People have the tendency to block out the things that aren't going well in their lives, this can be called denial. No member of the Wingfield family has a perfect life, they each have various issues. In the play The Glass Menagerie by Tennessee Williams, every member of the Wingfield family denies reality and withdraws into their own private world of illusion. Amanda denies how her life turned out, Tom denies the fact his life is boring, and Laura denies herself; they each have a way of coping. Growing up Amanda had it easy, she was popular, beautiful, charming and had a way with the gentlemen callers. She took pride in the callers that would come over, and always charmed them with her wit. She still cherished the memory of her many gentleman …show more content…
Instead of addressing the fact that Laura has a disability, Amanda ignores it. Amanda expects Laura to have many gentleman callers, like she did. In reality, Laura is shy and self conscious, because she has not gotten over her minor disability. Amanda does not help Laura overcome her disability but denies it, and gives in to the illusion that Laura is okay. “Why, you’re not crippled, you just have a little defect--hardly noticeable, even (1.2.17)!” Laura’s disability drove her to miss class every day and go to the park. This created the illusion for her mother that she was getting an education, but in reality she was ditching …show more content…
Jim would call her blue roses, "he thought that I had said Blue Roses! So that's what he'd always call me after that” (64-65). Jim was the only boy Laura ever was interested in, she even told Amanda about him. Tom invited a friend over as a gentleman caller for Laura, it happened to be Jim. When Laura saw Jim, she acted extremely sheepish, she was too nervous to open the door. Jim did not recognize her until halfway through the dinner. Jim realized she was not confident and tried to instill confidence in her by kissing her and calling her pretty. This worked for a hot second, but Laura later retreated to her own world when he said he was
To start, Amanda Wingfield displays different characteristics from Troy. Amanda lives with her son and daughter who are in their 20’s and are supposed to be starting their lives. Amanda wants Laura to succeed in life and be a remarkable wife to one of her future gentleman callers. When Amanda discovers Laura has stopped going to her typewriting class, Amanda realizes her dreams of Laura succeeding are flickering away, “My hopes and ambitions for you”(Williams 14). Through this quote Williams incorporates heartache into Amanda’s voice depicting her ambition for Laura to succeed. She also feels, “So weak I could barely keep on my feet!”(Williams 14). These two quotes illustrate that Laura’s own being is extremely important to Amanda and to an extent, acts as if Laura’s failure is her own failure. This sense of care that Amanda shows is essential to help Laura make something of herself and appears to the reader as a deep aspiration of Amanda’s conscious. While Troy only cares for Cory because , “It is my job...cause it’s my duty”(Wilson 38). Another way Amanda wants Laura to be blissful is through her efforts in trying to get Laura a gentleman c...
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
Amanda Wingfield is mother of Tom and Laura. She is a middle-aged southern belle whose husband has abandoned her. She spends her time reminiscing about the past and nagging her children. Amanda is completely dependent on her son Tom for finical security and holds him fully responsible for her daughter Laura's future. Amanda is obsessed with her past as she constantly reminds Tom and Laura of that " one Sunday afternoon in Blue Mountain when she once received seventeen gentlemen callers" (pg.32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. Amanda also refuses to acknowledge that her daughter Laura is crippled and refers to her handicap as " a little defect-hardly noticeable" (pg.45). Only for brief moments does she ever admit that her daughter is crippled and then she resorts back into to her world of denial and delusion. Amanda puts the weight of Laura's success in life on her son Tom's shoulders. When Tom finally finds a man to come over to the house for diner and meet Laura, Amanda blows the situation way out of proportion. She believes that this gentlemen caller, Jim, is going to be the man to rescue Laura. When in fact neither herself nor Laura has even met this man Jim yet. She tries to explain to Laura how to entertain a gentleman caller; she says-talking about her past " They knew how to entertain their gentlemen callers. It wasn't enough for a girl to be possessed of a pretty face and a graceful figure although I wasn't slighted in either respect.
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Laura unable to survive in the outside world - retreating into their apartment and her glass collection and victrola. There is one specific time when she appears to be progressing when Jim is there and she is feeling comfortable with being around him. This stands out because in all other scenes of the play Laura has never been able to even consider conversation with a "Gentleman Caller."
Jim is very self-assured and attempts to help Laura with her problems of self-esteem and shyness. Laura seems to be responding to his efforts of help when he unexpectedly announces his engagement to be married. Of course, this brings an end to the well-planned evening. At this point, there seems to be a wake-up call for these characters. A...
really a place for someone like him and his mind rebelled. Lastly you can see
When he asks what she gives it to him for, she replies, “A—souvenir.” Then she hands it to him, almost as if to show him that he had shattered her unique beauty. This incident changed her in the way that a piece of her innocence that made her so different is now gone. She is still beautiful and fragile like the menagerie, but just as she gives a piece of her collection to Jim, she also gives him a piece of her heart that she would never be able to regain. Laura and her menagerie are both at risk of being crushed when exposed to the uncaring reality of the world.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Amanda, somehow, finds a way to be both selfish and selfless when it comes to Laura. Amanda wants Laura to be happy and successful, but does not understand that Laura is too shy and unmotivated to be either. When Amanda discovers that Laura has stopped going to typing class she is beyond disappointing. When discovered Amanda yells at her daughter saying, “Fifty dollars’ tuition, all our plans- my hopes and ambitions for you- just gone up the spout, just gone up the spout like that.” Laura quit something as simple as learning how to type; this realization struck Amanda because if she cannot do that there is no way Laura could provide for herself without a husband. Mrs. Wingfield’s worst nightmare is is for her children to become dependent on relatives and not being able to take care of themselves. After Laura drops out of typing school Amanda says, “What is there left but dependency all our lives? I know so well what becomes of unmarried women who aren’t prepared to occupy a position. I’ve seen such pitiful cases in the South—barely tolerated spinsters living upon the grudging patronage of sister’s husband or brother’s wife!—stuck away in some little mousetrap of a room—encouraged by one in-law to visit another—little birdlike women without any nest—eating the crust of humility all their life!. Amanda had always wanted for Laura to find a nice husband, but then the situation became desperate when the younger women
In The Glass Menagerie, Tennessee Williams uses the roles of the members of the Wingfield family to highlight the controlling theme of illusion versus reality. The family as a whole is enveloped in mirage; the lives of the characters do not exist outside of their apartment and they have basically isolated themselves from the rest of the world. Even their apartment is a direct reflection of the past as stories are often recalled from the mother's teenage years at Blue Mountain, and a portrait of the man that previously left the family still hangs on the wall as if his existence is proven by the presence of the image. The most unusual factor of their world is that it appears as timeless. Amanda lives only in the past while Tom lives only in the future and Laura lives in her collection of glass animals, her favorite being the unicorn, which does not exist. Ordinary development and transformation cannot take place in a timeless atmosphere such as the apartment. The whole family resists change and is unwilling to accept alteration. Not only is the entire family a representation of illusion versus reality, each of the characters uses fantasy as a means of escaping the severity of their own separate world of reality. Each has an individual fantasy world to which they retreat when the existing world is too much for them to handle. Each character has a different way of dealing with life when it seems to take control of them, and they all become so completely absorbed in these fantasies that they become stuck in the past.
Amanda Wingfield in the play, The Glass Menagerie, written by Tennessee Williams, was portrayed as a distraught southern belle trying to control the lives of her children. In The Glass Menagerie Amanda is the matriarch of her small family who appears at first to be a woman who cared about her children’s futures- that is before she becomes so overbearing that she started to hinder her children’s future. Amanda was a single mother who could never grasp reality. The Glass Menagerie was a memory play that told of a family trapped in destructive patterns. After being abandoned by her husband sixteen years prior, Amanda became trapped between two completely different worlds; worlds of illusion and reality. It seemed like when the world became too harsh or hard for Amanda, she would just simply close her eyes and pretend like nothing was wrong. When the real world became to overbearing for Amanda, she would recall the days of her youth and how great they were. This was simply just a way for Amanda to stay optimistic and stay out of reality. Amanda made the relationship between her and her children very difficult because she never tried to understand her children’s different personalities. Amanda was stuck on trying to mold her children’s lives the way she wanted them, rather than letting her children choose and lead their own lives. Amanda’s way of helping the children did not let her connect with them the way that each of them needed. Due to her one minded opinion, she didn’t see that Laura was a shy girl with low self esteem and needed a mother to show her how to act around the public and that Tom just simply needed to switch jobs and have someone to talk to. Tom eventually left the house because he realized his weak relati...
Life can be tough for some, especially with everything going on in the world. Sometimes reality can seem bleak. Illusions are a safe place that the mind creates when life becomes disappointing. Tennessee Williams’ screenplay, The Glass Menagerie, is an illustration of a dysfunctional family. The dysfunction comes in the form of the Wingfields refusing to live in reality, creating their own illusions about life, and denying each other’s delusional thinking.
Movies, music, commercials, politicians, and celebrities. All of these things share a commonality, a commonality of providing illusions to people about reality, life, expectations, beauty, and government. These illusions exist in real life, as well as imaginary life, in books, plays, and television. Across literary works, one example stands out with powerful illusions for the characters and deceptions of reality. Tennessee Williams’ play, The Glass Menagerie, provides this peak example of illusions, specificallys in the mother of the play. The play consists of Tom, her sister Laura, their mother Amanda, and a gentleman caller, Jim. The story is told from Tom’s point of view as he reflects on his past and primarily consists of him and Amanda arguing in the apartment, while Laura tries to make peace
This is why she relates herself to the unicorn, because it is unique like her. When she soon began to open up from her shelter life, Jim breaks the news that he is engaged, causing Laura to revert into her cripple phase.