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Recommended: Analyzing fairy tales
HIDDEN INSTINCTS
Below the surface of folklore and fairy tales hides the forgotten instinctual soul of the wild woman archetype, and while the morality of these tales may be questionable, I believe they are the trigger in bringing the forgotten instincts to the surface. The stories can bring empowerment as we interpret them to understand why we have lost our instincts and guide us in our transformation back to this forgotten self. This paper will discuss the connection between the wild woman and the tales, along with the meanings behind some of the stories.
Fairy Tales, Folklore and the Unconsciousness
While we are all aware of the Disneyfied versions of fairy tales and folklore, however, long before Walt Disney, the stories were not so
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pretty and most parents these days would not be willing to read the original dark versions to their children. In the original versions you can find premarital sex, violence, child abuse, and even murder which are morally questionable. Coincidentally even the versions we heard as children growing up have stuck with us and when you think about the story, if you are like me, you can see yourself in each part of the tale. We all have dual natures and each part of the fairy tale or folklore story is in someone way connected to a part of us, even if it is part that we have hidden so far away that we cannot even remember it ever existed. The characters resonate with the dual natures within us, our strengths and weaknesses, the failures and successes we have had so far in life, well you can find them all in story and characters. Repressed Memories These stories can provide basic insights into our inner identity as they can be analyzed in a way to help us reflect upon repressed instincts.
Because when we look for the hidden meanings in the tales that seem similar to our circumstances we can look at the meanings we uncover from the story to help recover the buried memories or instincts. Certainly we all have parts of ourselves that we hide away from the world and even from ourselves, because as we all know sometimes it is easier to forget them rather than facing the fact we are not living the life we wish. Though we habitually bury them so deep that even our consciousness itself is unaware, however, they are always present in the unconscious and this effects the decisions we make along with the feelings or thoughts that appear and we are unable to explain them to ourselves until we begin to remember and set ourselves free (Radulescu, …show more content…
2014). Jungian psychology Freud, Rank and Jung are among the psychoanalysts that believe fairy tales and folklore are tied to our inner psyche along with the fact that they also believed each character represents a part of the psyche that represents diverse parts of the inner self and by understanding the hidden meanings in the tale you can begin to comprehend that part of yourself. With this in mind by placing yourself in the story it can help transform your conceptions and break the patterns that are holding you back while you begin to understand the inner conflicts that have obstructed you from finding those forgotten instincts (Kiernan, n.d.). Analyze your life Estés recommends mapping out areas of your life such as spiritual, family, learning, healing, etc.
and using that to outline your life cycle (Estés. 2010). Coincidentally Estés also practices Jungian Psychology; in general this method of using fairy tales to understand your inner psyche seems very popular with those that practice this type of psychology. First by analyzing your life you can see where the ups and downs have been, what caused them and how you brought yourself out of the down cycles, while this is not exactly how she does it, if you just do it anyway you can and make the effort, this will start you on your journey. For myself, I am undertaking this using years and what happened those years along with how I felt, problems, and accomplishments to help me focus on improving my future and letting that wild woman out to create the life I wish for. Once this has been accomplished you can take the stories that resonate with you and read, research and start healing your life, in particularly stopping the poor choices that are holding you down as you begin to understand the reasoning you made those
choices. Understanding why they are hidden From the beginning of childhood most of us are taught to follow the correct path, to become what society expects of us and by doing so forcing us to repress our true instincts. I am sure the same applies to males but I am focusing on women for this study. When we are told by our parents or caregiver that we have to do things a certain way, we do it, because at that young age what we want the most is their approval and love. So we grow up repressing who we really are just to be acceptable to society and live a proper life so we can continue to have their approval and love. As part of my research I sent out a survey and I had nine women return them, as a result when four of the nine subjects choose Beauty and the Beast as the fairy tale they identified with I discovered from their answers that they identify with the central theme of the struggle between innocence and evil, along with the courage to be yourself and that the outside is not always what it seems to be. As a whole, most women are worried about what others believe about them and always try to produce a “perfect” life, which in the end does not create the happiness they continuously seek. When you find that courage to go after what you crave and face whatever “evil” that tries to stop you, well that makes you the winner and in doing so, I believe you recover the lost wild woman archetype in the process. When you discover that mysterious wild woman, you become unstoppable in achieving your heart's desires that have become hidden while wanting the world to accept you. Abuse To grow up with a parent or caregiver that may provide the basics of shelter, food, and water to keep you alive while depriving you of any nurturing care leads to a future full of repressed memories and instincts. When you are young and unable to care for yourself, you look to the adult in your life to care for you, sadly some of these adults are themselves not capable of this and look to the child to satisfy their own emotional needs which are not being met and this leads to a child that is not allowed to develop proper coping mechanisms along with a psyche that is developmentally flawed after years of such emotional abuse. The other side of this is growing up with a parent or caregiver that abuses you physically and this can also lead to a psyche that is not allowed to develop normally while leading to more of those repressed memories and instincts. Either form of abuse leads to a life that is floundering until the courage is found to seek the answers that can bring up the repressed memories and deal with them along with finding those instincts that allow the wild woman in you to surface. Research Further on the research showed a theme with them picking an abused character as their favorite when they had experienced abuse in their life. Out of the nine subjects, five have never spent a significant amount of time single after the age of eighteen. Interestingly enough, the four that spent considerable time alone in life chose a character that was abused by another in the tales, which was a reflection of the answers I received from these women as they had all experienced abuse of some kind. Cinderella, Snow White, and Maleficent were the three chosen, and their stories show that the world is not fair, good people get exploited and all had experienced being unwanted and unloved at some point. While at the same time desiring to be loved and needed by others, they never stopped hoping to find that "happily ever after" that we all incessantly seek. My belief in creating this thesis is that you have to find that happiness in yourself before you can be happy with another. When you free that wild woman archetype and permit yourself the freedom to be that wild woman who has remained hidden to please the world, well then you will attract others to your life that will accept you for who you are and not attempt to change you. How to uncover the instincts At some point in life you will experience the incessant pull of a restlessness that you may be unable to identify, however once you feel it, it will not go away to until you acknowledge it. There are many things this is called, but what I believe is that this is your inner self wanting to be set free from the ties you have held it down with. To begin with think about the stories you were told growing up and how they were able to enchant you while at the same time inspire you with their meaning and direction. The basic message that anyone can take away from any of these tales is to know yourself and in order to do that you have to understand those dark parts you have hidden away. According to Estés, the ability to access these layers is activated by deep meditation, solitude, or any activity that puts you into an altered consciousness, by doing so you bring the wild woman to the surface and your natural intuition to surface (1992, p. 27). As you acknowledge this restlessness and began to use these methods you will find your memories that have been repressed coming back to you, dreams that you had lost along the way and possibly even horrible things that you don’t want to remember. Acknowledge all of them and set them free so you can begin to focus on what you want to happen now. Releasing the ideals and attitudes that no longer nourish you while at the same time picking something that you can work toward, something you truly want that can challenge you and help increase your intuitiveness (1992, p.78-79). In the long run if you do not answer that call or if you try to bury it again, you will simply be destroying yourself slowly until your soul is lifeless. Transformation There is a folktale by the name of Sealskin, that is one of many names I am sure, where a selkie (a seal that becomes a human when on land) female is caught on land by a male and he takes her seal skin and hides it so she has to stay with him. In the version Estés tells of, the son she has with the man eventually finds the sealskin and gives it to his mother. His mother is thankful as she has begun to dry out and wither away after being away from her home for so long and without her sealskin to protect her. Upon her return to the sea she once again becomes full of life and vitality showing that you cannot ignore what you soul needs to thrive (1992, chap. 9). I feel we all have a home and it does not have to be a place, it could be a person, way of feeling or even an activity, because each woman has to identify what it is that makes her feel like she is home and alive. Morality of the Tales As I mentioned previously the older tales were a lot darker than the versions we are told about in this day and age. The question of morality has been around for many years being modified to be used for entertainment purposes, essentially stripping them of their deeper meanings. Tales that were used as lessons with the ordeals and misfortunes of everyday life were changed to fit the morals suitable to aristocracy of whichever era. As an example in the Grimm’s original version of Cinderella the stepsisters chose to cut off parts of their foot to attempt to fit into the shoe (Carnegie Mellon, n.d.) though there is nothing of this in the newer versions. Researching any fairy tale or folklore story will show you many different versions as they change by country and over the years to fit the morality of the culture of that generation. While the morality of the original stories would never be allowed in in today’s culture, the fundamentals of the meanings behind them stay the same and will continue to guide us if we allow ourselves to understand the hidden meanings in the story. No matter what brings us down, we can always ascend again. There will constantly be challenges but like the Phoenix, who burns to ashes yet rises again each time, we are all capable of standing again and defeating whatever demons that are holding us back.
Introduction: The concept of the change and longevity of the fairy tale (or myth) is well illustrated in the story “Yellow Woman” by Leslie Silko. Not only is the story a modern explanation of a traditional Native American myth, but the style that Silko uses to tell it evokes and adapts the oral communication style that those old myths were passed down with. The story is also very self-consciously aware of its place as a modern revision of a myth, and makes many internal references to this aspect of itself. “Yellow Woman” becomes, in effect, the modern version of a Native American myth or legend, and therefore is a perfect example of the way in which old tales are made new.
1. Growing up we all heard stories. Different types of stories, some so realistic, we cling onto them farther into our lives. Stories let us see and even feel the world in different prespectives, and this is becuase of the writter or story teller. We learn, survive and entertain our selves using past experiences, which are in present shared as stories. This is why Roger Rosenblatt said, "We are a narrative species."
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's fairy tale “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. Perrault provided a moral to his fairy tales, the one from this one is to prevent girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author advances a revisited but still effective moral: beware of wolfs even though they seem innocent.
A fairytale is a fictional fantasy fable that passes through generations of children as source of interest to them. Though used for the intent of entertainment, fairytales often indirectly advocate a moral or message to readers (whom are usually children), in hopes that they will grow up to apply these ethics and lead a righteous life. This criteria, however, often originates from the occurrence of a magical transformation; it is this paranormality that introduces the characters of the story to a side of life far from what they have grown to know and learn to adapt to the dramatic amend in their life. This is evident in the characters in world-renowned tales such as The Little Mermaid, Aladdin and Beauty and the Beast.
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
Shrek, an enormous, disgusting green ogre falling in love with a beautiful princess (later turning into a nasty ogre) is a perfect example of a stereotypical fairytale, right? Well in the movie Shrek, the voice over in the trailer talks about a “hero” attempting to rescue a “fair princess” with the help of “his trusty companion." Besides the fact that the hero is a voluptuous green ogre and the companion is a donkey, everything fits in normally to the definition of a traditional fairytale (Diaz). Also according to Mary Kunimitsu, in fantasy films “There may be characters with magical or supernatural abilities such as witches, wizards, superheroes, mythical creatures, talking animals, and ghosts” (Kunimitsu). In Shrek, there are many of these different characters. Therefore, by explanation, a traditional fairytale with the beautiful princess getting saved by the prince and falling in love is exactly what happens in the movie Shrek, just with a twist. The voice over in the trailer for Shrek states it perfectly as he says “Shrek is a highly irreverent take on the classic fairytale” (Adamson). As an untraditional fairytale, and a parody, the movie Shrek poses the breaking of stereotypes of gender and film fairytales all the while keeping the criteria of a fairytale.
Fairytales express the creative fantasies of the rural and less educated layers of common man (Cuban, 1984). They are characteristically full of magic, often involving upper class characters (Cuban, 1984). In short, Fairytales are organically grown with the creative material of a collective group. The Grimm Brother’s fairytale, The Frog Prince, is no exception. The Grimm Brothers’ fairytale is about a handsome prince trapped in the repulsive body of a frog, but who nevertheless overcomes and transcends this bewitched state through his wit, perseverance, and magic (Prince, 2009). Until the seventeenth century, it was the adult population that was interested in fairytales (Cuban, 2009). Their allocation to the nursery was a late development (Cuban, 2009). This allocation can be credited to the rejection of the irrational, and development of the ra...
In conclusion, the development of the folktales leads to the obtaining of ideas about gender. In many ways our society supports the idea that women seem underestimated as well as physically and mentally weak in comparison with the men who is portrayed as intelligent and superior. This can be shown in many ways in the different versions of this folktale through the concepts of symbolic characters, plot and narrative perspective.
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
Fairy Tales have been around for generations and generations. Our parents have told us these stories and we will eventually pass them down to ours. In this time of age the most common fairytales are Cinderella, Snow White, Sleeping Beauty, Beauty and The Beast and many more. Children idolize their favorite character and pretend to be them by mimicking everything they do in the stories. The character’s behavior is what is viewed as appropriate in society. These fairy tales show a girl and a boy fall in love and live “happily ever after”. The tales in many people’s eyes resemble a dream life that they would want to have of their own. However, have you ever really looked at what makes up a fairy tale? Many things are unrealistic but the most unflattering aspect of these tales is how women are depicted in them. Fairy tales give an unrealistic view to how women should look and behave in real life.
Fairy Tale Text & Motif. Prod. Distribution Access. Distribution Access, 2001.Discovery Education. Web. 1 December 2001. .
Andersen, H. C., and Erik Christian Haugaard. The complete fairy tales and stories. [1st ed. Garden City, N.Y.: Doubleday, 1974. Print.
Zipes, Jack. Breaking the Magic Spell: Radical Theories of Folk & Fairy Tales. Revised and expanded ed. Lexington: The University Press of Kentucky, 1979. Print