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Theater in the Elizabethan era
Theater in the Elizabethan era
Theater in the Elizabethan era
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This semester we covered many time periods and learned about theater life, playwrights, and play genres which were all very interesting and I learned a lot. There are only two eras I felt more interest in discussing for my final term paper the Medieval period and the Elizabethan period. So I decided to discuss how the Medieval period theatre impacted the Elizabethan period theatre. I found that Elizabethan theater was heavily influenced by the Medieval theater in several ways including: the influence of the kinds of plays, the influence of the concepts in different genres, the performance aspect itself along with staging and religious and political controversies. Throughout my paper I will discuss these influences of the Medieval period on the Elizabethan period in more detail.
Medieval theatre refers to theatre in the time period between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. Medieval theatre covers all drama produced in Europe over that thousand year period. English Renaissance theatre, also known as early modern English theatre, refers to the theatre of England, largely based in London, which occurred between 1567 and 1642. To understand the transition from medieval theatre into Elizabethan theatre we must first understand medieval theatre.
Medieval theatre covered a variety of genres including liturgical drama, mystery and morality plays, farces, and masques. Medieval dramas for the most part were very religious and moral in their themes, staging, and traditions. So in turn two of the most prominent play genres were morality and mystery. Mystery plays were stories from the Bible made into performances and were heavily religiou...
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...hich were moveable stages that often were carried across great cities but the size of the stage itself on the wagons was very small. Most of the plays could be seen in cities, halls of nobility, and in the round of amphitheaters. All medieval stage productions were temporary and had to be moved after finishing the performance. This differed from the Elizabethan era in the way that it presented various actions on stage in time and space and presented a combination of the detailed realism but as medieval theater later developed, the dramas were no longer strictly liturgical. This allowed the performers to open up the imagination of the audiences without fear of religious traditions trapping their minds so they enhanced costumes, props and characters. Elizabethan era introduced a new way of casting their actors for theater, they developed troupes of acting companies.
I am going to start my essay by looking at the way in which plays were
Eighteenth century British theatre was perhaps the starting point that would evolve into modern theatre. Women started to be allowed on stage and acting techniques were beginning to change. Leading performers were like celebrities with a number of fans. Theatre was an intricate part of the social ladder. In the overall scheme of things the actors and actresses played an important part in making the theatre what it was. Without the performers there wouldn’t really be theatre, so in order to understand the eighteenth century British theatre the performers of that era need to be understood.
The young men voices were still high pitch and bodies had not been matured, so the role of women was perfect for them. William Shakespeare took a big part in theatre during the Elizabethan Era and his work is still popular till this day. Most plays that you often hear about such during the 1600’s were pretty much his. One of his most famous plays that still grab reader’s attention is Romeo & Juliet. Another thing about the Elizabethan Era was the way they said their words, what they would do is use a four count beat and pitching their voices high and low. All through London theatre was very popular. In the 1600’s during the Elizabethan Era instruments had also played a big part in their time. Like once before I told you that any instrument could play a ...
Of course, the Elizabethan Era being the time of Shakespeare, going to the theatre was always an option. Attending the most well-known, The Globe Theatre was an adventure in itself. Many of Shakespeare's plays (he acted in some of them) were performed at this magnificent theatre.
To realize the vision of the play, the script, set-up, costumes, stagecraft, sound design, and acting have to communicate a unified message with which the audience will relate. The script will be tailored to ensure that the audience can understand the play as it proceeds. This is in terms of the language and terms used. Though the language will not be modern, it will be English that can be understood by the audience. This will be English of antique England as it will give the play a feeling of ancient times. The scriptwriter will carry out research on the level of understanding the local people will have of ancient English so as to ascertain that the script matches this level. Although many plays of that era were sung and accompanied by dance, this play will be acted out with spoken word rather than songs. This is because speaking will ensure the audience hears the conversations as they go on and that they understand. This is ...
"Elizabethan Theatre Audiences." Elizabethan Theatre Audiences. Strayer University, 16 May 2012. Web. 24 Mar. 2014.
Tragedies in the Greek and Renaissance theater were very effective in portraying the social and religious constraints that tainted society. Both playwrights, through the use of their ingenuity and vast literary knowledge were able to perfect and display such flawless spectacles. The differences and similarities between Greek tragedy and Renaissance tragedy, although vast, can be narrowed down to the audience. Greek and Renaissance theater targeted very different audiences that demanded a certain type of play in order to be entertained.
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
... the people of the Renaissance would have during the fifteenth and sixteenth century. It continues to affect, inform, and inspire its audiences in London. The Globe Theater will always be “All the World’s Stage” ("Fun Facts on the Globe theater”).
The sixteenth century period and the influence of the Elizabethan era would have affected the way Shakespeare wrote his plays. The technological advance since the sixteenth century is considerable. We believe Shakespeare's theatre relied on theatrical effects as minima, and that play's relied entirely on the language.
Both medieval theatre and that of the renaissance, in particular commedia dell’arte, had symbolic characters. In commedia, each actor would play a character who took on a stereotype of society; the Capitan was a egotistical forgein military leader who was actually a coward, the Zani embodied the many migrants who worked the land or sold at the market. In medieval morality plays, the lead character would meet personified versions of morals, allowing him to choose the church chosen path of God. These symbolic characters allowed those within the audience to understand the bigger picture, and see themselves within the play. These two different forms of theatre where also shown outside, with the morality and cycle plays (though beginning in churchs for the pilgrims) shown on large moving floats, allowing each set and scene to play out as it passed the onlooking crowd. Commedia would also show outside, usually in marketplaces or outside pubs. This was to gain the highest amount of viewers possible. Both times of theatre had traveling troupes of actors, and it was through medieval plays that those who travelled for commedia were able to
Morality plays, as said above, were most popular and most widely present in medieval times. They were also found in the early times of the renaissance, but in those times they were aimed more for entertainment rather than their original purpose of teaching and informing. (Warren 2). Location wise, most morality plays were written by French and English playwrights, but they can be found throughout Europe at that time. (1). An early predecessor of the morality plays were the mystery and miracle plays of the earlier medieval period. (1). Of the two, morality plays were more similar in the aim of the messages and such to the miracle plays rather than the mystery plays. (1). The main difference between the morality and the miracle plays is that the morality plays were allegorical, not historical like the miracle plays. (1). The morality plays were also known to be more on the entertainment side than the miracle and mystery plays. (1).
The medieval age also saw some of the greatest contributions to theater. The biggest influence on later theater was the changing of the language used in the plays from Latin to the vernacular. This was crucial in spreading drama as it allowed the lower classes to understand the performances and contributed to the expansion of theater across Europe in the R...
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
The theater was one of the primary forms of entertainment in Elizabethan England, as anyone, rich or poor could attend the plays.The rich would sit in boxes or galleries, while the poorer people would have to stand for the entirety of the play (Haigh). The poor would stand in front of the stage which would normally be raised about 4 to 6 feet and the theater could hold on average 3,000 people (Trumbull). The rich however usually watched plays in indoor private theaters, but sometimes would watch the plays in the outdoor public ones. Performances ...