Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Attitudes towards marriage
Power in Shakespeare plays
Effect of gender roles in marriage
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Attitudes towards marriage
How Shakespeare Uses Language to Explain Othello's Character in Act III Scene III
The purpose of this essay is to discuss the factors that effect
Othello's change in attitude towards Desdemona in Act III Scene III.
It will also discuss the feelings towards race and marriage in the
Shakespearian era. I will focus on Iago's use of language in order to
manipulate Othello.
In Shakespeare's time the attitudes towards marriage and affairs were
very different to rules and regulations nowadays. Men were thought of
very differently to women and were treated as a higher class. It was
known for women to have other men besides their set husband during a
marriage but is was not common and harshly dealt with, whereas the
affairs of men were mostly overlooked, however unjust or unfair. The
Christian teaching reflected heavily in the lifestyles of the married.
Marriage was for reproduction, regulation of sexual activity and for
mutual comfort and support. Men also married, not for love, but for
property and money. The joining of Othello and Desdemona was unique
because it was solely for love. Desdemona's father, Brabantio was
oblivious of the blossoming relationship between his daughter and
Othello. The marriage between Othello and Desdemona is very different
to the stereotypical marriage of that time because Desdemona did not
act as the inferior wife. She did ask for permission to do what she
wanted until the end when she was worried for her husband as he began
to turn his anger upon her. While she was acting as Cassio's
"solicitor"line 27 act III scene III,
She begins to hassle Othello about re-instating Cassio as lieutenant,
which would be...
... middle of paper ...
...comes more devious and sly
by the minute, yet the audience rather admire his technique and
reluctance to let go and give up. His plan works right through until
the end until Emilia realises what she has been oblivious to during
the play. Othello even stabs him at the end in a last brutal attempt
to take revenge on the man who wrecked his life. The audience feel
shocked but great respect at his determination.
This essay has discussed Act III Scene III and has broken it down to
reveal and explains the incredible use of language by Shakespeare.
Although the true story was written by Giambaltista Cinzio Giraldi in
1565. During this scene we witness a complete change in atmosphere and
the characters behaviour as Othello begins to doubt and fear
everything he once trusted. Iago drives hi mad with jealousy and
loathing.
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
The Significance of Act 3 Scene 3 of William Shakespeare's Othello Othello was written by Shakespeare around 1602 and was set 35 years previously to that time (around 1571) during the Elizabethan era. Shakespeare got the idea for the play from the Italian Novella 'Gli. Hecatommithi and only changed minor details slightly. He kept the same plot but some of the characters and themes in the play were very different.
Despite the negative foregrounding of Othello’s character by Iago, our first impressions of Othello in Act 1 are of a noble and well-spoken man, his nobility is conveyed through his speech ‘most potent grave and reverend signiors’(1.3.76) to his future father-in-law Brabantio of Othello’s love for his daughter Desdemona in Act 1 Scene 3. This is a very different character to what we expect from Iago’s preparation for the introduction of Othello. Where we are expecting an angry and possibly violent character, we instead are met with something completely surprising, a quiet and calm man who dismisses Roderigo’s insult and even avoids the prospect of a conflict.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
Desdemona acts contrary to these plans by choosing to marry Othello who is a Moor, not a Venetian, which automatically lowers his stature. He is also an army general; he does not have a lot of money, only some prestige. In addition, he is old - he could be Desdemona's father nearly; in fact, he is Brabantio's friend. Army life would keep him (and her) out of Venice, and prevent Brabantio from seeing his daughter, or future grandchildren. Consequently, Brabantio is extremely upset when he learns that they have eloped.
The Role of Act Three Scene Three of Othello and How it Relates to the Whole Play
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Act 3 Scene 3 as the Turning Point of the Play Othello by William Shakespeare
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.