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Now and then character analysis
Now and then character analysis
Now and then character analysis
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The epic poem The Iliad and the poem Beowulf both present the idea of revenge and its effect on an individual’s moral values. Both Achilles and Beowulf go on a journey of seeking revenge, which lets the readers see further into their characteristics before and after seeking revenge. Homer illustrates Achilles as a renowned warrior who goes on to kill Hector to avenge his friend, Patroclus, becoming infamous for his villainous acts. Similarly, Beowulf, also goes on a journey, voluntarily, to save fellow citizens from horrible monsters using brutal measures. Therefore, the desire for revenge causes a character to forget their sense of morality in both The Iliad and Beowulf.
Both poems use various characters to present the idea of aggressive and
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For instance, in the battle between Sarpedon and Patroclus, the two warriors are so ignorant of their surrounding because they are focused too much on killing each other, that they kill an innocent horse standing by, “But Sarpedon hurled next with a flashing lance and missed his man but he hit the horse Bold Dancer, stabbing his right shoulder and down the stallion went, screaming his life out, shrieking down in the dust as his breath winged away” (Iliad 16.553-557). Homer uses imagery, diction and symbolism to emphasize the careless mistake Sarpedon had done to an innocent bystander. The words “hurled”, “hit”, and “stabbing” causes the reader to picture as to how the spear hit the horse and the words “screaming” and “shrieking” lets the reader hear the extreme pain that the horse is in after getting attacked by a spear. The dark connotations in the phrases “screaming his life out”, “shrieking down in the dust” and “his breath winged away” portrays the horse’s helpless and suffering situation causing the reader to pity him. Homer used the horse to symbolize as to how when people’s attention is in achieving revenge, they tend to ignore the harm they can cause to the innocent people around them. The author of Beowulf also presents the idea of lack of sympathy in Beowulf’s decision to kill Grendel’s mother, “So the Shieldings’ hero, hard-pressed and enraged, took a firm hold of the hilt and swung the blade in an arc, a resolute blow that bit deep into her neck-bone and severed it entirely” (Iliad 1563-1567). The author uses diction to highlight the idea of hostility in Beowulf. In the words, “hard-pressed” and “enraged” show the extreme anger and hatred that is built up inside of Beowulf causing him to take harsh actions towards Grendel’s mother. The phrases, “resolute blow”,
Evil exists naturally in the world, and there are many acts that are considered evil. As a result, evil is often a theme in literature. “The Tragedy of Hamlet, Prince of Denmark” by William Shakespeare, and “The Cask of Amontillado” by Edgar Allan Poe each rely heavily on evil to portray a message. Out of all of the evil acts that exist, exacting revenge is the evilest act that a person can make, for a person’s rash decision to exact revenge will ruin their sense of morality. The characters of Hamlet and Laertes in “Hamlet” each commit terrible acts of revenge, as does Montresor in “The Cask of Amontillado.”
Beowulf is an Anglo-Saxon folk epic written by an unknown author. It was written sometime during the eighth century. Oedipus Rex is an Ancient Greek tragedy written by the playwright Sophocles sometime around 430 BC. Although the two works were written during two different time periods, in two different places, and are different kinds of literature, they contain many similarities in the manner in which they depict a hero and the depiction of government.
The choices we make define the destiny of our lives. Since the beginning of time, man has always been an imperfect being full of flaws. Man is faced with different situations that can end up bringing disgrace to himself and his family if the situations are not well handled. In the texts Book II of the Aeneid by Virgil, Antigone by Sophocles, Oedipus the king by Sophocles, and Book XXII from the Iliad by Homer; Creon, the Trojan people, Hector, Achilles, and Oedipus embody what can lead to a man’s downfall through their own choices. Through these texts we are able to learn from the mistakes people made in the past and lead good moral lives. The texts illustrate how pride, lack of empathy, and ignorance lead to the destruction of man.
One of the main topics discussed in lesson one is the fact that heroes over time and overseas all heroes have something in common; which is true in the case of King Arthur and Beowulf. It is obvious that they are similar in the fact that they are both heroes, but what makes them an idol of their time and in their culture are poles apart. There are many things that are different about Beowulf and King Arthur, but the ones that stand out the most are what kind of hero they are and what actions they did to make them heroic. Both heroes possess qualities that others do not have, but it is what they do with those abilities that prompts someone to write a story about them and idolize them in time.
known in the Bible as Erech (now Warka, Iraq). According to the myth, the gods
The Iliad by Homer and the Women of Troy by Euripides are both Greek works of literature that look at the Trojan War from different perspectives. Book 6 of the Iliad illustrates that the ultimate glory is to fight for the city with no regard to the impact on the family. The Women of Troy focuses on the negatives that war causes, especially towards the soldier’s wives and children. Whereas the Iliad focuses on the battle itself and centers on the warriors, the Women of Troy focuses on the wrath the war brings upon the families left behind. The central theme in both the works is the Trojan War and they both offer perspectives of the duty of a person, the role of predetermined fate, and the role of women.
Revenge is best served cold or so says the well-known expression. This idea of revenge that they seek is usually to restore a balance and take an “eye for an eye” as the bible says. Revenge, if by chance everyone were in Plato’s perfect utopia, would be in a perfect form, where justice and revenge would be one, and the coined phrase an “eye for an eye” would be taken literally. By taking an eye for and eye, and punishing those who did wrong equally as they did wrong, there is justice. However, this revenge sometimes goes to far and is consequently not justice. This notion of Revenge and justice is often in literature, one of the better-known being the novel The Count of Monte Cristo, written by Alexandre Dumas. However, literature is not the only time that revenge and justice is discussed in. Works and Rules and real-life events that took place like the Bible, Hammurabi’s code, Twelve Tables, and others each have something different about the topic. More religious texts seem to forbid violence, while laws, such as the Hammurabi’s code, recommend revenge, but equal revenge. By judging from literature, it can be concluded that most authors have different opinions on the matter at hand, and revenge is sometimes justice, but usually not, and tends to lead to violence that was not intended.
Have you ever wanted to avenge a wrong doing done unto you? Well, the characters in Beowulf will stop at nothing to achieve vengeance. Revenge is so immensely practiced that it is a common act to pay of a deed done by an offender. However, a payment or truce does not satisfy the desire for revenge in the Poem. Every time a Character precedes to make peace, it eventually falls apart by a desire to avenge loved ones. This desire is usually upheld until someone is no longer left to be avenged or no one is left to avenge those whom they loved. This, although it may not seem so, happens commonly in this epic.
In the Iliad, revenge is the cause of many problems. There are main concepts that lead to having revenge in which it is pride, rage and emotional charged. Pride can lead to revenge by disbelieving in someone’s dignity. Rage can also result in having revenge by making a person become full of anger to the point that they can not hold it back any more. Emotional charges can result in revenge by someone who is very emotional and starts to have a negative aspect to what has happened.
The characters Oedipus and Beowulf represent two different types of heroes. Oedipus is a tragic hero and characterized by its standards. He was an influential man of stature who had a tragic flaws. While he contributed to his own downfall, Oedipus was not entirely responsible for it. He also learned a lesson from his mistakes which ultimately creates a catharsis in the reading.
Philosopher Friedrich Nietzsche once declared, “It is impossible to suffer without making someone pay for it.” In other words, when one is suffering, the desire to reap revenge without consideration as to who is being harmed in the process is innate. This is a common theme within the poem The Epic of Gilgamesh, Euripides tragic play, Medea, and Shakespeare’s play, The Tragedy of Hamlet. Characterization is used in these three works to exemplify the revenge seeker’s disregard for anyone but themselves in order to take vengeance on those who committed an act against them.
Throughout history, revenge, or vengeance, has been altered by several cultures and even the American culture. This is shown throughout many ancient greek epics. Throughout these two epics, what is just revenge and what the action of revenge is are much different than what Revenge is seen through today’s society. Revenge is the main theme in The Iliad, with Achilles’ revenge on Agamemnon and Hector, and in The Odyssey, with Poseidon’s revenge on Odysseus and Odysseus’s revenge on the Suitors, and these epics define how revenge was seen in the ancient Greek world.
Violence, it is a part of the Iliad and Odyssey; it is portrayed in nearly all our movies and literature. The numerous battles in the Iliad constantly described the grotesque deaths of warriors. "He brought him down with a glinting jagged rock, massive, top of the heap behind the rampart’s edge, no easy lift for a fghger even in prime strength, working with both hands, weak as men are now." Giant Ajax hoisted it high and hurled it down, crushing the rim of the soldiers four horned helmet and cracked his skull to splinters, a bloody pulp…" 435-443. Violence, the many scenes of war in the Iliad reminded me of the first battle scene of Saving Private Ryan. The extremely violent images of men crying out for their mothers, the intestines spilling out of a man’s belly, and the many pictures of bullet wounds. I believe that if Homer had lived in the 20th century, that the battle scenes of the Iliad would resemble those of the many gruesome films and books written in this century. A specific example of senseless violence was during the fall of Troy; Hektors young child was thrown off the high walls of Troy. It obvious that every society throughout time has appreciated virulent violence.
Over the thousands of years that the epic story the Iliad has survived, there has no doubt been some form of alteration to Homer’s original. Last May, Wolfgang Petersen directed a movie based on the Iliad. This movie, Troy, has proven to be a very loose adaptation of Homer’s original, as are almost all stories that are made into movies, unfortunately. With its timeless storyline, amazing scenery, gorgeous actors/actresses and most of all, its reported two hundred million dollar budget, it is easy to see why Troy was hyped up to be a box office hit. However, the film critics were harsh on this movie, as they had every right to be, and it ended up being a total flop. Compared to Homer’s Iliad, Troy is rather disappointing. But, to be fair, one must keep in mind the limitations of a movie compared to those of a book, and the fact that the title is Troy, not the Iliad. It really is not as bad as expected. Troy is Homer’s Iliad gone to Hollywood. There probably are just as many similarities as differences from the original. The three major upsetting differences in Troy compared to the Iliad are the absence of the Gods, the weak character and plot development, and the addition, exclusion, and reversal of key points.
Homer’s “Iliad,” Euripides’ “Trojan Women,” and Pitre’s Fives and Twenty-fives all include some form of revenge. The most prominent concept of revenge occurs in the Iliad and stems from the wrath of Achilles. In the “Iliad”, The Achaeans seek revenge against the Trojans for taking Helen, the wife of Menelaus, the Greek king. Apollo and Chryses, a priest of Apollo, seek revenge because Agamemnon refused to return Chrysies, the daughter of Chryses, who was taken as a war prize. Achilles seeks revenge against Agamemnon for insulting him