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Key elements in gothic stories
An analytical note on gothic fiction
Literature the gothic genre
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How Writers of 19th Century Stories Create Tension and Suspense
The writers in 19th century stories create tension and suspense
through the use of gothic horror. This style of writing is designed to
frighten and panic and cause dread and alarm. It innovates our hidden
worst fears often in a terrifying, shocking finale, while captivating
and entertaining us at the same time in a cathartic experience.
Horrors effectively centre on the dark side of life, the forbidden,
and the strange and alarming events.
It deals with the audience’s most primal nature and its fears. This
may include nightmares, vulnerability, alienation, revulsions, and
terror of the unknown, fear of the death and dismemberment, loss of
identity and fear of sexuality.
Horrors can play on our physical fears, such as grotesque scenes and
frightening characters, or our psychological fears, tapping into our
dreams states and the horror of irrational and unknown, and the horror
within man himself.
There are many examples of gothic fiction, here are a few: The Red
Room, The Monkey’s Paw, The Signalman, Desiree’s Baby, Clubfooted
Grocer, these are the stories that I will be analysing. More horror
stories include Frankenstein, Dracula and The Golem.
The following essay will examine, how the writers of 19th century
stories create tension and suspense through the use of the four main
features, such as setting, character, hints and time delay.
The following will discuss how the setting creates tension and
suspense in 19th century stories.
In The Red Room, written by H.G Wells, the castle is old, steeped in
history and tradition.
‘The long, draughty subter...
... middle of paper ...
... In Desiree’s Baby, the author reveals the truth about Armand’s
background in the last paragraph. This makes the reader evaluate the
whole story. Desiree’s suffering and pain was all unnecessary. This
ending comes as a shock to the reader and makes it an effective twist.
In conclusion, the techniques that have been used to create tension
and suspense are: setting, character, hints and time delay. All these
four main features where really effective in creating tension and
suspense as they all kept the reader engaged to the stories.
Overall I think that the story that may have been the most successful
in achieving this is Desiree’s Baby. I think this because the ending
of this story was a shock and surprise to the reader; moreover the
reader felt sympathy for Desiree as she suffered needless pain from
her husband.
Suspense is the feeling of uncertainty or excitement, in waiting for an outcome or decision. Edgar Allan Poe uses suspense in his story “Masque of the Red Death” by using objects and great descriptive detail. Poe’s story is about a prince that tries to escape from the inevitable. He tries to lock himself away from the ‘red death’ and has a masquerade ball that doesn’t end happily. Prince and all of his guests die inside or around the seventh apartment room. The seventh room is preceded by six colored rooms which are meant to symbolize either the stages of life, or the seven sins. Inside the last room there are black velvet tapestries that hang all over the ceiling and down the walls. The window panes are a deep blood red color which gives the room an unwelcoming atmosphere. On the western wall, there is a gigantic clock of a deep black wood. Inside it has a pendulum that swings back and forth with a dull monotonous clang. When the minute hand marks a new hour, there is a clear, loud, deep sound, which can be heard from far away. Although it can give off an eerie feeling, the great eb...
Suspense is a key factor to the story, “The Masque of the Red Death” by Edgar Allen Poe. According to the Oxford Dictionary, suspense is the state or feeling of excited or anxious uncertainty about what may happen. Poe uses the senses to bring the reader aware of the building suspense. He does this by telling the reader about the ominous setting of all the chambers, especially the seventh chamber. The sound of the grandfather clock, sending sinister shivers throughout the party goers each hour, keeps them on their toes. Finally, the fast-paced chase of the intruder and the Prince build to the suspense at the final moments of the story.
In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths. Dracula was not the first story featuring a vampire myth, nor was it the last. Some would even argue that it was not the best. However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford University Press, 1990. Print.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
The Victorian Era started when Queen Victorian inherited the throne in 1837 and lasted till 1901. Over those years, England underwent “technological, commercial, and social developments that fundamentally changed English life, replacing the world into which Victoria was born with one that looks much more familiar to the twenty-first-century eye.” (Nelson 1). According to Houghton “never before had men thought of their own time as an era of change from the past to the future.”(1). England was in the period of transition, the change from the Middle Ages to the modern period. The old doctrines and institutions were attacked and modified and a new order was proposed. The Victorians had to live between two words,
Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.
Armand becomes furious because he believes that Desiree?s race is what alters the color of the baby. After that incident, Armand displ...
In the short story, “The Fall of the House of Usher” by Edgar Allen Poe, diction is extensively used to create an air of suspense. Poe’s use of diction along with symbolism contributes to establishing a mood of despair. By using symbolic comparison between the Ushers and their house, the story’s suspense builds and the characteristics of the Ushers are portrayed. Poe’s cunning tactics are evident in the way he achieves a story of both suspense and horror.
Vampires, they have sharp teeth, black capes, perfect skin and black hair, one of the key inspirations to how we see the vampire today is Bram Stoker's book Dracula, written in 1897. Over time the idea of a vampire has evolved from the standard can't go out in the sun and can only drink human blood to sparkling in the sun and can live off of a animal's blood. Either the change occurred from the evolution of writing styles or just written in a way to make a book as popular as possible. This essay will explore the idea of a vampire before and after the book Dracula was made as well as the key inspirations for the book itself. Including comparisons of how we see vampires today versus how they were seen back when Dracula was originally written.
Both Virginia Woolf and Garcia Marquez in their books Orlando and One Hundred Years of Solitude respectively used almost the same styles to enhance and bring out the significance of the story. Virginia Woolf writes of Orlando, the protagonist in her story, a young man of around thirty six years who metamorphosed over a couple of days from a man to a woman. Woolf’s writing depicted very important issues in life that included gender issues and self awareness and knowledge. The book captures the love relationships of the protagonist and with the end of his love affair with the princess from Russia; he became destitute and embarked on writing until when he realized that he was foolishly depicted in one of the poems by Nicholas Green.
Austen was a recondite writer with a new inside perspective with an outside view on life in the early 19th century. Born on December 16, 1775, Austen was a curious child given the unseal luxury of an education. Her father was a part of the gentry class and raised a family of ten, but was not well off by any means (Grochowski). Sense and Sensibility, written by Jane Austen, tells a dramatic story of three sisters and their emotional journey where they encounter love and betrayal. Because Jane Austen was raised in a liberal family and received a comprehensive education, her dramatic analysis of societal behavior in Sense and Sensibility was comparable to the hidden truths of social and class distinctions in 18th and 19th century Europe.
In the early 1800s Jane Austen wrote what would be her last novel, Persuasion. Persuasion is set during the “Georgian Society” which greatly affects the character's views and actions throughout the novel. Anne Elliot and Frederick Wentworth quickly fell in love when Anne was just nineteen years old, but because he wasn't wealthy enough, Anne was not given the permission by her father, Sir Walter, to marry him. Eight years after this incident, the roles have reversed; Sir Walter has lost all of his money and Frederick Wentworth is now known as Captain Wentworth. Throughout the novel, Anne tries to overcome struggles with social class in order to fulfill her longing of being with Captain Wentworth. Therese Anderson's statement about the foundation of society in “The Importance of Class and Money” justifies the actions of those in Persuasion. “Marx argued that the real foundation of society was the economic structure, that political and legal superstructures rose from this... it is on the contrary their social existence which determines their consciousness” (1-2). Sir Walter focuses only on the economic factor which is what creates his narcissistic personality. Because of Captain Wentworth's lack of social class, Anne Elliot is unable to further her love and commitment for him. Jane Austen uses heavy irony throughout the plot line to show that there is no correlation between the amount of money one has and their quality of love.
Jane Austen has often been considered a woman who led a narrow, inhibited life and who rarely traveled. These assertions are far from the truth. Jane Austen traveled more than most women of her time and was quite involved in the lives of her brothers, so much that it often interfered with her writing. Like most writers, Jane drew on her experiences and her dreams for the future and incorporated them into her writing. Her characters reflect the people around her; the main characters reflect parts of herself. In Sense and Sensibility, Pride and Prejudice, and Mansfield Park, Elinor Dashwood, Elizabeth Bennet, and Fanny Price all reflect aspects of Jane Austen and dreams she had that were never fulfilled.