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Vampires of folklore vs vampires of literature
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What are the essentials to a vampire story? Of course there has to be a Vampire as well as an attractive damsel. From personally watching Van Helsing, Dracula untold, The Underworld series, and other Vampire movies as well as reading twilight and Dracula, that there are many characteristics that a vampire posses. One of the traits of being a vampire is being Mysteriously attractive. The character must be physically attractive as well as, he or she must, have a disposition of mystery around them that their victims sense but can’t stay away because of their attractiveness. The Character also must be alluring and dangerous which is another reason why their victims can’t stay away. Most vampires are portrayed as men instead of women but there are stories that cast women as vampire characters as well. The men vampires however seek out young beautiful women who just so happen to be unmarried. Those victims are good for giving birth as well as their youth will make him younger because of their blood and how young it is. My theories were proven when I read How To Read Literature Like A Professor. In this book vampires are old men who prey on young unmarried girls. “Sometimes he’s downright sexy. Always, he’s alluring, dangerous, mysterious…tends to focus on beautiful, unmarried women”(Foster, …show more content…
Pg.16). Another thing about vampires is that, although they may not be physically real, they have characteristics that can be applied to real people because they are used to symbolize different things or situations in life.
An example of this is that people could connect vampires to pedophiles and rapists. Vampires are dangerous prey on young women. Pedophiles are also dangerous and prey on young women as well. Also, both pedophiles and vampires are much older than their victims. A third reason that vampires could symbolize pedophiles is that they live amongst groups of people that don’t even know who they are. With that being said, there are many vampires throughout
literature. In Literature there are also character that can be identified with similar characteristic as vampires but, as in real life, they are not vampires. In the book Phantom of the Opera the female heroine, Christine Diaae, is in her early 20’s if not teens. She has a beautiful voice as well as she is very attractive. She sings beautifully because she takes lessons from this mysterious stranger who is known as the Phantom. The Phantom is older than her by at least 10 years. He can be connected to vampire as they both are going after young beautiful girls. Christine Diaae doesn’t know anything about the Phantom except for that he is a charming mysterious man because he only helps her sing. He doesn’t introduce himself as the Phantom; to her he is known as the Angel of Music. Just like a vampire he is luring her with his charm and mysterious disposition. Another connection is that both him and vampires are dangerous only instead of biting and sucking the blood out of their victims; he is obsessed with her and tries to kidnap her. Vampire type characters are always better in literature than in real life.
J. Gordon Melton, in the excerpt “Sexuality and the Vampire” published in his The Vampire Book: The Encyclopedia of the Undead (1998), explains that vampires have a sexual appearance that started from their origin in Dracula. Melton supports his statement by analyzing the monsters' transition to sexual beings through the stories of Dracula’s desires, multiple countries’ erotic tales revolving around vampire-like beings, the manifestation of sensual themes in literary, stage, and screen works, and their current evolution of the once terrified immortals to loved heroes. The purpose of this essay was to outline the seductiveness of the written immortal creatures in order to explain the fanged-mammals’ appeal beyond their terrifying monster abilities.
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
The purpose of Dracula’s physical description is to place him against humanity and see how he stacks up. He has various features which obviously make him a vampire, such as a set of sharp teeth. But there are other peculiarities to his description which mark him as being an outsider. For instance, when Jonathon Harker, and by extension the reader, first meets Dracula, he describes him as being “a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot” (Stoker 15). At this point, he is a regular looking man, or at least normal enough that nothing elicits a reaction in Jonathon. Later, however, the aberrant constitution of Dracula co...
Vampires have been viewed with fear and fascination for centuries. Of all the vampires in literature, Bram Stoker’s Count Dracula is probably the most prominent vampire. Recently, there has been an upsurge of public interest in socially acceptable vampires, like the Cullens in the Twilight series by Stephanie Meyer. This essay will contrast Stoker’s Dracula with Carlisle Cullen, one of the newer vampires from the Twilight series. They will be examined in terms of their origins and how they dealt with immortality.
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
Throughout decades of cheesy horror movies, the image of vampires have been misconstrued as sparkly, angsty teenage boys or handsome men that lure in girls for the fresh blood of a virgin. Many of these stereotypical vampires are influenced by the story of Dracula, held in the Victorian era. During this period, sexuality is repressed by society, as sexual behaviors from women are viewed as unacceptable. Yet, many of the stories published about vampires diverge from the message that Bram Stoker was trying to make. In the Gothic horror novel Dracula, Bram Stoker uses the traumatic experience of Jonathan Harker at Count Dracula’s castle and the invasion of vampires in Great Britain to create a social commentary on the sexual repression occurring
The Humanization of Modern-Day Film Vampires His thirsts have not changed. He craves the taste of blood, the warm, life-sustaining liquid that flows so gently from the necks of his victims into his own foul mouth. He continues to hunt in the night, cursed forever by the purity of sunlight, and his immortal body still remains ageless, untouched by the rugged sands of time and trauma. Yet somehow the vampire is different than he once was.
Jackson, Kevin. "There will be blood: the immense success of Twilight, both the book and film, proves the vampire genre is still as potent as ever. How did Dracula and his brethren become such important modern myths and staples of popular culture?" New Statesman [1996] 2 Feb. 2009: 50+. Student Resources in Context. Web. 24 Nov. 2013.
Dracula most definitely contains degenerate characteristics throughout the novel. He has a lack of compassion for people’s well being, and has signs of selfishness. Vampires fit under the degenerate theme very well. How he became a vampire we are not sure, although Van Helsing calls him King-Vampire, because of his consistency and power driven obsessions towards his cravings. His powers include a wide range of abilities in which some are beyond the powers of the other vampires or immortal people in the novel. Degenerates are predestined to crime and don’t know why it is wrong. Van Helsing wrote of Dracula by saying, "The Count is a criminal and of criminal type. Nordau and Lombroso would so classify him, and qua criminal he is of imperfectly formed mind" (Stoker chapter 28). With all his killings and bites he proceeds on people, Dracula fights the degenerate theme.
The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this transformation is to compare arguably modern day’s most famous representation of the vampire, Stephanie Meyer’s “Twilight” with “Dracula”, the foundation from which a large number of modern works draw inspiration. Examining this comparison closely, one finds that a new socially acceptable, sexually abstinent and desirable creature is fast replacing the fearsome and sexually voracious monster, as depicted in early tales of the vampire.
These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
Over the years, people have given new outlooks on the original vampire, Dracula. He was a tall, non-attractive looking man who would never come out during the day. Hollywood, however, has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire. Similar to Dracula, Twilight’s vampires have many of the same characteristics.
Throughout time Vampire fiction has served as a great resource for dealing with our own feelings of what can be fearful. As of recently, vampires are viewed as sparkly sex icons, less fearful, and more lustful. This lust is not just toward heterosexual vampires looking for thirst, but homosexual as well. Starting with undertones in the 18th century with Polidori and Byrons’ relationship to Carmilla finally leading to the 20th century relationships in Interview with the Vampire and Buffy the Vampire Slayer. Homoeroticism has been a huge factor when it comes to vampirism and sexuality, are authors purposefully making these vampires homosexual? Or are mainstream viewers just reading too much into the undertones. The nature of a vampire’s sexuality is an interesting characteristic of the vampire's freedom from social norms and restrictions. For instance, it’s obvious the contemporary vampire is an individual of many appetites, and that undoubtedly includes their sexual appetites. The vampire's sexual escapades are not exclusive to just members of the opposite sex, but of the same sex as well.
Simply searching through articles, databases, and other resources, vampires are depicted as malicious and monstrous creatures. First off, the vampire is famous for its dark and mysterious image affiliated with fear and death. In many ways, “the vampire can be seen through its most basic characterization as the bringer of death”(Stevens par. 3) and evokes a “marginal world of darkness, secrecy, vulnerability, excess, and horror” (Stevens par. 6). Obviously, the vampire has adopted a dark, fearful, and mysterious image. Next, vampires are famous for their unique characteristics. Dictionary.com defines the vampire as “a preternatural being, commonly believed to be a reanimated corpse, that is said to suck the blood of sleeping persons at night”(dictionary.com). Vampires are also known for their distinct weakness suck as “various tailsmans and herbs”(Funk and Wagnalls New World Encyclopedia) but the only way to kill a vampire is “only by cremation or if a stake is driven through their hearts”(Funk and Wagnalls New World Encyclopedia). Another distinct and commonly known characteristic of the vampire is their fear of the light as it could potentially kill them. Emotionally, the vampires are almost viewed as sex symbols as they “indulge in their desires ...