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Have you ever lost sight of your own identity or tried to be some one that you are not? I have. I left my mother’s country and moved to the United States which, to me, is a foreign land. It was hard for me to make even a single friend not to mention finding a place where I feels like I belong. Somehow along the way, I changed accordingly, to fit in with the people around me. After a while, I found that it was ludicrous of me to adjust myself to appease those around me. In Junot Diaz’s short story, “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie,” the protagonist, Yunior, searches for a place where he can belongs and in turn he alters himself to fit in. Similar to my situation, he later determines that it was foolish to change himself …show more content…
and that he will not truly belong by doing that. In a sense he experiences men vs society conflict as he seems to struggles to find a place to belong, though, his biggest conflict is versus himself. Throughout the story the readers can tell that there are many stereotypes about the mentioned categories, brown girl, black girl, white girl, and halfie. For instance, “If she’s a white girl you know you’ll get at least a hand job” (3), “If a girl is local don’t sweat it. She’ll flow over when she’s good and ready” (4), and “A halfie will tell you that her parents met in the Movement” (13). From the statements above the readers can conclude that the protagonist is generalizing the girls based on their ethnicity. Perhaps from his experiences or from what he had seen from the society. Not only that, but these generalizations lead him into believing that a man has to act a certain way depending on the ethnic group the girl is from. The girls are being judge and standardize depending on their ethnicity or where they live. Perchance, because of all stereotypes that he seen the society has on the girls has made he feels as if he could not be who he is. He does not feels like he belong anywhere and he could not reveal to other who he truly is. From such conclusions, the man vs society conflict has develops an internal conflict within himself. Around the beginning of the story, the protagonist hides the “government cheese from refrigerator” (2) and “Take down any embarrassing photos” (2) of his family as if he been instructed to do so.
Perhaps because he wants to impresses the girls whom he wants to date, nevertheless, he is hiding his own identity for the sake of others. He obscures any artifacts that related to where he was from. He also dresses up and comb his hair as a white boy would when he meets a white girl’s mother. Everything that he does is as if he had been instructed or following the society’s indirect rules. For an example, before a date, he waits at home for the girl’s parent to bring her over if she is an outsider. Then while on the date he thinks it is fine to take her to Wendy’s since she is not from around the area. After the date, if she is a halfie, he reckons that when her father picks her up there is no need to say good bye. His actions reveal to the readers that he has insecurities revolving around his culture and his true self, by hiding all of the monuments that will unveil his Dominican culture. Not only that, but if he is on a date, his actions and gestures would not reflect who he is, but rather who he thinks he should be. This shows that he is conflicting within himself to find his own true self. He wants to fit in, to belong to, yet he is altering himself to pacify others. He hides his identification and tries to be some one that he is not to find a place that he can connects and be a part
of. The protagonist of the short story, “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie,” has a conflict of man vs society which connects to his internal conflict. However, the man vs self-conflict is more overpower than his man vs society conflict. Though they do revolves around one another, but he is struggling within himself to find who he really is. He wants a place to belong with, yet he changes himself to fit with each ethnic group. He is scared to be who he really is and to expose his own culture to others. He does not want to be an outcast or judge upon because of his ethnicity, thus he did not embrace his culture, but rather conceal it. He is searching for a place where he can be affiliate with. In the end of the story he realizes and found his resolution internally. For an example, at the end of the story he said, “…the phone will ring. You will be tempted to pick it up. Don’t. Watch the shows you want to watch, without a family to debate you…Put the government cheese back in its place before your moms kills you” (22). From these assertions, the readers can see that the protagonist does not care about fitting in a group if it means that he have to changes himself. Rather than that, he can just be himself and worry about his own self. The theme of the story seems to be finding one true self and that is exactly what the protagonist resolution is. It should not matter where a person is from, he or she should always feel comfortable with who they are. Whether they belong in a certain group or not does not matter. No one should change themselves to fit in with other, rather, they should embrace themselves and be who they really are. This is the message that the protagonist finally found for himself.
In this time, the black community in America was beginning to find their voice and stand up for what they believed in and who they truly were. The problem with James is that he didn’t know who he truly was. He didn’t understand how he could be two different things while all of his siblings identified as one. They instilled a sense of resentment toward whites in him that confused him beyond belief. This confusion left him believing that his mixed race was a curse and something that he would have to carry on his back for the rest of his life. He believed it to be a burden, as he felt that he didn’t truly belong anywhere because of it. "I thought it would be easier if we were just one color, black or white. My siblings had already instilled the notion of black pride in me. I would have preferred that mommy were black. Now, as a grown man, I feel privileged to have come from two worlds." - James McBride. In his memoir, on of James' main realization about his life is that in the transition from adolescence to adulthood, he learned that being mixed race wasn’t so much a curse as a blessing.
WEESR, KHATHERINE. “Tu no Eres Nada de Dominicano”: Unnatural Narration and De-Naturalizing Gender Consruction in Junot Diaz’s The Brief Wondrous Life of Oscar Wao. “Journal Of Men’s Studies 22, no.2 (Spring2014 2014): 89-104. Academic Search Complete, EBSCOhost (accessed November 30,
In Junot Diaz’s The Brief Wondrous Life of Oscar Wao, he is telling the story of a Dominican family but mainly about the son, Oscar de Leon. The book opens with the story of Oscar as a child and him having two girlfriends at the same time. The older people in town see him as a ladies man and encourage him. The boy and the two girls all break up and his life seemed to be on a steady decline since then. He grows up to become a nerdy, fat, and awkward adolescence with few friends and even less interest from girls. This phase persists throughout his life and he never develops out of the nerdy boy he was as a child. The Dominican Republic was a hostile and poor place during the time of the novel. The dictator Trujillo controls the lives of the people in the country. This influenced the de Leon family’s present and future. Diaz develops the story by using the superstition, the cane field, and male dominance of the Dominican men
Historically, people were granted certain rights and privileges based merely on their skin color. Persons of darker skin are often less opportune; persons of lighter skin are almost automatically glorified. However, with the mass interracial breeding, many African American descendants started to look “white” even though they were of “black” descent. Many “mulattos” used this to their advantage to acquire higher social status and respect. The act of identifying as a different race and hiding one’s true race is known as “passing.” In the short novel, “Passing” by Nella Larsen, it follows two childhood friends of mixed-race, Irene Westover/Redfield and Clare Kendry, who later reconnected later in their different adult lives; both appear to have light complexion but one embraces her ancestry while the other tries to “pass” as something else. The latter’s decision usually ends unpleasantly. So while it may seem beneficial to “pass,” the end result is that the truth will come out. Literary articles which critique “Passing” such as “Sororophobia” by Helena Michie and “Black Female Sexuality in Passing” by Deborah E. McDowell discusses the issues of passing. Juanita Ellsworth’s “White Negros” provide scenarios where skin color played a factor in education and professional experiences. Louis Fremont Baldwin’s “Negro to Caucasion, Or How the Ethiopian Is Changing His Skin” explains the different ways people pass and how it can be undetected. Blatantly “passing” as a different race can lead to catastrophe and should be avoided.
There are many factors that lead to the development of an individual’s identity. Franz Kafka’s “The Metamorphosis” illustrates an extreme change in Gregor Samsa’s external identity and the overall outward effect it has on the development of his family. While James Baldwin’s “Sonny’s Blues” illustrates a young man struggling to find his identity while being pushed around by what society and his family wants him to be. Both of these characters exhibit an underlying struggle of alienation but both also demonstrate a craving for belongingness. This conflict of trying to belong to something as well as satisfying the needs of society, has directly impacted their own individuality and the lives of the people around them.
Throughout the story there is evidence that the main character is ashamed of himself and his background. He hides the government cheese, which tells us that he is in a low economic class. He also takes down embarrassing photographs of his family and himself, which is more indication that he isn’t proud of his family, background, or heritage. Yunior also tells us many things to do in order to be like other people, especially white people. He tells us that you need to run your fingers through your hair and to write directions for parents in your absolute best handwriting (Diaz 236). It is also evident that he is ashamed of his background when he states “You’ll wonder how she feels about Dominicans. Don’t ask.”(Diaz 237). Also, when he is telling the girl stories about the neighborhood, he says not to tell her that his mother knew immediately what t...
The main character is completely alienated from the world around him. He is a black man living in a white world, a man who was born in the South but is now living in the North, and his only form of companionship is his dying wife, Laura, whom he is desperate to save. He is unable to work since he has no birth certificate—no official identity. Without a job he is unable to make his mark in the world, and if his wife dies, not only would he lose his lover but also any evidence that he ever existed. As the story progresses he loses his own awareness of his identity—“somehow he had forgotten his own name.” The author emphasizes the main character’s mistreatment in life by white society during a vivid recollection of an event in his childhood when he was chased by a train filled with “white people laughing as he ran screaming,” a hallucination which was triggered by his exploration of the “old scars” on his body. This connection between alienation and oppression highlight Ellison’s central idea.
Without details, the words on a page would just simply be words, instead of gateways to a different time or place. Details help promote these obstacles, but the use of tone helps pull in personal feelings to the text, further helping develop the point of view. Point of view is developed through the story through descriptive details and tone, giving the reader insight to the lives of each author and personal experiences they work through and overcome. Issa Rae’s “The Struggle” fully emplefies the theme of misplaced expectations placed on African Americans, but includes a far more contemporary analysis than Staples. Rae grapples as a young African-American woman that also struggles to prove her “blackness” and herself to society’s standards, “I feel obligated to write about race...I slip in and out of my black consciousness...sometimes I’m so deep in my anger….I can’t see anything outside of my lens of race” (Rae, 174). The delicate balance between conformity and non-conformity in society is a battle fought daily, yet Rae maintains an upbeat, empowering solution, to find the strength to accept yourself before looking for society’s approval and to be happy in your own skin. With a conversational, authoritative, humorous, confident and self-deprecating tone, Rae explains “For the majority of my life, I cared too much about my blackness was perceived, but now?... I couldn’t care less. Call it maturation or denial or self-hatred- I give no f%^&s.” (Rae 176), and taking the point of view that you need to stand up to racism, and be who you want to be not who others want you to be by accepting yourself for who you are. Rae discusses strength and empowerment in her point of view so the tone is centered around that. Her details all contribute to the perspectives as well as describing specific examples of racism she has encountered and how she has learned from those
Caucasia examines how each individual formulates an identity with him or herself. The author portrays how the individuality of oneself is socially constructed, as individuals are forever pressured to conform to acceptable behaviours. Birdie’s identity is shaped on how other members of society perceive her, and she wants to fit those notions and be accepted. She is confused about her identity because of the different qualities that she inherits from both the “white” and “black” communities. It is evident that society will only judge an individual based on the colour of a person’s skin; a person of white complexion is at the top of the hierarchy, while a darker skin tone is accepted to be at a lower point in social hierarchy. Both Birdie and Cole are r...
As DeGraw profundly sings the words of his song “I Don’t Wanna Be”, he expresses that humans must learn to embrace who they are and present themselves to society as they choose. The words “I’m surrounded by liars everywhere I turn/ I’m surrounded by imposters everywhere I turn/ I’m surrounded by identity crisis everywhere I turn/ Am I the only one who’s noticed?/ I can’t be the only one who’s learned” illustrates the presence of stereotypes that often degrade and demean individuals throughout society, as they are hindered from being able to express themselves and who they are as humans. The implementation of such words throughout the song
In Ralph Ellison’s novel The Invisible man, the unknown narrator states “All my life I had been looking for something and everywhere I turned someone tried to tell me what it was…I was looking for myself and asking everyone except myself the question which I, and only I, could answer…my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself. But first I had to discover that I am an invisible man!” (13). throughout the novel, the search for identity becomes a major aspect for the narrator’s journey to identify who he is in this world. The speaker considers himself to be an “invisible man” but he defines his condition of being invisible due to his race (Kelly). Identity and race becomes an integral part of the novel. The obsession with identity links the narrator with the society he lives in, where race defines the characters in the novel. Society has distinguished the characters in Ellison’s novel between the African and Caucasian and the narrator journey forces him to abandon the identity in which he thought he had to be reborn to gain a new one. Ellison’s depiction of the power struggle between African and Caucasians reveals that identity is constructed to not only by the narrator himself but also the people that attempt to influence. The modernized idea of being “white washed” is evident in the narrator and therefore establishes that identity can be reaffirmed through rebirth, renaming, or changing one’s appearance to gain a new persona despite their race. The novel becomes a biological search for the self due through the American Negroes’ experience (Lillard 833). Through this experience the unknown narrator proves that identity is a necessary part of his life but race c...
A main theme in this novel is the influence of family relationships in the quest for individual identity. Our family or lack thereof, as children, ultimately influences the way we feel as adults, about ourselves and about others. The effects on us mold our personalities and as a result influence our identities. This story shows us the efforts of struggling black families who transmit patterns and problems that have a negative impact on their family relationships. These patterns continue to go unresolved and are eventually inherited by their children who will also accept this way of life as this vicious circle continues.
Black and Female: The Challenge of weaving an identity.? Journal of Adolescents July 1995 19. 466.
Personal identity is vital to living a worthwhile life. A person who goes through life without knowing what he or she stands for and believes in is living an incomplete life. Those who lack an understanding of their identity will unintentionally accept outsiders’ opinions and stereotypes of them. This harmful position can be seen in many characters from the African-American Literature class. Bigger Thomas, from Richard Wright’s, Native Son, is one lost character. Another character who lacks understanding is Alice Walker’s Celie, from The Color Purple. Both of these characters have a different awareness level of the position that they stand in, and that level changes throughout their respective stories as they attempt to determine what is of importance to them.
Yunior is so ashamed of who he is. I assume it’s because he was raised in America and its been instilled in him to think of himself as inferior to the white man. A quote that stood out to me was when he was speaking about white girls, “Tell her you love her hair, that you love her skin… because, in truth, you love them more than you love your own,” I found it so sad that doesn’t accept himself. The poor boy just wants to fit in, he goes through all these hoops to please other people, he’s used to people being scared of him. To add insult to injury, he’s poor, lives in a bad neighborhood, has a single parent, receives government assistance. This seems like more of a how to: pretend to be someone you wish to be. Yunior says, “If she’s a halfie don’t be surprised that her mother is white,” I find this interesting because it applies to him, he prefers white girls over girl that are like him.