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Recommended: Iago and his villainy
According to jerryjenkins.com, a great villain is someone who is convinced he is the good guy, has many likeable qualities, is a worthy enough opponent to make the hero look good, is clever and accomplished enough that people lend him begrudging respect, is not a fool, has many of the same characteristics of the hero but are misdirected, can be merciless, is persuasive, will stop at nothing to get what he wants, is proud, deceitful, vengeful, and jealous of the hero.
Of these character traits, Iago makes up the perfect villain. These characteristics intensify as the plot of the play unfolds and Iago’s jealousy of Cassio turns into a spiteful and purely evil scheme to ruin Othello’s life. Some may believe Iago had probable cause for being angry
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Through this plan, Iago is able to take them both out. Another key characteristic of Iago is his cunningness. Iago does not suddenly decide he wants to ruin Othello’s life; he makes a well thought-out and ingenious scheme. Through this manipulative and cunning behavior, Iago is able to devise such a plan that no one knows that he is the reason behind it. Much like a characteristic of a “villain”, Iago has no regard for the people around him. He goes as far as to deceive and betray his own wife for the sole purpose of getting his revenge on Othello. This disregard for human life and dignity symbolizes that Iago is not simply acting out of jealousy or betrayal; he is in fact solely and whole-heartedly acting out of pure evilness. This deception of even his loved ones is the ultimate determinate of his villainous character. Iago does everything in his nature to cause Othello the same pain and betrayal Othello caused him. He does this through manipulation. Iago makes Othello question everything he once thought was steadfast by constantly makes him doubt what he truly cares about (his pride/ trust in Cassio, his feelings for Desdemona, and even his trust in himself). In the play,
Iago is a twenty- eight years old Caucasian married man and he is soldier in the Venetian army. Iago is viewed as modest, honest, and a good friend to people in public. People refer to him as “honest Iago” which lead them to trust him. Iago plans to destroy Othello by manipulating him to believe that his wife is being unfaithful to him with his promoted lieutenant Cassio, a position Iago wanted to have. Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1)
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
As it can be seen, Iago has a huge dramatic force and although his personification in the tragedy is general, he is the one who actually triggers and with it, develops the drama; thus, becoming one of the greatest evils of universal
Most readers see Iago as the simple “deceptive villain” while neglecting to see that Iago represents an unprecedented flair for deception and making others suffer or, as Schwartz describes Iago, “an embodiment of the ineradicable evil in Nature and of the malevolence in human nature.” Iago’s
The beginning of the play, Iago was just resentful and odious because of the the jealously he had
From the very beginning of Shakespeare’s Othello, Iago is held in very high regard within the community in Venice. He is often called “honest Iago” by many people, including his superior, Othello. There is a large juxtaposition between Iago’s character in the beginning of the play, and the general perception at the end of the play, due to Iago’s many character flaws that cause him to create devious plans and a web of deception and lies, spun by his intense anger and hatred. The exposition of Othello holds many indications of the negative traits Iago possesses, and they escalate quickly as the play progresses. There are many points within the play that present Iago falling prey to his issues and therefore lets them control him. Iago’s anger and hatred kept him from dealing with these character flaws and lead to his descent into moral
Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged. Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him.
Through out the play jealousy is a ruler over Iago’s thoughts and actions, influencing the way he feels about himself. Iago’s jealousy is exhibited while speaking with Roderigo “One Michael Cassio, a Florentine/ (A fellow almost damned in a fair wife)/ That never set a squadron in the field, / Nor the division of a battle knows/ More than a spinster—unless the bookish theoric, / Wherein the toged consuls can propose/ As masterly as he. Mere prattle without practice/ Is all his soldiership. But he, sir, had th' election/ And I, of whom his eyes had seen the proof/ At Rhodes, at Cyprus, and on other grounds/ Christian and heathen, must be belee’d and calmed/ By debitor and creditor./ This counter-caster/ He (in good time) must his lieutenant be/ And I, bless the mark, his Moorship’s ancient”(I.i.18-32) . Through Iago’s tone his enraged anger and discomfort is exhibited. Iago speaks with a sense of shame toward himself, “And I, bless the mark, his Moorship’s ancient” (I.i.32). exposing his loss of respect for himself. When Iago loses respect for himself it is certain he has lost all respect for others, bein...
Othello doesn’t realize Iago doesn’t care towards him and never did after Iago wasn’t promoted to lieutenant. Iago plays the as the main director of what happens in Othello’s life. Othello doesn’t realize it thought. Iago is able to hide his emotions towards others. Which allows Othello not to notice he is faking every emotion of helping Othello. Iago is always at ease when in the eyes of his peers. “He moves jovially and at ease among the gentlemen of Cyprus, even as he sets up Cassio for a drunken fall” (Barnes 15). This shows how committed Iago was to strike revenge against his foes. Only a psychopath could hide their feelings in front of the people you want to hurt. “Iago refuses to show the "outward action" which would "demonstrate / The native act and figure of [his] heart / In complement extern" (“Where Iago Lies” 19). Because of Iago, Othello creates his own anxiety. He has anxiety because he now worries that Desdemona may be cheating on him with Cassio. Iago creates Othello’s fear by twisting his words to have different meanings. “Iago: O, beware, my lord, of jealousy/ It is the green-eyed monster which doth mock/ The meat it feeds on” (Shakespeare 1816-1818). Iago is manipulating Othello into believing that Othello shouldn’t be jealous, which tricks Othello into being jealous. The green-eyed monster is another term for jealousy. It is Othello though that allows him to get trapped in anxiety. Iago exploits him to bring Othello to a tragic
Although the reasoning behind why Iago does the things he does is never fully revealed to the audience it is made known that he was upset over the fact that he was passed over for the lieutenant position Michael Cassio received. This perceived slight causes a deep resentment and anger towards Othello. Though, this is not the true motivation for what he does; rather, it is more due to Iago’s wanting everyone to feel the pain, jealousy, and anger that he does. According to Marcia Macaulay, [Iago] “is consumed by the desire to exact revenge on those whom he feels has wronged him at some point” (#). Verona and Omer expand on the idea with the statement “[Iago] stirs up emotions not to make [Othello] take out from his soul the excessive burden
Despite the wonderful personal attributes he possesses, Othello still falls prey to the sinister Iago. His gullibility and naivete make this possible. Francis Ferguson in “Two Worldviews Echo Each Other” describes how Othello carries out Iago’s plan of destruction:
Iago’s magnificent intelligence and superiority make him a very intriguing character. Iago is not just any villain that comes into a town, with a black cape and knife that scares everyone, he destroys and “kills” by using creative tactics that could only be thought of by someone who is brilliant. He deceives, strategizes, and twists the truth with amazing ease. Iago maintains his on point intelligence by staying completely unconflicted about being evil. Iago is completely committed as he states, “[He will] turn her virtue into pitch, / And… make the net / That shall enmesh them all” (II. Ii. 366-368). Iago is considered a cross between God and the Devil, as shown in the, “Divinity of Hell!” (!!. ii. 356)
In addition, Iago decides to bring destruction to Cassio’s life as he’s extremely jealous of Cassio being “...a proper
In the play “Othello”, the antagonist,Iago , has multiple weakness like jealousy, disloyalty and his manipulations. If the story had not gone the way it did, these weakness could have resulted in the failure of Iago’s plan with Othello and the demise of Iago’s reputation.