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Cultural analysis of film
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From the way we see ourselves versus how others see us defines who we are and creates our identity. In the film “Ordinary People”, each character molds into a different image of themselves after the loss of Buck, one of the sons out of the upper class family of four. Buck stabilized the family and the absence of him affects each member of the family in his or her own way. Misery, guilt, love, incapability to love, and anger are all revealed outside of the cookie cutter house as each character attempts to escape from the black hole they feel isolated in. Beth Jarrett, the mother, denies her brokenness and fabricates her smile to achieve the upper class role her mother imprinted on her as a child. Conrad, the other son, lavishes himself in self-guilt, blaming himself for the loss of his brother. He tries to re-establish his bruised soul but inflicts punishment before he allows himself to move on. Balancing the two broken identities, Calvin, the father, finds himself lost in Beth’s materialistic, expressionless world while trying to view the opposite …show more content…
Forgiveness becomes more vibrant in each of the characters as the mood around them evokes a sense of change. Conrad is starting to feel true happiness as he lands his first date with Jeannine but still endures pain. On the other hand, Calvin’s vision of his life is unrevealed as he unleashes his self- guilt to Berger. He tells Berger that he feels responsible for Conrad’s downfall and seeks to try to understand where his wife, Beth, is coming from. From the downward glance, Calvin’s love for Buck is complicated because Buck had a special relationship with Beth that he never experienced and will never be able to due to her brokenness and loss of identity. In this moment, Calvin is realizing his cliché family is nothing in the absence of
Forgiveness is a very important skill to have. It can help you retain friendships and rekindle old ones. There is so much forgiveness in the novel A Separate Peace. When Phineas is pushed off the tree limb during the school year, he brings up the idea that it was Gene’s fault he fell, but dismisses it right away. Gene goes to visit Phineas at his home during the summer. He tries to explain to him that it was indeed his fault.
Our identities are constantly evolving throughout our lives to adapt to certain people and environments. Lars Fr. H. Svendsen states “Self-identity is inextricably bound up with the identity of the surroundings” One’s morals and characteristics are forever changing and these self resolutions are influenced by the encompassing aspects of life such as significant events, environmental revolutions and one’s relationship with another. Due to factors sometimes beyond our control, one’s self prowess is merely an expression of their own prior experiences which conclusively preserve and maintain a state of fluctuation for one’s character. A similar concept is evident in the film ‘The Sapphires’
In the movie Ordinary People, Beth Jarrett is unable to cope with the loss of her eldest son, Buck who died in a boating accident. This situation creates a strain on her relationships with her husband, Calvin, and her youngest son, Conrad. Moreover, Beth is bitter towards Conrad because she believes he is the sole cause of Buck’s death. Meanwhile, Conrad begins meeting with a psychiatrist named Dr. Berger to help deal with his suicidal tendencies. Unlike Beth, Calvin Jarrett longs to connect with his son and give him the love that he needs. The Jarrett family could have avoided these problems if there had been stronger communication and conflict management skills. All the main characters deal with conflicts in one of two ways: silence or violence.
What the film is saying is to be human you must be able to empathise
After coming out of the hospital, Conrad is forced to relearn how to deal with every day situations. Learning how to establish routines and manage his own life is Conrad's first step on his way to recovery and self-discovery. Beth deals with Conrad's suicide attempt in a very different way, she is very enclosed and in a constant state of denial. This is just the first of many actions until she reveals her true colors. "Will you talk to him this morning? About the clothes. He's got a closet full of decent things and he goes off every day looking like a bum, Cal" (7).
Identity is often thought of as what people consider themselves, not how others see you. In the movie “Gattaca” however this is not the case. Identity is something you are born with. When you were born you were tested for diseases and life expectancy and therefore treated accordingly. In the world where technology has been fast forwarded to be able to pick which genes or gender your child inherits and becomes to create the best possible outcome, kids that were not genetically changed were called “invalid.”
The Outsiders is a novel by S.E Hinton, that follows a young boy named Ponyboy who grows up in a gang. Johnny, Sodapop and Darry help him find how he fits into the world and without them he would have a hard time finding his own identity. Without having a close group of friends he would have a tough way of life, especially with the Socs. Being in a group that you associate with, that have different values to yourself can lead you to disregard your own ethics and do things you wouldn’t normally do, but at the same time this can assist and reinforce your own values…
The wife lived in denial, trying to live the life of a perfect person unaffected by what had happened to her son Buck. A certain image had to be upheld and everything else was secondary. Even the love for her husband was not as perfect as it was shown..She tries to keep these feelings and memories of her lost son buried deep inside her. She finds it very difficult to show any emotion concerning the fact that one of her sons is never coming back. She tried to portray an image of things being just perfect. Her portrayal includes not wanting to discuss anything that may upset her, she is always walking away from the conversation. It seems as though she does it in every scene. The scene that caught my attention the most was at the end, when she walked away from Calvin after he said he wasn’t sure if he still loved her. That is a pretty powerful statement, and you would think she would want to know why. I’m sure she did, she just didn’t know how to discuss it. So par for the course, she walked away, with something else she will have to tuck away for the rest of her life.
The world that God created is a beautiful place, but it has been corrupt by hatred, prejudice, racism and discrimination. As it relates to each individual, including myself we all have different world views. God created all of us to love each other and to be accepting towards each other regardless of skin color, gender, religion and sexuality. The documentary, Last Chance of Eden, allowed me to view and understand where each man and woman world view consist of in the society that we live in today. Upon watching the film the two people that I would like to discuss are Pat Burson and Tom Burke. While observing and listening to the pain and hurt of Ms. Burson, internally I felt the affliction that she felt. As it relate to Tom Burke, not every
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
In The Truman Show, Omnicam Corporation selects and adopts Truman Burbank out of six of the unwanted newborns to star in a show, directed by Christof. The Truman Show broadcasts Truman's life which he initially is not aware of. The town of Seahaven is a television set enclosed, with built in special effects and is populated by actors making it realistic. As Truman begins to clue in on the show, his life begins to unravel. Unable to escape the set of Seahaven, Truman begins to search for the answers and goes on a quest to discover the truth about his identity. The central theme of The Truman Show is identity, which is clearly shown through Truman’s character development, the movie’s setting and . Curiosity can be
People with cancer often begin to define themselves based on their experience with their illness, this self-definition through one’s cancer is one that the characters fear in John Green’s The Fault in Our Stars. The novel shows how the characters strive to discover their identities, but despite that are still identified by their illness. The novel also makes the argument that young people with cancer are not any more virtuous or different than other kids rather, they are just normal kids living with an illness. Augustus wants to be remembered and also be more than just a boy who battled cancer, but despite his efforts is still identified by his illness.
The award winning movie Ordinary People explores the lives of the Jarrett Family. The Jarrett family is attempting to overcome the accidental boating death of their son Buck while struggling with their other son Conrad who has recently attempted to commit suicide. Although Conrad’s parents want their life to be happier, throughout the movie they wrestle with how to handle situations effectively and appropriately. What they do not know is that the answer might be simpler than they think. The small act of conflict management and periodic crucial conversations could have prevented 99 percent of their problems before they occurred, including the outlashes of violence and periods of science from Conrad, Beth, and Calvin. Throughout the film the audience encounters a variety of violent scenes from Conrad, Beth, and Calvin, during these scenes the characters are often forced into “fight or flight” which results in actions that tear the family aparts which can instead be replaced with with a conflict management strategy that would replace the dysfunctional
Every time Buck or the suicide is brought up she changes the subject, avoiding, or goes silent, withdrawing. She masks her emotions telling everyone the family is fine. In many instances Conrad tries to talk to his mom; one time he finds her in his brother’s room. He asks her questions and she keeps trying to walk away and eventually shuts her bedroom door, ending any sort of a conversation. Later, it appears she has matured and has a conversation with her son. She finds him outside on the lawn and they talk for a bit, until Conrad mentions Buck, and the conversation ends. Beth is even violent with her husband, yelling at him to control her son or ignore their issues. Her final act of violence was leaving, leaving the family, and hoping to leave her problems. If she had learned to communicate all these could have been avoided. She did not feel safe to speak and no one inquired deep enough to penetrate her hard
Because this play is meant to embody victorian society, Wilde is able to interpret and criticize the high importance of social identity to Victorians. The encompassing critic that Wilde addresses in his script involves the corrupt nature of society and the hypocrisy of presenting oneself as a wholesome, earnest person when reality indicates otherwise. This play symbolically allows us to view the characters as an example of all elite Victorian society. Bromige declares that, “reading or watching the play is to observe the unconscious of the society of Wilde’s day” (1). The bulk of the play revolves around the character’s fixation on their reputation and their desire to be seen prestigious members of society; Wilde makes a mockery of these priorities to satirize aristocracy. When Jack first asks for Gwendolen’s hand in marriage, Lady Bracknell pointedly announces: “I feel bound to tell you that you are not down on my list of eligible young men... I have the have the same list as the dear Duchess of Bolton has. We work together, in fact” (Wilde Act 982). The way that Lady Bracknell casually but intentionally mentions her relationship with the Duchess shows her instinctual effort to make herself appear more prestigious through her elite acquaintance. She even implies her supposed intimacy with the Duchess by first referring to her as “the dear Duchess,” then declares that she works together with her. Further along in their conversation, Jack informs Lady Bracknell that he was found in a cloak closet and is without relations, to which she replies: “I would strongly advise you, Mr. Worthing, to try and acquire some relations as soon as possible, and to make a definite effort to produce at any rate one parent, of either sex, before the s...