The court must not charge Victor Frankenstein with attempted murder because his intended victim does not fall within the protected class of the murder statute. Being fails to satisfy the scientific and legal requisites of human personhood because it acts like an animal more than a human, it wasn’t born naturally, and it has multiple sets of DNA, therefore it should be seen as an alien. Although Being does exemplify emotion and understanding of human nature, it cannot scientifically or lawfully be considered a Human Being. Therefore, Victor is just trying to turn off a form of Artificial Intelligence that has run awry.
Although Frankenstein talks about Being with endearment and passion in the beginning, he soon sees the reality of the wretched creature: “His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great God!” (Shelley 115). Scientifically, the creation of Being satisfies and astounds Frankenstein, but from the moment Being opens his eyes, Victor knows his creation equates with abnormality. Thomas Suddendorf once wrote an article for the Huffington Post that stated, “The physical similarities between
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humans and other mammals are quite plain. We are made of the same flesh and blood; we go through the same basic life stages. Yet reminders of our shared inheritance with other animals have become the subject of cultural taboos: sex, menstruation, pregnancy, birth, feeding, defecation, urination, bleeding, illness, and dying”. Being, unlike human beings, acts more on instinct because it does not understand the difference between right and wrong. The death of William Frankenstein acts as a way to show that Being reacts very aggressively and brashly with people. “I could with pleasure have destroyed the cottage and its inhabitants and have glutted myself with their shrieks and misery” (Shelley 322). Being cannot be human because of the way it acts; it acts much upon emotion and gut feelings rather than thinking, weighing out the options and seeing what stands viable, thus making him an animal more than a human. Being was never naturally conceived like a normal human being. He was not born through natural labor and did not have an umbilical cord. “the term “born alive”, with respect to a member of the species homo sapiens, means the complete expulsion or extraction from his or her mother of that member, at any stage of development, who after such expulsion or extraction breathes or has a beating heart, pulsation of the umbilical cord” (1 US Code Section 8). According to national law, Being cannot legally be a human because of the fact that it was not naturally born into the world. Being was mechanically “revived” due to the fact that it consists of multiple corpses, which aren't considered human once they die. “I had selected his features as beautiful. Beautiful! Great God!” (Shelley 146). Unlike a natural birth process, Victor chooses what features he wants for his creation, therefore making Being inhuman. As defined by medicinenet.com, a human chimera is “a person composed of two genetically distinct types of cells”.
Being doesn’t even approach the border or this rule because it has umpteen sets of DNA in its body. By this meaning, Being should be seen as an alien in the eyes of the court and he is a threat to the well-being of innocent people. Victor Frankenstein should be allowed, by courts, to turn off Being because he is a form of Artificial Intelligence that is threatening the safety of the citizens of the United States. Due to 1 US Code Section 8 U.S. Code § 1227, “any alien (including an alien crewman) in and admitted to the United States shall, upon the order of the Attorney General, be removed if the alien is inadmissible by the law”. Therefore, because Being is not human, Victor should be able to “turn him
off”. Being Frankenstein fails to satisfy the scientific and legal requisites of human personhood because it acts like an animal more than a human, it wasn’t born naturally, and it has multiple sets of DNA, therefore it should be seen as an alien. Even Being, does not consider itself Human because of its physical appearance and the way people react to when they see it. Being does not have an umbilical cord when it is “born”, and it has multiple sets of DNA, therefore according to law.cornell.edu, it cannot be considered a human being. Due to these circumstances the court must not charge Victor Frankenstein with attempted murder because his intended victim does not fall within the protected class of the murder statute.
In Frankenstein, everyone treats Victor’s creation like a monster including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflected on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that
If you create something should you be able to kill it? The notion of playing god like Victor did with the creatures in Frankenstein is comparative to the same issue the courts have with abortion laws. Various angles of abortion can be quite overwhelming as well as who makes the final decision. Many governments have struggled to strike what they believe to be a balance between the rights of pregnant women and the rights of fetuses. Before life is started, generally, an individual has thought about whether or not they want to create life. All life is created whether it is the creatures in Frankenstein or development of a fetus. Once life has been created choosing to end that life can cause many issues. The struggle of choosing between life and death could be avoided by an individual evaluating the results of creating a life before starting the process.
Imagine an eight-foot-tall, misshapen human child. You might complain that this is contradictory - but do it anyway. Imagine some sort of humanoid being with the mind of a human child in an eight-foot body, green with a nail in its head if you want. This is what Frankenstein's creature is. Frankenstein's creature is mentally a child, and we see its evolution through traditional child development in the course of its narrative. But the creature is the only member of its species, and therefore its narrative can be taken to represent the history of an entire species - the creature's first experiences can be viewed as an amalgam of creation myths.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
When Frankenstein is at Ingolstadt, he “has a void of the soul'; so profound that he subverts Nature to fill it (qtd. in Renfroe, 2). He conceives, “A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me'; (Shelley, 32). Frankenstein decides to make a creature, to defy the powers of Nature and God -- a poor decision that ruins the rest of his life. When Victor finally succeeds in his quest to possess Nature, “horror and disgust'; fill his heart upon viewing his new creation (qtd. in Renfroe, 2). He sought companionship by capturing Nature and creating someone to honor him for giving them life; but it backfired and he sealed his fate to the wrath of his creature.
The creature was created with the intention of goodness and purity but because of this, he wasn’t equipped to deal with the rejection of his creator. After Victor Frankenstein’s death, Robert Walton walks in to see the creature standing over his friend’s lifeless body.
Victor Frankenstein: The Real Monster. & nbsp; Science is a broad field that covers many aspects of everyday life and existence. Some areas of science include the study of the universe, the environment, dinosaurs, animals, and insects. Another popular science is the study of people and how they function. In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is an inspiring scientist who studies the dead. He wants to be the first person to give life to a dead human being. He spends all of his Frankenstein is to blame for the tragedy, not the monster he has created, because he is the mastermind behind the whole operation, and he is supposed to have everything under control, working properly as a good scientist should. & nbsp; Although some critics say that the monster Victor has created is to blame for the destruction and violence that followed the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being.  something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and & nbsp; I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. (156) & nbsp; Victor is saying that he has isolated himself for two years and in the end, he is not at all happy because of the bad outcome. He also adds, "Winter, spring and summer passed.so deeply was I engrossed in my occupation" (156). By spending most of his time inside on his experiment, never going out, but mostly worrying about his success, he has got himself crazier. This has made him lose sight of his surroundings and judgment & nbsp; Moreover, the monster should not be held responsible for killing Victor's family members and friends as shown in the book and movie, because it is Victor who has brought a dead creature back to life. He expects the monster to know everything when he wakes up cool, calm, and collected. But when the monster is awakened, he does not know anything. He sees a world different from what he is used to, which makes him get nervous and scared, so he&nb has removed him from dead. With the dawning of life, the monster has to learn about his new environment. In the play of Frankenstein, the monster starts to gradually get used to things. The problems he encounters are with Victor's assistant, Peter Krempe, Victor's friend, Henry, and other family members, including Elizabeth, and these are reactions to how these people treat him. These reactions are clearly shown in the movie of Young Frankenstein, where Victor tries to teach the monster how to live like to show off the monster to an audience in a dance routine of sorts. But then people start to scream, panic and throw things at the monster, so he reacts by attacking them to defend himself. In this case, it is clear that Victor tries to push the monster too hard because he wants to be famous.
Victor Frankenstein, a character in Mary Shelley’s Frankenstein, decided that he wanted to bring life into this world; a life that would eventually go on to killing the creator himself. The Creature can be seen as either innocent or guilty. The popular opinion of the Creature seems to be that he is guilty considering how he has burned down a house, set up Justine for murder and murdered three others. However, after taking a close look at the text, it can be seen that Frankenstein’s creature is not guilty. He was brought into this world with a child-like innocence, never progressed past the emotional state of a child and was rejected throughout his whole life causing him to do the things he did.
and in this essay I will explore who the monster is in the novel. The
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
Upon first discovering how to make life, Victor is overwhelmed with excitement and pride, feeling as though he has unlocked the greatest power on earth. His imagination is “too much exalted” by this newfound ability, and thus determines there is no “animal as complex and wonderful as man” for him to attempt as his first creation (Shelley 43). Frankenstein does not contemplate how he will react to or interact with the human he gives life to, or that he has created an extremely twisted parent-child relationship by creating a human from dead bodies. His general lack of concern regarding the consequences of his remarkable yet dangerous power is the root of the rest of the conflict between him and his monster throughout the rest of the novel, and it exemplifies Shelley’s underlying theme that science should not be pushed past morally and psychologically safe boundaries.
“Frankenstein” by Mary Shelly explores the concept of the body, life, ‘the self’ and most of importantly humanity, which is repeatedly questioned throughout the novel. The definition of humanity is the quality of being humane or in other words someone that can feel or possess compassion. Despite all the facts against the “monster” in “Frankenstein” he is indeed what one would consider being human. Humanity isn’t just about ones physical appearance but also includes intellect and emotion. Some people argue that the “monster” is not a human for he was not a creature that was born from “God” or from a human body. That being said, the “monster” is not only able to speak different languages, he can also show empathy - one of many distinct traits that set humans apart from the animals. Both the “monster” and his creator, Victor, hold anger and feel a sense of suffering throughout the novel. Victor is a good person with good intentions just like most individuals, but makes the mistake of getting swept up into his passion of science and without thinking of the consequences he creates a “monster”. After completing his science project, he attempts to move forward with his life, however his past – i.e., the “monster” continues to follow and someone haunt him. While one shouldn’t fault or place blame on Frankenstein for his mistakes, you also can’t help but feel somewhat sympathetic for the creature. Frankenstein just wants to feel accepted and loved, he can’t help the way he treats people for he’s only mimicking how people have treated him, which in most cases solely based on his appearance. Unlike most of the monsters we are exposed to in films past and present, the character of the “monster” ...
In the book, Frankenstein, there are many justice and injustice problems. Justice is the opposite of injustice, the way that injustice is unfairness or undeserved outcomes. I believe that the greatest injustice in the book is the creation of the monster. I believe the human kind should not have the right to even try to create life, they are not God. in someway, victor is taking away a major role in a woman's life, in how women are the only one the can “give life”, in the giving birth to a human being.
In the novel "Frankenstein" by Mary Shelley, the relationship of external apperence and internal feelings are directly related. The creature is created and he is innocent, though he is seaverly deformed. His nature is to be good and kind, but society only views his external appereance which is grotesque. Human nature is to judge by external apperence. He is automatically ostracized and labeled as a monster because of his external apperence. He finnaly realized that no matter how elequintly he speaks and how kind he is, people will never be able to see past his external deformities. Children are fearful of him, Adults think he is dangerous, and his own creator abandons him in disgust. The creature is treated as a monster, therefore he begins to internalize societies view of him and act the like a monster.
..., played God, abandoned his creation, and then hid any relation to the creature. Victor is quite at fault for the murders that take place in Mary Shelley's Frankenstein. True, the monster does know right from wrong, the difference is he was not brought up by his parents that way. How to live life is something that is learned and imprinted through experience and guidance. The monster was never fully given the chance to live because upon the day he arrived he was instantly rejected. Victor created the monster physically and emotionally within himself and in turn died by it.