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Analysis of piano lesson
An analysis of The Glass Menagerie
Analysis of piano lesson
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In life, the mistakes and events of our past often shape our dreams, hopes, and aspirations for the future. People all have different ways of coping with their disappointment and mistakes. Some people try and better the lives of their children in spite of themselves, whereas others try and fix the mistakes of their parents by leading a different or better life. In The Piano Lesson by August Winston, Doaker is actively trying to get rid of the piano because he feels it represents the mistakes and terrors of his family’s past. Discordantly, In The Glass Menagerie by Tennessee Williams, Amanda forces her dreams, which she was not able to achieve, onto Laura, hence living vicariously through her daughter.
Doaker’s fight with his sister represents
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Laura and Amanda contrast each other, but do not complement each other. Laura’s severe anxiety and lack of self respect is not helped by Amanda’s high-expectations and oblivious approach to Laura’ problems. Amanda is constantly talking about her suitors and her glory days, expecting Laura to lead a similar life, “I remember one Sunday afternoon in Blue Mountain -” Laura and her brother cut her off, and Laura soon replies, ”I’m not like you mother” (4). Despite Laura’s futile attempts to cut her mother off, Amanda continuously talks about her past self synonymously with what she expects from Laura. Amanda and Laura live in separate universes which revolve around themselves. However, Amanda wants Laura to be the ideal and nonexistent version of Amanda’s past self. Originally, Amanda pushes Laura to go to school in order to become independent and self sufficient. However, once that plane fails Amanda gives up, “Fifty dollars' tuition, all of our plans - my hopes and ambition for you - just gone up the spout, just gone up the spout like that” (14). Next, Amanda proceeds to push Laura to marry and find love. She is quick to give up on her daughter and tries to push Amanda to be like her. Although Amanda claims to have been popular and successful, that is not the reality, it was her dream. Amanda, now older, forces her dreams onto
Jeannette Wales, author of The Glass Castle, recalls in her memoir the most important parts of her life growing up as a child that got her where she is now. Her story begins in Arizona in a small house with her parents and three siblings. Her parents worked and didn’t do much as parents so she had to become very independent. Her parents and siblings were the highlights to most of her memory growing up. She is able to recall memories that most small children wouldn’t be able to recall with as much detail.
In John Connolly’s novel, The Book of Lost Things, he writes, “for in every adult there dwells the child that was, and in every child there lies the adult that will be”. Does one’s childhood truly have an effect on the person one someday becomes? In Jeannette Walls’ memoir The Glass Castle and Khaled Hosseini’s novel The Kite Runner, this question is tackled through the recounting of Jeannette and Amir’s childhoods from the perspectives of their older, more developed selves. In the novels, an emphasis is placed on the dynamics of the relationships Jeannette and Amir have with their fathers while growing up, and the effects that these relations have on the people they each become. The environment to which they are both exposed as children is also described, and proves to have an influence on the characteristics of Jeannette and Amir’s adult personalities. Finally, through the journeys of other people in Jeannette and Amir’s lives, it is demonstrated that the sustainment of traumatic experiences as a child also has a large influence on the development of one’s character while become an adult. Therefore, through the analysis of the effects of these factors on various characters’ development, it is proven that the experiences and realities that one endures as a child ultimately shape one’s identity in the future.
It is commonly believed that the only way to overcome difficult situations is by taking initiative in making a positive change, although this is not always the case. The theme of the memoir the Glass Castle by Jeannette Walls is that the changes made in children’s lives when living under desperate circumstances do not always yield positive results. In the book, Jeannette desperately tries to improve her life and her family’s life as a child, but she is unable to do so despite her best efforts. This theme is portrayed through three significant literary devices in the book: irony, symbolism and allusion.
Jeannette Walls, the author of the memoir, The Glass Castle, was raised by parents whose relentless nonconformity and radical ideals were both positive and negative aspects to their wellbeing. Their names were Rex and Rosemary Walls, and they were the parents of four children. While the kids were still young, the family moved from town to town, camping in the wilderness and sleeping in the car, and sometimes even had a small place to stay. Rose Mary, who was both an artist and an author, identified herself as an “excitement addict”. As a mother who despised the responsibility of caring for her family, Rose Mary preferred making a painting that will last forever over making meals for her hungry children. Rex was an alcoholic who, when sober, was a charming and intelligent man that educated his children through geology, physics, mathematics, and how to live life fearlessly.
In today's rough and tough world, there seems to be no room for failure. The pressure to succeed in life sometimes seems unreasonable. Others often set expectations for people too high. This forces that person to develop ways to take the stress and tension out of their lives in their own individual ways. In the plays "The Glass Menagerie" and " A Streetcar Named Desire" written by Tennessee Williams, none of the characters are capable of living in the present and facing reality. Two of the characters are Amanda Wingfield and Blache Dubios. In order for these characters to deal with the problems and hardships in their lives they retreat into their own separate worlds of illusion and lies.
As Winfield 's wife, Amanda is worthy of love and respect. Amanda is a southern lady, when she was young, she had an attractive appearance and graceful in manner, and her families were also quite rich. These favorable conditions made her the admiration of many men. Still, her final choice was a poor boy. She did not hesitate and bravely to choose her own love. Though her marriage was not as good as she had imagined the happiness of life, and the husband, Winfield meager income also drinking heavily, finally abandoned Amanda and two young children, but she still remembered and loved her husband. Her husband 's weakness did not make Amanda fall down; instead, she was brave enough to support the family, raising and educating of their two young children. Daughter Laura was a disability to close her fantasy world, and she was collection of a pile of glass small animals as partners. Amanda knew Laura sensitive, fragile, she was always in the care and encourages her daughter. Because of her shortcomings, Laura sometimes frustrated and Amanda immediately replied that "I 've told you never, never to use that word. Why, you 're not crippled, you just have a little defect". Amanda for the care of the children was more reflected a mother 's strong from the play that Amanda paid money to send Laura to typing school. She hoped daughter have a better future and married a good man to take care of the family, and encouraged her daughter, prompting her to go out of the glass menagerie to experience her real life, but Amanda placed more expectations for his son Tom because her husband left home, Tom is the only man and the mainstay of the family. She wanted Tom to realize that is a kind of family responsibility, also is a kind of essential social
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
The power within the mind provides people with the opportunity to create an illusion of one’s life. These illusions sprout from dreams that often are unobtainable, as they strive to reach perfection in life which is known to be impossible. The mind crafted images provide people with an outlet to escape the terrifying truth of reality. Shielding oneself from reality is only a temporary solution, and can create social struggles as well as tension. The struggle between wanting to live in a fantasy of dreams to escape the world, and accepting the hardships of reality has existed in society since the beginning of time. Tennessee Williams demonstrates that many fall into the temptation to escape reality by living in an imagination where truth and responsibilities are neglected in his novel The Glass Menagerie.
The famous French playwright Moliere once said, “The greater the obstacle, the more glory in overcoming it.” Throughout our lives, we often are faced with hardships that cause us to change ourselves, the people around us, and the situation itself. Because of this, it may reveal our true characteristics to show who we truly are. In the memoirs “The Glass Castle” by Jeannette Walls and “Warriors Don't Cry” by Melba Patillo, they vividly illustrate the story of how they faced their struggles. They both prevailed because of their tenacious mind sets, but handled the situations in both different and similar ways. The characteristics of the characters Jeannette and Melba show the similarities and differences between the characters.
The Glass Castle by Jeannette Walls is a harrowing and heartbreaking yet an inspiring memoir of a young girl named Jeannette who was deprived of her childhood by her dysfunctional and unorthodox parents, Rex and Rose Mary Walls. Forced to grow up, Walls stumbled upon coping with of her impractical “free-spirited” mother and her intellectual but alcoholic father, which became her asylum from the real world, spinning her uncontrollably. Walls uses pathos, imagery, and narrative coherence to illustrate that sometimes one needs to go through the hardships of life in order to find the determination to become a better individual.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
My composer is known as an influential minimalist and has wrote a variety of works such as opera, musical theatre, symphonies, chamber music, film scores and much more over the years. This composer’s identity is none other than Philip Glass. The major focuses in this paper are to give a moderately brief background on Philip Glass, examining his style of music along with how others view it and describe one of Philip Glass’s musical pieces. The background or bio about Philip Glass has information primary associated with events surrounding his career. When we reach examining Philip Glass’s style of music, people’s opinions on his music and who he sounds similar too is discussed. The final part of paper basically talks about one of Philip Glass’s works and how it serves as an example to his other music.
In Tennessee Williams' play, The Glass Menagerie, each character attempts to escape the real world by creating their own “reality”. Laura hides from the world by magnifying her illness. Tom convinces himself that his needs supersede the needs of his family. Amanda focuses almost exclusively on the past - when she saw herself as a desirable southern belle. Even Jim focus his hopes on recapturing his good old high school days. Each character transposes their difficult situations into shadows of the truth.
First, Laura displays a greater physical drive that Amanda does not have to go through. In scene 7, Laura tells the reader what it was like every day in high school. Laura says,