My summative IO presentation will be focused on the global issue that discusses the effect that deceit and misinformation has on the people affected by it. I will be comparing an excerpt from the novel “A Thousand Splendid Suns”, written by Khaled Hosseini, with a political cartoon criticizing Trump, written by Joe Heller. To start, I will give some context and background information about both the excerpt and the cartoon. The main character in the first part of the story, Mariam, finds herself liking her father more than her mother, Nana, whom she lives with, thanks to the constant disapproval that Nana had for Mariam’s father. Mariam could not see the bad side of Jalil, who successfully lured Mariam into thinking that he cared about her, …show more content…
Mariam replicates and combines the repetition of personal pronouns with past tense verbs, as well as expressions and phrases. When discussing personal pronouns, and these past tense verbs, Hosseini is trying to show readers how Mariam felt about Jalil prior to this excerpt. Hosseini writes: ‘’I sat for hours waiting for you. I worried myself sick that you wouldn’t show up,’’ and ‘’ I thought about you all the time. I used to pray that you’d live to be a hundred years old.’’ The author uses this repetition to emphasize, and put in the reader’s heads, the admiration Mariam had for her father. Jalil successfully managed to put Mariam in an illusion where she thought she was actually loved. Mariam reiterates these types of phrases when she first manages to confront Jalil about not having a choice in marrying Rasheed. She brings up her past, consisting of positive opinions about Jalil, as well as attempting to make Jalil look back at all the positive memories they shared in order to instill a sense of guilt, making him second guess if preserving his reputation was worth more than preserving the relationship with her daughter. Additionally, Mariam repeats certain expressions and phrases, such as: ‘’I didn’t know,’’ ‘’you were ashamed of me,’’ and ‘’don’t come.’’ Hosseini writes these phrases multiple times to show the opinionated shift in Jalil’s confrontations. Mariam is open, and honest about the fact that …show more content…
These descriptions play a somewhat essential role in this excerpt, as it recreates the scene in the readers’ minds. Hosseini writes: ‘’... and though she spotted Jalil out of the corner of her eye walking parallel to her she did not look out the window,’’ and ‘’She did not turn to look when Jalil’s palms pressed on the glass, when his knuckles rapped on it.’’ Hosseini’s realistic descriptions help the reader perceive Jalil’s response to Mariam’s reaction. Jalil enters a stage of regret, where he indirectly pleads with Mariam to get off the bus, about to depart. We, as readers, through these descriptions understand that Mariam ignores Jalil’s request, willing to separate from her father, as she is shocked and offended. The author also writes: ‘’When the bus jerked forward, she did not turn to see him trotting alongside it. And when the bus pulled away, she did not look back to see him receding, to see him disappear in the cloud of exhaust and dust.’’ This quote helps to show how Mariam had the intention, and no second thought of distancing herself from her father, despite his beseeches, shown through the description of Jalil following the
For her 15th birthday, Mariam asked Jalil if he could take her to his cinema to watch Pinocchio. She also asked if Jalil could bring her brothers and sisters so she could meet them. Both Nana and Jalil thought it wasn’t a good idea, but Mariam insisted on going, so Jalil said he would send someone to pick her up. Mariam did not like this idea and said that she wanted to be picked up by Jalil. Jalil reluctantly agreed. Later that day, Mariam gets the backlash and hate from her mother from her decision: “Of all the daughters I could have had, why did God give me an ungrateful one like you? …How dare you abandon me like this, you treacherous little harami!” Mariam wakes up the next day, disappointed and fed up since Jalil did not come to pick her up. She heads out to town to find Jalil herself. She makes it to his house when a chauffeur tells Mariam that Jalil was “away on urgent business.” She slept outside of his house and was awoken by the chauffeur, telling her that he would take her home. Mariam snatches away from the chauffeur’s grip and turns around towards the house, to see Jalil in an upstairs window. It was then that Mariam figured out that all she was to Jalil was a disgrace. Jalil had always been careful with the information he told Mariam. He may have loved her, but only on his own terms. Once Mariam realizes that her father allowed her to sleep on the street rather than bring her into his
The concept of standing up for one’s self plays a key theme in the novel, Wanting Mor. The novel unfolds with an illustration of Jameela, as a timorous, obedient girl, influenced by her religious beliefs. As it states in the novel, “ ‘Don’t tell me what I am! I’ll tell you!’…My face is hot. How could I have been so careless? So disrespectful. Maybe I’m tired too” (Rukhsana 29). These statements are followed after the death of Mor and how Jameela’s father, Baba, reacts to the situation by demeaning everything including his own daughter. Jameela tries to soothe her father in the attempt to make her father relaxed by informing him he is simply fatigued. In spite of this, her father believes this to be offensive as he needs to be mollified by her young daughter, which results into Jameela believing the cause was of her own. She is also depicted as diffident because she abides to anyone regardless of her own feelings and emotions. This is illustrated through chapters’ three to nine, which begins with Baba telling Jameela that they are leaving their village to go to the picturesque city known as Kabul, regardless of Jameela’s consideration in the process. Afterwards, Jameela labours away with the multiple Khalaas, respectable term for o...
...imism of attending school. This depicts how if she was angry, she would be blinded of the aftermath of being pessimistic such as, not seeing the advantages of pursuing education for the first time, nonetheless, she will only keep recounting the same question of why did her father abandoned her, and will eventually harm someone, as in the case with Arwa, a child in the orphanage. Jameela finally channelled her anger into violence with Arwa, as in pushing her to the ground because she was a tad bit clingy; she wanted to know the outcome of Jameela’s surgery of her cleft lip. The result of committing this is that Jameela experienced remorse and depression. A theme portrayed in the novel, Wanting Mor, is making strong bonds, as in peace with one another, not hatred and anger.
I think that the author’s intent was to show how the characters’ past plays a role in their future. Miriam, for example, had a rocky relationship with both of her parents. These relationships affected her later on in life. They caused her to have a lack of confidence and relationship problems with Rasheed. Miriam’s past caught up to her and played an important role in her life. Laila, on the other hand, had an excellent relationship with her father which helped her to have a more positive outlook on life. She became hopeful and always wished for the best. Laila then helped Miriam to become more hopeful, just as Laila’s father did for her. Both of these characters went through a lot and they brought their past with them. The shift from past to present tense also symbolized the characters putting the past behind them and focusing on the future. Miriam becomes more daring and goes out on a limb to escape Rasheed and stands up for herself. Laila also manages to escape Rasheed and marries Tariq. In part four, Laila goes to visit Mullah Faizullah to inform him on Miriam’s death. In the car on the way there, the driver tells Laila his story and how he lost two sisters. “I’m sorry,” Laila says, marveling at how every Afghan story is marked by death and loss and unimaginable grief. And yet, she sees, people find a way to survive, to go on. Laila thinks of her own life and all that has happened to her, and she is astonished that she too has survived, that she is alive and sitting in this taxi listening to this man’s story,” (Hosseini 395). Laila reflects on not only her past, but everyone’s, and is amazed that they got through it. It makes her become even more hopeful for what is still to come. The switch to present tense changes the effect of the fourth part because the first three parts focus on sadness, loss, and
Rasheed tries to convince Mariam that the only way to keep Laila safe is by marrying her. He ends up hiring a man named Abdul Harif to tell Laila that he had met the love of her life, Tariq, in the hospital and that he had died. Laila is told this right when she finds out that she is pregnant with Tariq’s child. Rasheed had hired Abdul Harif to tell Laila this because he wanted to get Laila to marry her. When Rasheed brings up marriage to Laila, she jumps on board right away, and falls into Rasheed’s trap. After Rasheed and Laila get married, he treats her like a queen. He becomes very protective of Laila. Almost all his attention is spent on her, and in a sense, forgets that he is even married to Mariam. But him acting affectionate and caring does not last very long. When Laila gives birth to a baby girl, named Aziza, Rasheed starts to treat Laila how he treated Mariam when she could not successfully carry a child full term. Again, Rasheed ends up not getting what he wants, and therefore he turns onto Laila. The abuse, both verbal and physical, starts to get worse in the household. A particular situation that displays just how violent the abuse in their household can get is when he locks Laila and Aziza in their room, and Mariam in the shed because they tried running away from Rasheed and the abuse. He leaves them without water or food, and it ends up almost killing Aziza. This is where Rasheed falls into the paradox of power again. “ ...the 16th century Italian philosopher Niccolo Machiavelli insisted that compassion got in the way of eminence. If a leader has to choose between being feared or being loved, Machiavelli insisted that the leader should always go with fear. Love is overrated” (Lehrer The Power Trip). Rasheed would rather have his own family be completely afraid of him and almost
From start to finish, one could see how much Mariam values Laila, Aziza, and their friendship. The first example is when Mariam vows to help Laila while they are in the hospital for Laila’s unborn child: “I’ll get you seen, Laila jo. I promise” (287). This simple promise is a deep portrayal of Mariam’s desire to help Laila find a doctor and deliver her baby. Additionally, one can see Mariam’s love for Laila when she protects her from Rasheed’s grip of death, “‘Rasheed.’ He looked up. Mariam swung. She hit him across the temple. The blow knocked him off Laila” (348). Rasheed was going to kill Laila, but Mariam steps in and knocks him off of her with a shovel to save her life. Mariam forms a tight-knit bond with Laila, and when Hosseini includes their relationship, one can see how Mariam values Laila enough to kill another man. The author also describes their relationship after Mariam and Laila discuss plans for leaving: “When they do, they’ll find you as guilty as me. Tariq too. I won’t have the two of you living on the run like fugitives.” … “Laila crawled to her and again put her head on Mariam’s lap. She remembered all the afternoons they’d spent together, braiding each other’s hair, Mariam listening patiently to her random thoughts and ordinary stories with an air of gratitude, with the expression of a person to whom a unique and coveted privilege had been extended” (358). The love Mariam has for
Taylor Swift is once again under fire over the allegedly racist theme of her new music video for “Wildest Dreams.”
In 1729, Jonathan Swift published a pamphlet called “A Modest Proposal”. It is a satirical piece that described a radical and humorous proposal to a very serious problem. The problem Swift was attacking was the poverty and state of destitution that Ireland was in at the time. Swift wanted to bring attention to the seriousness of the problem and does so by satirically proposing to eat the babies of poor families in order to rid Ireland of poverty. Clearly, this proposal is not to be taken seriously, but merely to prompt others to work to better the state of the nation. Swift hoped to reach not only the people of Ireland who he was calling to action, but the British, who were oppressing the poor. He writes with contempt for those who are oppressing the Irish and also dissatisfaction with the people in Ireland themselves to be oppressed.
This quote displays a theme in the novel as Mariam gets older. Jalil moves the burden of Mariam onto Nana, and Rasheed blames Mariam for things that go wrong from there.
In Khaled Hosseini’s, A Thousand Splendid Suns, a mysterious man had just brought traumatic news. News that would change Laila forever. News that Laila had always feared. Her beloved Tariq was dead. She remembered the day that her mother had received the terrible news of her brother’s deaths, but that meant nothing to her. This was different though. She knew Tariq and was close to him. This death had an effect on her because she was a part of Tariq’s life and he was a huge part of hers. This suggests that the closer relationship you have with a person, the more impacted you are by their death.
As Mariam waits for Jalil she finds herself very bored, “She watched a caterpillar inching along the foot of an immature thistle,” her boredom shows that her home can be very dull (30). One of the reasons she decided to leave, “for the first time in her life, headed down the hill for Herat,” was because she wanted an adventure (30). Living with Nana in a small house outside of Herat with nothing to do can be very unentertaining. Mariam was able to believe everything Jalil had been saying because she had not been anywhere outside her home. Mariam had waited for Jalil for a while, “she waited until her legs were stiff,” which shows that she believed everything he said, she believed that he was gonna come (30).
Nanny has learned the lesson that love is not synonymous with love, and she thinks Janie is just too young to realize the truth. As a slave near the end of the Civil War, Nanny gave birth to her white master's child, who became Janie's mother. But the white man disappointed Nanny when the his wife realized the baby is her husband's, his wife went into a jealous rage; she declared that Nanny would receive a hundred lashes in the morning and watch her baby sold off when it is a month old, but he didn't do anything for Nanny and his own child, and Nanny had to escape with her baby eventually. This painful heartbreaking experience has taught Nanny a harsh lesson that love cannot always be trusted; more than that, love cannot play a only part in marriage. Unlike her young granddaughter Janie who is youthful and only sees the reason to marry is if is true love. ¡§the inaudible voice of it all came to her.
The first of Castel’s dreams occurs while Maria is away at the estancia and ends up illustrating his chaotic emotions and confused adoration for her. Castel is in a weakened state and is frantically awaiting Maria’s return. He envisions being within a dark house which he feels he had “known and infinitely desired”(88) since his youth. He feels comforted in this residence because it is something definite, understood, and established. Castel lacks these feelings of stability in his life because he devoutly subscribes to the existentialist thought; he believes that mortality is a narrow passageway which is uncertain and has no point to it other than to purely exist. When he enters the dim household, he is mysteriously lead by “old memories” (88). These recollections imply a thematic undertone since existentialists believe that nothing precedes life be...
Nonetheless, this really is a tale of compelling love between the boy and his father. The actions of the boy throughout the story indicate that he really does love his father and seems very torn between his mother expectations and his father’s light heartedness. Many adults and children know this family circumstance so well that one can easily see the characters’ identities without the author even giving the boy and his father a name. Even without other surrounding verification of their lives, the plot, characters, and narrative have meshed together quite well.
Both Laila, the lucky girl with breathtaking beauty, whose luck suddenly vanishes, and Mariam, the unlucky and illegitimate daughter, whose luck goes from bad to terribly worse, become dynamic and complex characters. This transformation is brought about by the gradual revealing of Hosseini’s motivation. In fact, Hoesseini is evidently motivated to reveal the truth, and let the emotional and physical realities of Afghani women’s lives be known to the