A Tale of Two Cities
Frequently in literature, humor is added in scenes to make them more interesting and more appealing to readers. Often times underneath the humorous covers lay a much more serious principle. Charles Dickens does exactly this in A Tale of Two Cities, by making slight comedy of issues such as democracy, the lower class, and spousal abuse.
In A Tale of Two Cities, the actions of Jerry Cruncher, while essentially very humorless, may seem peculiarly funny to some people. The events that occur in chapter one of book two, concerning Mrs. Cruncher, is an appropriate example of this idea. In this scene, Jerry Cruncher yells at his wife because he thinks she was praying against him. To start with, because of this accusations obvious ridiculousness, it strikes readers as comical. One may even argue that he didn’t actually believe this, but maybe he was just bored and finds joy in harassing his wife. To say such silly things out of boredom also may hit someone as amusing. What generally makes this scene humorous is that Cruncher is so unjustified in yelling at his wife for such an absurd thing, and furthermore, he lacks any real evidence that she was doing what he accuses her of doing. While this scene may seem like a comical one, with a silly husband, it is really calling attention to verbal abuse to wives. It is palpable that Cruncher has no respect whatsoever for his wife. At the time of this book, this was a common situation so either people did not notice the seriousness because of the humor that is masking it, or it was an every day happenning for them.
When Cruncher wakes up to find Mrs Cruncher praying (in reality praying for him), he reacts by throwing a muddy shoe at her. This notion may also seem like a funny one to readers. Because the idea of somebody getting hit in the head by a muddy shoe can be humorous, if used in an appropriate situation, such as a TV show or a movie, it may also seem funny in this scene. The realness of the situation can be easily overlooked. When Dickens adds these unexplainable events, it may strike some as funny because his actions are so unjustified and random.
Thoughtful laughter is a technique used frequently in satirical pieces in literature. It allows for the audience to enjoy the wittiness of a work, later ponder on the meaning, and then apply the message to reality. Thoughtful laughter is often an inner experience that can only be achieved by authors who write meticulously. Two examples of satirical works in literature that display this concept explicitly are Voltaire’s Candide and C.S. Lewis’ The Screwtape Letters. Both authors explore the depths of satire and simultaneously deliver an important message to readers through skillful technique.
In this passage, Dickens’ juxtaposition, personification, detail, and diction reinforce Dickens’ tone of empathy and pity for the social conditions of the people of lower class France. When a large cask of wine spills open on the streets of France there is a mad rush to collect a taste of the spoiled wine. The people’s reactions consisted of “...frolicsome embraces, drinking of healths, shaking of hands, and even joining of hands and dancing a dozen together.” This exciting and scene of much happiness is juxtaposed by the “gloom that gathered on the scene that appeared more natural than sunshine” that occurs after all the wine has run out. This juxtaposition of the momentary happiness that the peasants of St. Antoine experience provide a contrast
Charles Dickens writes this book explaining the French Revolution, in which the social and economic systems in France had huge changes and the French monarchy collapsed. This caused high taxes, unfair laws, and the poor being mistreated. Charles Dickens shows that cruelty of other people will lead to a revolution and in addition to the revolution more cruelty will happen. He explores the idea of justice and violence through the use of characters that are ambiguous, meaning that they have to different sides to them; for example, Charles Darnay, Sydney Carton, and Dr. Manette. Throughout the story of A Tale of Two Cities, Charles dickens shows the ambiguous characters through the power of true sacrifice.
There are so many examples of situational irony that is clear throughout these stories Mr. Mallard being dead, Mama finally realizes that Maggie deserves the quilts because she understands her heritage better than Dee, Mathilde finding out she worked her whole life for nothing, and when Mr. Graves tells Tessie that Eva draws with her husband's family, Tessie is angry. Dramatic irony is everywhere as well. Louise dies from the shock of seeing her husband who is supposed to be dead and when Dee never wanted anything to do with her heritage until somebody was impressed by it.
Many famous writers use foreshadowing. An author needs to use different instances of foreshadowing. Charles Dickens was a great British author who used foreshadowing. A Tale of Two Cities, written by Charles Dickens, contains many examples of foreshadowing.
In A Tale of Two Cities, Charles Dickens’ choice of sentimental expression had an excellent effect on the readers’ responses to the characters. The use of exaggerated sentimentality helped create a clear picture of the story’s issues in the readers’ minds; it gave a feel for the spirit of the times, and made it easier to understand the characters’ points of view. It was this very sentimentality that Dickens strived to achieve.
Humor was added to Hamlet by two major scenes, along with Hamlet's use of his antic-disposition. These two were: the scene between Hamlet and Polonius in the library, and the scene with the grave diggers (the clowns).
Throughout A Tale of Two Cities, Charles Dickens repeats a number of symbols and motifs. By employing these two literary devices throughout the duration of the story, Dickens is working to emphasize the importance of these specific components of the story. Motifs and symbols represent repeating ideas that help the reader to understand, as well as highlight the author’s central idea. Dickens employs the usage of symbols and motifs, such that by using both he adds a layer of significance and deeper meaning to actions, people, as well as objects. Additionally, by using symbols and motifs, Dickens is able to create a story in which both the characters, and the plot are interwoven.
A Tale of Two Cities by Charles Dickens is a classic novel written in the 1850’s by Charles Dickens. The novel is set in London and France during the French Revolution. The novel features an amazing use of themes as well as sensational development of characters. Charles Dickens and his feature style of the poor character who does something great is very evident in Sydney Carton, a drunken lawyer who becomes the hero of the book.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
reckless with misery? suggesting that his life and possibly other peoples lives are so awful that they could be convinced to do anything e.g. go to the workhouse. Dickens? use of black humour is also part of his criticism of the poor law. He uses black humour well in the fifth chapter where he describes how Mr Sowerberry and Mr Bumble just sat by the fire and read the paper with the clergy man whilst the grieving family sat outside in the rain waiting for them.
Charles Dickens is a talented author who wrote many notable novels, including A Tale of Two Cities. Barbara Hardy notes that at a young age Dickens’ father was imprisoned for debt, leaving young Charles to support himself and his family alone (47). Dickens strongly disliked prisons, which shows as a motif in A Tale of Two Cities. Many of his interests contributed to the formulation of the novel. In the essay “Introduction” from the book, Charles Dickens, Harold Bloom claims Dickens hoped “to add something to the popular and picturesque means of understanding [the] terrible time” of the Revolution (20). Dickens’ reading and “extraordinary reliance upon Carlyle’s bizarre but effective French Revolution” may have motivated him to write the novel (Bloom 21). Sir James Fitzjames Stephen believed that Dickens was “on the look-out for a subject, determined off-hand to write a novel about [French Revolution]” (Bloom 20). In Brown’s book Dickens in his Time, Dickens guided the writing of the play Frozen Deep where two rivals share the same love, and one ultimately sacrifices himself for...
For answering my questions, in addition to the primary sources, I exploited Goring’s book which provides a useful assessment to understand the complexity of the language of the novels. Moreover, I also applied Marina MacKay’s book in order to explain certain useful terms in connection with my topic. I also applied other articles which are relevant to my topic, such as Jeroen Vandaele’s “Narrative Humor (I): Enter Perspective” in which the author explains what narrative humour is.
Such comedy emphasizes wit, whether true or false…” (Bacon). As a comedy of manners, the play accomplishes its goal of revealing the shallow mindset of the Victorian high society through satirical, yet critical, tone. In his book, Oscar Wilde, Erickson refers to the play as “Wilde’s comic masterpiece” (Ericksen, 145). When critiquing the play, the Times correctly noted a quality in the language of The Importance of Being Earnest that foiled every expectation: “Mr. Oscar Wilde’s peculiar vein of epigram does not accord too well with flippant action. Its proper vein is among serious people, or so we have been taught to think. In a farce it gives one the sensation of drinking wine out of the wrong sort of glass: it conveys to the palate a new sensation, which in the end, however, is discovered to be not unpleasing” (Powell, 119). It seems that the reason for Wilde’s incredible success with his satirical play is due to the fact that it contradicts the purpose of a farce, so where “a typical farce dissolves into bland conventionality, Wilde strikes at the root of accepted standards” (Powell,
Indeed, with his humorous situations, the story contains the element of humor: comical situations. To illustrate, comical situations are demonstrated when Bill had a “series of terrible screams. Red Chief was sitting on Bill’s chest…attempting to cut off the top of Bill’s head…” (2). To the delighted public, Bill’s “series of terrible screams.” would result in laughing since Bill’s shrieking volume and his cowardly actions of fear presents how a diminutive child overpowers him, embarrassing his reputation. To explicate, Henry records hilarious scenes in his composition in order to reveal that his comical situations allude to low level