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Recommended: Japanese culture
Toyo Suyemoto’s memoir of her experiences at the Tanforan Race Track and Topaz Relocation Center is the embodiment of perseverance in difficult times. War time is never easy but being relocated because of ancestry, losing all belongings, and going to a strange new place is even harder. In I Call to Remembrance by Toyo Suyemoto describes the horrific fear of being uprooted from her life. Throughout the book Suyemoto describes how much the Japanese-Americans had to endure throughout World War II but always brought back the Japanese idea of shikata ga ni and gaman. These ideas of accepting what must be and perseverance in the face of adversity are reflected throughout the memoir and are shown in many different examples of adversity. On December …show more content…
7, 1941 the Japanese launched a surprise attack on Pearl Harbor and brought with it death, destruction, confusion, sadness, and hostility throughout the Unites States. Much of this hostility was directed towards the Japanese-Americans that were living in the United States and in 1942, President Roosevelt signed off executive order 9066. This forced Suyemoto, her family, and thousands of other Japanese-Americans to get rid of all belongings and be prepared for evacuation. Suyemoto spent the next few weeks in a state of disbelief but did not question the government’s orders. This is one of the first times the readers see Suyemoto practicing shikata ga ni, accepting what must be. Shikata ga ni is shown countless times throughout her memoir. The second account of accepting what be occurs when Suyemoto arrives at the Tanforan Racetrack and the reality of the situation settled in. Suyemoto describes being the rooms that were assigned to them “There was no furniture except folded army cots propped against the dismal and uninviting walls.” These rooms were cold and barren, rooms that once housed race horses now housed humans. Despite the empty rooms, being reduced to an identification number, and the “rank, pervasive odor hung in the air” , the Japanese-Americans did not complain or rebel against their government but instead made the best of the situation. Suyemoto salvaged scrap lumber and her father made three stool to sit on and a makeshift table. While these stools were uneven in height they served their purpose. They learned how to bathe in groups, eat in groups, and live in groups. Communal living was not easy as privacy was stripped from them but once again Suyemoto demonstrated perseverance. In September the Suyemoto family and countless others were once again up rooted and forced into another unknown. They were moved to Utah, to the Topaz Relocation Center. It was there they were interned for three years and there that they faced some of the most hardships. Suyemoto had never been outside of California and the thought of leaving wrenched her mind yet she still did not question or disobey her government. The entire scene was depressing in Suyemoto’s eyes as “the camp stretched out on the flat, dry, grassless, plain, with rows and rows of low, black tar-papered barracks, burrowed into the ground.” The first winter was especially cruel to the people from California. Suyemoto was not prepared for the cold blasts of wind and the snow to be knee high. Many of the Japanese-Americans had never seen snow and therefore were not prepared for the harsh conditions. However, this did not dismay them. Suyemoto herself learned how to knit so she could make clothing for her little boy, Kay, and for on person. The theme here is that she could’ve easily given up. Suyemoto could have complained, cried, wailed, and screamed about the harsh conditions she was forced into but she did not. She persevered in the face of the adversity, this time in the form of winter, and accepted that this was her life now. Living at the camp was not comfortable to say the least.
The wood in the barracks would dry up in the summer and create a two-inch gap between the planks causing the dry sand to drift into the rooms and coat the window sills in a fine layer of dust. Instead of complaints from the Japanese-Americans they simply dealt with the dust by sweeping it out of the room knowing full well they would have to do it again tomorrow. There was no running water or bathroom facilities and the first night there Suyemoto had to use her coats and sweaters as temporary mattresses since only two were delivered. She was stripped of all luxuries and her family name become a series of numbers yet Suyemoto herself states that “the only way to survive was to adjust to conditions in this war-created …show more content…
community.” The Japanese-Americans had every right to complain, to rebel against their government’s orders yet Suyemoto states that “our own parents as well as others of their generation had learned under duress to bear the unbearable.” Much of Suyemoto’s courage came from watching her mother be unyielding yet obedient.
Suyemoto remarks “I could not grieve now, when Mother especially would not express her misgivings in tears.” Suyemoto’s mother’s attitude was the raw, untampered idea of shikata ga ni and gaman. Her mother is reflected throughout the memoir as a woman of strength and perseverance. She did not let the camps destroy her but instead made something ugly into something beautiful rendered with the loving touch of a mother and memories. Suyemoto modeled herself after her mother. She understood that they were not longer free not at “a desolate place, hemmed in by barbed wire and the elements.” When they arrived Suyemoto and the Boy Scouts started to play the familiar tune of the University of California, “I wanted to hide my face and weep for what could never be again. But not before all those people.” As much as the arrival was foreboding Suyemoto never did weep for the loss of her old life but instead squared her shoulders and persevered in adversity against the
unknown. One of the most predominant cases of gaman is the Topaz schools. The Japanese-Americans understood that this was there life for the remainder of the war and for many Issei “It was crucial to them that their children receive the education they so honored and which they themselves had had to forego in many cases.” In response to this crisis “schools opened for the young people just a little over a month after the advance group arrived in the camp.” This ingenious school system helped camp life not be so bleak and brought clubs, activities, and the chance at college for many graduates. Suyemoto writes how many Issei would enroll in her English class to help them merge back into society. The Issei and Niesi generation could have given up on the idea of schooling, on the chance of better jobs outside of camp but yet they preserved the idea of gaman. The Topaz Library brought great joy to camp life and helped many imprisoned an opportunity to escape even just for a moment. The Topaz Library was a large building crafted from stones but held together by the strength of the Japanese people. It was through them and their unwillingness to quit that the Library became a possibility. Unpacking the library began in October at a time were the building was not yet completed. At times “one of the staff had to bring in an electric heater but some days the library staff had to close the library due to the cold.”Yet this did not stop them from continuing their work of creating a public library. Even if they did not know it the library staff were modeling the idea of perseverance by braving the cold to continue working. There were clubs like the Boy Scouts, dances, sports teams, and a Topaz newspaper. These events were created out of the strong will to keep living and make the best of a bad situation. The Japanese-American people accepted that this was their home now and created as much of a normal life as they could by hosting events and celebrating holidays. They grew their own crops and many tradesmen created businesses. Topaz became the “fifth largest city of the state of Utah.” It was a functioning town and the Japanese-American people made it that way by accepting their situation at Topaz. They did not listen to the hatred outside the walls of the camp but instead showed their dedication to their country by believing in their government and persevering for three years. Throughout Suyemoto’s memoir the Japanese-American people upheld the idea of shikata ga ni and gaman. They did not protest to being forced out of their homes yet complied with evacuation procedures and trusting their government. They accepted their living situation at the Tanforan Racetrack making it into a home as best they could and did that once more at Topaz. The Japanese-Americans did not give up at their bleak situation but instead created homes out of barracks and kept the traditional Japanese spirit alive. They faced adversity in many forms and continually persevered through dark and troubling times.
Much of what is considered modern Japan has been fundamentally shaped by its involvement in various wars throughout history. In particular, the events of World War II led to radical changes in Japanese society, both politically and socially. While much focus has been placed on the broad, overarching impacts of war on Japan, it is through careful inspection of literature and art that we can understand war’s impact on the lives of everyday people. The Go Masters, the first collaborative film between China and Japan post-WWII, and “Turtleback Tombs,” a short story by Okinawan author Oshiro Tatsuhiro, both give insight to how war can fundamentally change how a place is perceived, on both an abstract and concrete level.
But for some of the Japanese Americans, it was even harder after they were discharged from the internment camp. The evacuation and the internment had changed the lives of all Japanese Americans. The evacuation and internment affected the Wakatsuki family in three ways: the destruction of Papa’s self-esteem, the separation of the Wakatsuki family, and the change in their social status. The destruction of Papa’s self-esteem is one effect of the evacuation and internment. Before the evacuation and internment, Papa was proud; he had a self-important attitude, yet he was dignified.
It gives facts and real life story living on this camp. This is actually someone real life story. When Jeanne dad left the family, the family could not bear. Living on the camps it was dusty, cold and windy. Jeanne states at the end that, “Even though her dad was a drunk, the way he drives—like a madman—actually inspires Jeanne with confidence to get past her fears of what life might be like outside of camp”. Growing up with all the racism remarks and surroundings was not easy and it has not been easy learning to remember and talk about her experience at the camp, but she overcame her fear. Jeanne has finally let it be free and be known. She now feels more better than ever about this. Also, even though Americans did not like Japanese she still married a
Matsumoto studies three generations, Issei, Nisei, and Sansei living in a closely linked ethnic community. She focuses her studies in the Japanese immigration experiences during the time when many Americans were scared with the influx of immigrants from Asia. The book shows a vivid picture of how Cortex Japanese endured violence, discriminations during Anti-Asian legislation and prejudice in 1920s, the Great Depression of 1930s, and the internment of 1940s. It also shows an examination of the adjustment period after the end of World War II and their return to the home place.
Soon after Papa’s arrest, Mama relocated the family to the Japanese immigrant ghetto on Terminal Island. For Mama this was a comfort in the company of other Japanese but for Jeanne it was a frightening experience. It was the first time she had lived around other people of Japanese heritage and this fear was also reinforced by the threat that her father would sell her to the “Chinaman” if she behaved badly. In this ghetto Jeanne and he ten year old brother were teased and harassed by the other children in their classes because they could not speak Japanese and were already in the second grade. Jeanne and Kiyo had to avoid the other children’s jeers. After living there for two mo...
Okihiro, Gary Y. Whispered Silences: Japanese Americans and World War II. Seattle: University of Washington Press, 1996.
'Even with all the mental anguish and struggle, an elemental instinct bound us to this soil. Here we were born; here we wanted to live. We had tasted of its freedom and learned of its brave hopes for democracy. It was too late, much too late for us to turn back.' (Sone 124). This statement is key to understanding much of the novel, Nisei Daughter, written by Monica Sone. From one perspective, this novel is an autobiographical account of a Japanese American girl and the ways in which she constructed her own self-identity. On the other hand, the novel depicts the distinct differences and tension that formed between the Issei and Nisei generations. Moreover, it can be seen as an attempt to describe the confusion experienced by Japanese Americans torn between two cultures.
Born in 1894, Hee Kyung Lee grew up in Taegu, Korea. Although the details of her early life are not given, the reader can assume that she came from a decent middle class family because her parents had servants (Pai 2, 10). In the early 1900’s, Japan exercised immense control over Korea, which by 1910 was completely annexed. Her twenty-year-old sister and eighteen-year-old Lee were introduced to the picture bride system, an opportunity to escape the Japanese oppression (Pai 4). Unlike her older sister, Lee made the decision to immigrate to Hawaii in 1912 as a pictu...
Farewell To Manzanar, by Jeanne Wakatsuki, was the first public written account of the Japanese internment camps. This memoir was written to show the decay of the American Dream through the internment process, but also shows the American Spirit present throughout the experience. The American Spirit is the idea that no matter how hard situations get, people (or Americans) will never give up. The American Dream is an idea that many immigrants look for coming into America, including the Japanese. Farewell To Manzanar is the first account of how the Japanese were prevented from experiencing the American Dream yet they refused to hold this situation against Americans.
22. Muller, Eric,Free to Die for Their Country: The Story of the Japanese American Draft Resisters in World War II . 2001, University Of Chicago Press; 1 edition
Many people question if Guy Sajer, author of The Forgotten Soldier, is an actual person or only a fictitious character. In fact, Guy Sajer in not a nom de plume. He was born as Guy Monminoux in Paris on 13 January 1927. At the ripe young age of 16, while living in Alsace, he joined the German army. Hoping to conceal his French descent, Guy enlisted under his mother's maiden name-Sajer. After the war Guy returned to France where he became a well known cartoonist, publishing comic books on World War II under the pen name Dimitri.
The Narrator’s family treats her like a monster by resenting and neglecting her, faking her death, and locking her in her room all day. The Narrator’s family resents her, proof of this is found when the Narrator states “[My mother] came and went as quickly as she could.
Overwhelmingly the response of people in times of desperation is to survive at all costs and make the best of the situation. American history in the mid 20th century provides vivid example of desperate times such as those who were hit hardest by the era of the depression and also those who were displaced from their homes into Internment camps following World War II and the bombing of Pearl Harbor. Comparing the fictional account of Julie Otsuka's novel, When the Emperor was Divine and the historical accounts of Japanese American women reveals the many different ways in which women handle themselves, not only through the events mentioned, but also through themes that both accounts share such as adversity, prejudice, and perseverance. The novel's account of the evacuation and imprisonment of Japanese American is a subtle and understated retelling of the horrific experience of the Japanese Americans. While the historical accounts describe the evacuation of Japanese Americans as one of the most horrifying experience anyone could have been through.
Native American children were physically and sexually abused at a school they were forced to attend after being stripped from their homes in America’s attempt to eliminate Native peoples culture. Many children were caught running away, and many children never understood what home really meant. Poet Louise Erdich is part Native American and wrote the poem “Indian Boarding School: The Runaways” to uncover the issues of self-identity and home by letting a student who suffered in these schools speak. The poem follows Native American kids that were forced to attend Indian boarding schools in the 19th and 20th centuries. By using imagery, allusion, and symbolism in “Indian Boarding School: The Runaways”, Louise Erdrich displays how repulsive Indian
Yukio Mishima’s Temple of the Golden Pavilion represents the hardships, evil, and rebirth throughout the timeline of the war and after, creating the individual experience and perspective of a young man fighting his own personal, internal wars. This is highlighted through first person accounts of brutal acts of military officials and the contrast of the beauty in