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Critical appreciation of sonnet no.130
Sonnet 130 analysis
Summary of sonnet 130
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Hale, James. "Sonnet 130." Master plots II: Poetry, Revised Edition (2002): 1-3. Literary Reference Center. Web. 9 Mar. 2015. Summary The author talked about the poem, forms and devices, and themes and meanings. The author talks about the poem as a whole when he breaks down each line for better understanding. Furthermore he explains what the poet is saying so that it seems less offensive than what is shown. The second main idea the author use is forms and devices he uses line from the poem to tell how the poet felt his mistress was still beautiful even though she didn’t have traditional standards of beauty. Also the author tells how the poet feels the woman would be so caught up in her appearance that she wouldn’t see the beauty her beloved one sees. “Sonnet 130 provides logic instead of metaphor, objectivity instead of hyperbole” is what the author believed (Hale 3). Evaluation …show more content…
But also what the author was saying about the poem is accurate as well because he was saying that the poet loved his mistress for what was on the inside as well as the outside and that’s the kind of love that is needed. Also when the author talked about the views on whether the girl’s hair was beautiful regardless if it was black since the belief is that gold hair is pretty and since her hair is black it’s ugly. Also the author says that women in society are the same that they would be so focused on altering the appearance that they wouldn’t realize their beloved loved them regardless. Lastly, he says that the poet broke the standards of beauty since no normal human being could meet them. Even though he had good intentions for his mistress the ways he went about them could have been
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
Sonnet 130 openly mocks the traditional love sonnets of the time. This is, perhaps, made most apparent through the use of subversive comparisons and exaggerated similes. The intention of a subversive comparison is to mimic a traditional comparison yet highlight the opposite purpose. Whereas his contemporaries would compare their love’s beauty to alabaster or pearls, Shakespeare notes, “If snow be white, why then her breasts are dun” (3), therefore intentionally downplaying the beauty of his mistress. Later he states, “...in some perfumes there is more delight / than in the breath that from my mistress reeks” (7-8). Both of these exemplify that Shakespeare ridicules the traditional love sonnet by employing the same imagery to convey opposite intentions.
William Shakespeare’s “Sonnet 130”, was published in the mid-1590, and published with the rest of Shakespeare’s sonnets in 1609. The sonnet has fourteen lines, and divided into three quatrains and one couplet at the end. The rhyme scheme is cross rhyme, with the last two lines being couplets that rhyme. The sonnet compares between nature and the poets’ lover or mistress. He shows a more realistic view of his lover. Needless to say his significant other wasn’t physically attractive, yet he loved her inside beauty. Today we may use the term, “It’s not all about looks, but what’s inside”.
The general trend in this sonnet is the speaker’s analysis of the mental methods through which he has admired a woman. He attempts to craftily define lust so as to rationalize his actions to be correct. However, he gradually gains the knowledge that the lust he has felt is sacrilegious, and must cease. Sonnet 129 opens as the speaker is in great distress due to the shallow quality that has permeated his love. He feels as though he has been exhausted of his physical, mental, and moral strength in his pursuit for mutual love. An "expense of spirit in a waste of shame" is the mark of an ill-fated desire that has missed its point of satisfaction, lost in a deep cavern of an inescapable nature. When humans fall into such depths of despair, it is quite natural to fall back into the animalistic undertones that creep ste...
I found Donne’s “Holy Sonnet 10” and “Holy Sonnet 14” to be similar in style, but different in context. Obviously, it is logical that they are similar in style because they are written by the same author.
In sonnet 66, Shakespeare creates a paradoxical difficulty for himself as a poet. As Helen Vendler points out, the censorship described in line 9 necessitates an absence of art from the poem (309-10), yet coevally Shakespeare must keep the reader interested. He straddles this problem by speeding the tempo, creating questions in the reader’s mind, and representing intense emotions-- all through apparently artless techniques.
Both Sonnets have different styles. Sonnet 18 is a much more traditional poem, showing the reader a picture of his muse in the most divine way. Shakespeare uses a complex metaphor of comparing his subject to the summer, but at the same time making it easy to understand. The poet goes as traditional as possible; his friend surpasses the beauty of summer, as summer will fade and turn to winter. Sonnet 130 is just as easy to understand as the former. The use of straightforward comparisons that go from line to line, instead of one metaphor elaborated through the entire poem, makes this sonnet quite different in style. Sonnet 130, in contradiction to Sonnet 18, purposefully branches off from the traditional romantic love poem for he does not describe the subject as a true beauty but as his true love.
“My Mistress’s Eyes Are Nothing Like the Sun” by William Shakespeare, is a sonnet with an interesting twist on love. He writes, “My Mistress’s eyes are nothing like the sun/ Coral is far more red than her lip’s red” (2-3). He finishes the poems with these two lines, “And yet, by heaven, I think my love as rare/ As any she belied with false compare” (13-14). Shakespeare is implying that his lover does not fit the hyperboles’ that other poets of his time wrote about, when they spoke of their lovers. When you are truly in love looks aren’t important, because your heart doesn’t judge by appearance. Looks might initially attract you to someone, but who they are as a person is what makes you fall in love. What one person thinks is beautiful and perfect the next person might find unattractive. Shakespeare wanted to remind his love that to him she is perfect. Even though Shakespeare is remembered for the poems he wrote he left a verse on her life with this
Shakespeare's Sonnet 116, denying Time's harvest of love, contains 46 iambic, 15 spondaic, 6 pyrrhic, and 3 trochaic feet. Like the varying magnitudes of stars that distinguish the sky's constellations, infused with myths describing all degrees and types of love, the spondaic, trochaic, and pyrrhic substitutions create a pattern of meaning that can be inferred by the discerning eye and mind. Shakespeare emphasizes his denial of the effects of Time on love by accenting "not" in lines 1, 2, 9, and 11, and "no" in lines 5 and 14. The forceful spondees at the beginning and the regular iambic feet at the end of each quatrain progressively build the poet's passionate rejection of love's transience. Quatrains 1 and 3, declaring what love cannot be, enfold his definition of love in Quatrain 2. The spondee, "It is," draws attention to the word "star" and the poem's essential metaphor, equating love and the North Star, at the poem's heart in lines 7 and 8. This figure of speech implies that while one can feel the intensity of one's love, i.e. measur...
At the time of its writing, Shakespeare's one hundred thirtieth sonnet, a highly candid, simple work, introduced a new era of poems. Shakespeare's expression of love was far different from traditional sonnets in the early 1600s, in which poets highly praised their loved ones with sweet words. Instead, Shakespeare satirizes the tradition of comparing one's beloved to the beauties of the sun. From its opening phrase "My mistress' eyes are nothing like the sun", shocks the audience because it does not portray a soft, beautiful woman. Despite the negative connotations of his mistress, Shakespeare speaks a true woman and true love. The sonnet is a "how-to" guide to love.
Can you imagine being forced to hide your true self, identity, feelings, and desires from the world in fear that you might be executed? That is exactly how Shakespeare had to live in his time period. Sonnet 135 by William Shakespeare is a coded poem that secretly expresses the author’s homosexual attraction. He uses homoerotic depictions, transgressive sexuality, and gay signs to secretly express is homosexual emotions in a seemingly heterosexual poem. It is clarified in earlier sonnets that this poem is addressing Henry Wriothesley, who loves The Dark Lady.
You can finish that sentence in your head can’t you? Whether you are a strong poetry enthusiast or not, you still probably know this famous poem. Sonnet 18 by William Shakespeare is one of the most well-known poems of all time. Time and time again this piece of art has influenced contemporary pieces. Some examples of this would be; the song “Sonnet 18” by Pink Floyd, a novel titled The Darling Buds of May by H E Bates, and a famous essay “Rough Winds Do Shake” written by Maeve Landman. Now this doesn’t not include the endless, countless list of times when Sonnet 18 has been quoted throughout history, especially in today’s media such as Star Trek, Doctor Who, and many others. It is doubtless to say that Sonnet 18 by william shakespeare is one of the most famous and well-known poems, and for good reason. This poem truly is a beautiful piece of work. William Shakespeare utilizes many things to help enhance the reading experience. Sonnet 18 by William Shakespeare draws the reader in through the use of several poetic techniques including rhyme and rhythm, personification, and metaphor.
to let go of these imperfections and replace the defects with love Sonnet 130 is a unique love
The poet then goes on to say that his beloved is 'more lovely and more temperate (moderate and self-restrained)' than a summer's day. Negative things are said about summer, to contrast it with his beloved. All this relates to the beauty of his beloved male friend. For instance, "Rough winds do shake the darling buds of May" means winds destroy the beautiful buds of May; "And Summer’s lease hath all too short a date" means summer is too short; "Sometimes too hot the eye of heaven shines" means the sun is too hot at times; "And often is his gold complexion dimmed" means and often goes behind the clouds - like you are hiding your beauty. In the Elizabethan Era, fair skin was admired. This line talks about how you could lose this attribute due to ageing. "And every fair from fair sometime declines" means everything beautiful will eventually lose its beauty and "By chance, or nature’s changing course untrimm’d" means by old age or nature's planned course.
That means, the approaches of poet’s love remain the same. In one place, he portrays beauty as conveying a great responsibility in the sonnets addressed to the young man. The poet has experienced what he thinks of as "the marriage of true minds," also known as true love, that his love remains strong, and that he believes that it’s eternal. Nothing will stop their love, as in the symbols like all the ships, stars and stormy seas that fill the landscape of the poem and so on what can affect to their love. The poet is too much attracted with the young man’s beauty, though this indicates to something really bad behavior. But in another place, Shakespeare makes fun of the dark lady in sonnet 130. He explains that his lover, the dark lady, has wires for hair, bad breath, dull cleavage, a heavy step, pale lips and so on, but to him, real love is, the sonnet implies, begins when we accept our lovers for what they are as well as what they are not. But other critics may not agree with this and to them, beauty may define to something