained to reality, she often escapes to her own world, which consists of her records and collection of glass animals. This glass menagerie holds a great deal of significance throughout the play (as the title implies) and is representative of several different aspects of Laura’s personality. Because the glass menagerie symbolizes more than one feature, its imagery can be considered both consistent and fluctuating.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Throughout The Glass Menagerie Laura is presented as an extremely shy and sensitive person. This play also describes her personal fears, hopes, and dreams. Her shyness is emphasized even more by being contrasted with her mother Amanda's forceful and almost brutal nature and actions towards Laura.We clearly are made aware almost immediately of Laura's overly sensitive nature. Laura can be characterized by her loneliness, sensitivity, trapped feelings, and outcast.
Amanda is a very controlling mother who is very proud of her past with gentleman callers. Laura is constantly reminded of her high standard her mother set for her. Tom is tired of hearing his other control both him and his sister and constantly nagging. Much like Gatsby, Amanda talks about her past, and would love to go back and relive it. Amanda tries too much to live through her daughter, and it is creating a big problem. Amanda is afraid of denial that her daughter just isn't one of the girls who attracts all the men, and knows how to talk to men.
Set in Depression-era St. Louis, the overbearing Southern ex-charmer, Amanda Wingfield is the de facto head of the household. A former Southern belle, Amanda is a single mother who behaves as though she still is the high school beauty queen. Williams' still-resonant study reveals her desperate struggle with the forces of fate against her dysfunctional relationship that looms and grows among her adult children. (Gist)
In The Glass Menagerie, Tennessee Williams uses the roles of the members of the Wingfield family to highlight the controlling theme of illusion versus reality. The family as a whole is enveloped in mirage; the lives of the characters do not exist outside of their apartment and they have basically isolated themselves from the rest of the world. Even their apartment is a direct reflection of the past as stories are often recalled from the mother's teenage years at Blue Mountain, and a portrait of the man that previously left the family still hangs on the wall as if his existence is proven by the presence of the image. The most unusual factor of their world is that it appears as timeless. Amanda lives only in the past while Tom lives only in the future and Laura lives in her collection of glass animals, her favorite being the unicorn, which does not exist. Ordinary development and transformation cannot take place in a timeless atmosphere such as the apartment. The whole family resists change and is unwilling to accept alteration. Not only is the entire family a representation of illusion versus reality, each of the characters uses fantasy as a means of escaping the severity of their own separate world of reality. Each has an individual fantasy world to which they retreat when the existing world is too much for them to handle. Each character has a different way of dealing with life when it seems to take control of them, and they all become so completely absorbed in these fantasies that they become stuck in the past.
Tennessee William’s “The Glass Menagerie” is an early nineteen hundred play narrated by one of the characters, Tom. The Wingfield family tree consists of a mother, who “is not paranoiac; but her life is paranoia”(21), a crippled, shy, young daughter, and the outspoken, hardworking narrator, who wants to duplicate his father’s snapped branch. The play shines a dim light to the dark side of the family tree. Sadness and fear of consequences, control the story. Amanda, the mother, reminisces on her bright past while living in her dull present. Laura drops out of typewriting school and does not feel as confident or pretty as her mother once did. Tom, the narrator, hates his everyday life and will take any chance to fall as far away from the tree
Movies, music, commercials, politicians, and celebrities. All of these things share a commonality, a commonality of providing illusions to people about reality, life, expectations, beauty, and government. These illusions exist in real life, as well as imaginary life, in books, plays, and television. Across literary works, one example stands out with powerful illusions for the characters and deceptions of reality. Tennessee Williams’ play, The Glass Menagerie, provides this peak example of illusions, specificallys in the mother of the play. The play consists of Tom, her sister Laura, their mother Amanda, and a gentleman caller, Jim. The story is told from Tom’s point of view as he reflects on his past and primarily consists of him and Amanda arguing in the apartment, while Laura tries to make peace
Laura and Amanda contrast each other, but do not complement each other. Laura’s severe anxiety and lack of self respect is not helped by Amanda’s high-expectations and oblivious approach to Laura’ problems. Amanda is constantly talking about her suitors and her glory days, expecting Laura to lead a similar life, “I remember one Sunday afternoon in Blue Mountain -” Laura and her brother cut her off, and Laura soon replies, ”I’m not like you mother” (4). Despite Laura’s futile attempts to cut her mother off, Amanda continuously talks about her past self synonymously with what she expects from Laura. Amanda and Laura live in separate universes which revolve around themselves. However, Amanda wants Laura to be the ideal and nonexistent version of Amanda’s past self. Originally, Amanda pushes Laura to go to school in order to become independent and self sufficient. However, once that plane fails Amanda gives up, “Fifty dollars' tuition, all of our plans - my hopes and ambition for you - just gone up the spout, just gone up the spout like that” (14). Next, Amanda proceeds to push Laura to marry and find love. She is quick to give up on her daughter and tries to push Amanda to be like her. Although Amanda claims to have been popular and successful, that is not the reality, it was her dream. Amanda, now older, forces her dreams onto