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An Essay On The History Of Photography
Essay on history of photography
An Essay On The History Of Photography
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In the nineteenth century, the innovation and invention of new technology took off. More inventions and innovation came out of the nineteenth century up until World War I than any other time period in history. From the concept of time, the improvement of transportation, and even the telephone; the camera has definitely made its mark in history. In 1839, the camera had gradually become the new major medium used in the nineteenth century. It was the invention that changed artwork and gave everyone a new way to represent itself to the world. Gay-Lussac called it “a new art form in a new civilization.” Photography represented Paris in three major ways. The new technology influenced a new way of painting where the artist began capturing their subjects in action versus a still portrait pose. And with the Daguerreotype being available to everyone in the public, it was becoming easy to travel to Paris for events. The regular working class people and artists to go to Paris to see the city and bring imaged back home. And finally, because of how photography represented Paris, the tourism industry began to grow gave the city of Paris the money and inspiration to reconstruct their city into the city we picture it to be, a city full of change, innovation, and excitement.
The camera obscura was “is an optical device that projects an image of its surroundings on a screen. It is used in drawing and for entertainment, and was one of the inventions that led to photography. The device consists of a box or room with a hole in one side. Light from an external scene passes through the hole and strikes a surface inside where it is reproduced, upside-down, but with colour and perspective preserved. The image can be projected onto paper, and can then be...
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...rove itself so it could actually make its mark on the world map. Millions of people still go to Paris today to get the picture that best represent Paris, but photography will forever represent all cities and countries visited by others.
Works Cited
1) Bajac, Quentin, Elizabeth Siegal, and Francesco Zanot.Photography: The Origins 1839-1890. Milan, Italy: Skira Editore, 2010.
2) Benjamin, Walter. Paris-The Capital of the Nineteenth Century. Illuminationen: Suhrkamp Verlag, Frankfurt am Main, www.nowherelabs.dreamhosters/paris capital.pdf (accessed November 28, 2013).
3) Cohen PhD, Kathleen, James Bonacci, and Judy Parsons. San Jose State University, Accessed December 3, 2013. gallery.sjsu.edu/paris/mass_produced_art/frameBIBLIO.htm.
4) Markwood, Jill. "Photograph'ys Influence on Painting." Accessed November 4, 2012. www.agorajournal.org/2010/Markwood.pdf.
Tolmachev, I. (2010, March 15). A history of Photography Part 1: The Beginning. Retrieved Febraury 2014, from tuts+ Photography: http://photography.tutsplus.com/articles/a-history-of-photography-part-1-the-beginning--photo-1908
Camera Lucida was Roland Barthes’ last written piece, published posthumously in 1980. This book deals with the topic of photography and the death of Barthes’ mother in 1977. The role of photography is questioned; he asks what about photography makes it a valid media? We read about the operator (the photographer), spectrum (the subject) and spectator (the viewer), also about the studium (what we see in the photograph) and the punctum (the unclassifiable, the thing that makes the photograph important to the viewer). According to Barthes the photograph is an adventure for the viewer, but it is ultimately death, the recording of something that will be dead after the picture is taken. This idea is the main focus of Barthes’ writing, the photograph “that-has-been”, in Latin “interfuit: what I see has been here, in this place which extends between infinity and the subject; it has been here, and yet immediately separated; it has been absolutely, irref...
"History of Art: History of Photography." History of Art: History of Photography. N.p., n.d. Web. 24 May 2014. .
Gustavon, Todd. Camera: A History of Photography from daguerreotype to Digital. New York, NY: Sterling Publishing, 2009
The first type of using light to make a picture was the daguerreotype. Both Louis Jacques Mande Daguerre and Nicephore Niepce, who passed away before the public was introduced to the daguerreotype, founded this type of picture taking. However, before this Louis Daguerre made a "theater without actors." Beaumont Newhall explains that this was an illusion made by extraordinary lighting effects that made the 45 ½ foot by 71 ½ foot pictures appear to change as one looked at them (2).
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
The phrase Paris capital of modernity refers to the time in the second half of the nineteenth century when Paris was considered one of the most innovative cities in the world. This was largely a result of Haussmann’s renovation of the city between 1851 and 1869. A Prefect of Paris under Napoleon III, he transformed Paris into a city with wide streets, new shops and cafes, and a unified architecture.
"Modern art." Encyclopedia Britannica. Encyclopedia Britannica Online. Encyclopedia Britannica Inc., 2011. Web. 02 Dec. 2011. .
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League photographer expressed this sentiment, summarizing the role photography had on America in the 1940’s and 50’s. During this era, photojournalism climaxed, causing photographers to join the bandwagon or react against it. The question of whether photography can be art was settled a long time ago. Most major museums now have photography departments, and the photographs procure pretty hefty prices. The question of whether photojournalism or documentary photography can be art is now the question at hand. Art collectors are constantly looking to be surprised; today they are excited by images first seen in last week’s newspapers as photojournalism revels in the new status as art “du jour” or “reportage art”.
The Modernist art movement had tremendous historical influences of on the works of Alfred Stieglitz. The change from pictorialism to modernism began early in his career, the relationships he developed with like-minded artists inspired creativity and enabled Stieglitz to open the eyes of ordinary Americans to the incredible wealth of art being created during the early 20th Century. He gave exposure and opportunities to unknown artists and he made his passion for photography as an art form, in its own right, a reality. Alfred Stieglitz has been described as the father of modernist photography. There was an art revolution happening in Europe in the early 1900’s, a revolt against the old traditions of art. He wanted to bring these Avant guard works to America whilst also promoting photography as an art medium.
The camera obscura is an optical device, known to be used since the times of Mozi and Aristotle. The earliest declaration of this type of device was by the Chinese theorist Mo-Ti, in the 5th Century BC, calling it ‘the locked treasure room’. The first published illustration of the camera obscura, is in a book from 1544 called ‘De radio astronomica et geometrica’, by Dutch scientist Reiner Gemma Frisius. He used it to observe a solar eclipse at Louvain. The camera obscura is a completely dark box or a room with a small hole in one wall. The light rays from outside the camera obscura, passes through the hole and produces an inverted image within the chamber of whatever is in front of the hole. As light travels in a straight line, the reflection of a lit object passes through the tiny hole, but does not scatter, it crosses and reforms as an upturned image on a flat surface. The camera obscura was a major deal as it created an image in true perspective. It creates the three-dimensional world we live in onto a “two-dimensional surface in a mathematically precise fashion” (Myers, A 2013).
Holt, Elizabeth G. From the Classicist to the Impressionists: Art and Architecture in the 19th Century. New Haven, CT: Yale University Press, 1966.
At the height of the Second Empire, Paris was one of the leading centres of capitalist culture in Europe during the mid-nineteenth century, made possible by the city’s reconstruction. The modernisation of Paris initiated an unprecedented method of urban planning under Baron Haussmann. It is this concept of modernisation that people immediately think of in terms of Paris and modernity. This focus on Haussmannisation, however, obscures the fact that Paris was already changing before Haussmann, as was evident in the arcades that sprung up during the 1820s and 30s. Plans of renovating the city were already being thought of in order to manage problems of overcrowding, diseases, social upheavals and infrastructure collapse. However, these plans were never realised; it was the small business owners—or the petit bourgeoisie—who saw to the creation of the arcades that drove the changes made within the urban landscape of pre-Haussmann Paris.
"History of photography and photojournalism.." History of photography and photojournalism.. N.p., n.d. Web. 21 Nov. 2013. .
Camera History.The first camera like devices can be seen as far back as Ancient Greece and China. This piece of early technology was called the Obscura, the invention of this was an important part in developing cameras and photography. A camera Obscura is a dark closed space that is shaped like a box with a hole on the other side of it. The light that comes through the tiny hole projects an image that meets the wall of the box. The image was then drawn by an artist; however, the image was projected upside down.