More handpicked essays just for you.
Compartive point gatsby and othello as an outsider
Compartive point gatsby and othello as an outsider
Literary analysis for the great gatsby
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Sara Hassan
Period 1
IOP Outline
Statement of intent: Investigation and exploration of the ways carelessness, recklessness and love combine to play a role in the downfall of Gatsby and Othello.
I.Intro
A.All of us have some kind of flaw
1.Whether it is procrastinating a day before a speech or speaking before you think
2.However, there are more serious character flaws that often lead to a tragedy
B.In The Great Gatsby and Othello, carelessness, recklessness and love play a big role in the downfall of Gatsby and Othello.
1.These are two of the many characters that are driven by emotions
II.Carelessness
A.What is carelessness?
1.failure to give sufficient attention to avoid harm or errors (more of a passive action)
…show more content…
In the ditch beside the road, right side up, but violently shorn of one wheel, rested a new coupe which had left Gatsby’s drive not two minutes before.(54)
a.corruption of the 1920’s is present here.
b.Not only our characters show corruption but also our society
2.“They were careless people... they smashed up things and creatures and [returned] back into their money [to get them out of trouble] and let other people clean up the mess” (188)
a.Nick is disappointed of how these people act and react.
b.Fitzgerald chooses to state the obvious on this point even though there are many other significant problems in the story
i. he uses this to emphasize how significant this is as it plays out
c.How is Gatsby careless:
i. he does not stop to think about :
1.if this is the life he wants to live, waiting for
…show more content…
Iago is pretending that he doesn't want to say anything more.
b.Othello not once stops to think is this really true and try to investigate on his own or confront Desdemona or Cassio
III.Recklessness
A.What is recklessness?
1. utterly unconcerned about the consequences of some action; without caution (more of actions)
B.In The Great Gatsby:
1."What if I did tell him? That fellow had it coming for him. He ran over Myrtle like you'd run over a dog and never even stopped his car"(142)
a.This shows that Tom is blaming everything on Gatsby to get his wife away with a hit-and-run.
b.Myrtle’s murder is compared to the squashing of a dog (simile)
c.disintegration of the human being no value or respect
C.In Othello:
1.“Excellent wretch! Perdition catch my soul,
But I do love thee! And when I love thee not,
Chaos is come again."(120-123).
a.Just before Iago traps him into insane jealousy, Othello expresses his deep love for Desdemona.
b.This foreshadows how when Iago plants jealousy in Othello, unthinkable things will
It had lately suffered the loss of several thousand dollars, two valuable horses, and a prominent citizen. It was experiencing a spasm of virtuous reaction, quite as lawless and ungovernable as any of the acts that had provoked it. A secret committee had determined to rid the town of all improper persons. This was done permanently in regard of two men who were then hanging from boughs of a sycamore in the gulch, and temporarily in the banishment of certain other objectionable characters. I regret to say that some of these were ladies.
The two conflicting attitudes the narrator has toward Gatsby is his wealth and his capability to get anything he wants which he hates but still love him. The effect of this paradox is that he hates him but also love him.
F. Scott Fitzgerald’s The Great Gatsby, set in early 1920’s New York, tells the story of millionaire Jay Gatsby and his lasting affection for Daisy Buchannan. Mr. Gatsby is attempting to lure Daisy’s love as the couple split before Gatsby went to war. However, throughout the novel, the reader encounters unethical characters along with a complex intertwined plot that incorporates themes from early 20th century society. The true essence of the novel, and the major themes of the story, are captured and symbolized in one key paragraph in Chapter 5, page 86. This paragraph combines the motifs of time and Gatsby's great desire to go back to the past; it further reflects the emergence of phoniness and greed as important elements.
The real question of the story is who is the one to blame for Gatsby’s death?
All tragedies eventually end in chaos; however, Othello and The Great Gatsby both begin with innocent characters thinking little about the possibility of disarray. During the climax of both works it becomes evident that the idea of order is doomed, inevitably leading to a bounding spiral of problems. The Great Gatsby and Othello both end in chaos because the protagonists, Othello and Gatsby are outsiders entering an ordered society. The actions of many characters cause confusion in the storyline, and the chaos in both works gradually impact the downfall of every character.
Throughout history, women’s place and role in society has changed. Women are often seen as a lower status and have a need to be taken care of by men. There are conflicts with the idealization of women as they are often overlooked and viewed as secondary characters. This idealization is well established in the characters of Desdemona in Othello and Daisy in The Great Gatsby. In F.Scott Fitzgerald’s novel The Great Gatsby and Shakespeare‘s play Othello, Desdemona and Daisy are both responsible for their tragedies due to the manipulation and impact of the outsiders, their loss of innocence, and their vulnerability as women.
Lawrence’s “Lady Chatterley’s Lover” is pervaded by the idea that relationships between classes are highly influenced negatively by society. Connie is having this very sexual and passionate relationship with her gamekeeper Oliver Mellors who is of a lower status to her. To many reader’s surprise, Mellors is a man who, as one critic quotes, “remains impervious to the pettiness and conventional society” suggesting this to be a reason for Connie and Mellors relationship to be so strong compared to that of, for instance, Othello and Desdemona and Daisy, Tom and Gatsby’s relationships. In Shakespeare’s “Othello”, Desdemona and Othello’s relationships are highly influenced by others and the people around them. This influence eventually leads to death with society still intact. In “The Great Gatsby”, Fitzgerald uses the strong symbolic image of money and American society to show how people can get carried away and lose touch with the reality of relationships. Daisy is surrounded by a society she doesn’t like living with Tom and she is unable to get away from it, while Tom has another women that he is hiding. The idea of hiding is also suggesting that the society doesn’t see it as a correct thing to do, yet Fitzgerald appears to go against this. Another theme of “The Great Gatsby” is the idea of new and old money and how that affects who society thinks you should be with. Society in all...
In chapter three, the author uses a great example of immorality through Gatsby's party. The author goes in depth about Gatsby's party so he can help the reader understand Gatsby's character and the purpose of his assembly. At Gatsby's party, most of the guests that are present have not been formally invited to the party but have been brought by others or just to drop in. The uninvited guests drink Gatsby's liquor and eat his food without even attempting to meet Gatsby's or give their appreciation, this shows their unethical manners. The women purposely dress in silvers and gold's to show their wealth and only pretend to have fun. The only reason the uninvited guests come to the party to show off their riches with their clothes or appearance. The guests do not realize that they are only pretending to be happy. At these parti...
F. Scott Fitzgerald’s The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life. The occasional insights into character stand out as very green oases on an arid desert of waste paper. Throughout the first half of the book the author shadows his leading character in mystery, but when in the latter part he unfolds his life story it is difficult to find the brains, the cleverness, and the glamour that one might expect of a main character.
Bloom, Harold, ed. Modern Critical Views: F. Scott Fitzgerald. New York: Chelsea House Publishers, 1985.
Even before Iago exerts his influence over Othello, we can observe the inklings of Othello’s insecurity and the doubt he has regarding his relationship with Desdemona. During his audience with the Duke, Othello describes the circumstances by which he became acquainted with Desdemona. He says on the occasions that he told Brabantio of his life stories, he would also tell Desdemona the same stories. Then, Othello self-consciously proposes that the sole reason why Desdemona loves him is because she pitied his misfortunes: “She loved me for the dangers I had passed, / And I loved her that she did pity them” (I.iii.193-194). Othello feels way because as
Yet in a triumph of art, Fitzgerald makes even accidents seem unaccidental, he incorporates ‘real’ disorder within fictional order. He accomplishes this by repetition (in the ‘real’ world, repetition does not exist): the accident involving Tom and the chambermaid, the reference to both Nick and Jordan baker as ‘bad drivers,’ the wreck just outside Gatsby’s driveway after his party in which, as in Tom’s accident, a wheel is ripped off, the hit-and-run death of Myrtle Wilson, and finally the accidental conjunction of events which leads to Gatsby’s murder and Wilson’s suicide.
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
These behaviours allude towards tension due to their dissimilarity to the accustomed conduct of Othello and Desdemona. Desdemona’s growing fear of Othello is evident. in the precautions she takes to avoid his anger. Desdemona places the importance of Othello’s commands above her need to confide in Emilia.... ...
Although it is false, he has no way of knowing the evidence had been manipulated into bolstering his jealous thoughts. Othello’s honor is also what brings him to the beginning of his