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The birth of photography
History of photography and photojournalism
History of photography and photojournalism
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Through some author’s point of view which usually contained useless bias, people were able to look at photographs and criticize the written propaganda about the good outcomes of comes, since most of the photographs depicted death and destruction. Furthermore, Matthew Brady’s opening of the civil war photo gallery in New York City in 1862 gave more and more people the access to experience war through realistic photographs which changed many people’s perception of the war. Over 1000 pictures and portraits were displayed in glass display cases. While it covered most of the war, Brady’s major focus was on the battles of Gettysburg and Antietam which represented event such as blood stains on grass and the myriads of unburied bodies. Specifically, the photos of "Dead: Horse of Confederate Colonel (picture 2), both killed at Battle of Antietam" and "Dead Confederate Sharpshooter at Gettysburg," both depict lifelike elements of dead human beings which was bothersome to many people and made them grow exhausted of war, since most of them had the hidden feeling that it could be possibly their husband or son that had previously ridden that horse. Also, "Three Children of the Battlefield" taken during the battle of Gettysburg became a highly controversial photograph since it provided a clear insight of effects of war on the destruction of families. Moreover, The enormous outcry of the people led to raise money to open an orphanage in Gettysburg for children of fallen Union soldiers.
Furthermore, The medium of photography also gave people a glimpse of improved weaponry such as canons and rifles; hardships faced by soldiers such as torn clothes and lack of food; armies on the move and wounded soldiers suffering at hospitals. In addition, pho...
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...paper articles were more elaborated. Also, after seeing the photo galleries and pictures from the war, many people were interested in becoming photographers so they could experience adventure and satisfaction. In summary, Civil war had a clear impact on photography.
In conclusion, the American civil war, photographed by more than 3000 individual photographers, had a huge impact on photography, while for the most part photography played a major role throughout the course of the war. Although civil war was recorded on numerous amount of books, Photographs taken during that time frame still seems have the power of influence and most people choose to believe in photographs, since they tell a story of reality. Doesn’t matter how gruesome or unpleasant most of them look, photographs from civil tend to leave a lasting impression even on people living in the present.
“Shiloh”. Saving America’s Civil War Battlefields: Civil War Trust. Civil War Trust. 2013. Web. 4 March 2014.
The American Civil war is considered to be one of the most defining moments in American history. It is the war that shaped the social, political and economic structure with a broader prospect of unifying the states and hence leading to this ideal nation of unified states as it is today. In the book “Confederates in the Attic”, the author Tony Horwitz gives an account of his year long exploration through the places where the U.S. Civil War was fought. He took his childhood interest in the Civil War to a new level by traveling around the South in search of Civil War relics, battle fields, and most importantly stories. The title “Confederates in the Attic”: Dispatches from the Unfinished Civil War carries two meanings in Tony Horwitz’s thoughtful and entertaining exploration of the role of the American Civil War in the modern world of the South. The first meaning alludes to Horwitz’s personal interest in the war. As the grandson of a Russian Jew, Horwitz was raised in the North but early in his childhood developed a fascination with the South’s myth and history. He tells readers that as a child he wrote about the war and even constructed a mural of significant battles in the attic of his own home. The second meaning refers to regional memory, the importance or lack thereof yet attached to this momentous national event. As Horwitz visits the sites throughout the South, he encounters unreconstructed rebels who still hold to outdated beliefs. He also meets groups of “re-enactors,” devotees who attempt to relive the experience of the soldier’s life and death. One of his most disheartening and yet unsurprising realizations is that attitudes towards the war divide along racial lines. Too many whites wrap the memory in nostalgia, refusing...
The Civil War had a very large affect on all of the States. It changed men from gentlemen that went to church every Sunday and never cussed to people who rarely went to church and cussed all the time. Some of the people in the war were also very corrupt and did not do things as they should be done. The way that the enemy was looked at was even changed. All of these things were talked about in "The Civil War Diary of Cyrus F. Boyd".
Nevertheless, one of the most important imageries is the fact the rifle itself represents war; thus, the soldier takes so much care of the rifle because the rifle, or the war, once took great care of him by shaping him into the man he is today and, most importantly, by keeping him alive. Imagery, therefore, proves how Magnus delicately transmits information so that an appropriate characterization could take place, which informs the audience about the soldier’s character and, ultimately, the importance of war to the
Images can manipulate many scenarios but it’s tactic used to show the realities of our world. Despite what we see, picture taken of the war and events occurring in the war doesn’t mean they aren’t real. We all live in a messy world and history is constantly repeating itself. Pictures are taken to spread awareness and empathy. It is a reason DeGhett argued that the Iraq brunt solider photograph taken by Kenneth Jarecke should have been posted in order for the public to get a sense that the war occurring at the moment is nothing like in the movies. Images are powerful and we must learn to always look closely and
There are many different ways in which the war was represented to the public, including drawings, newspaper articles, and detailed stereographs. Stereographs such as John Reekie’s “The Burial Party” invoked mixed feelings from all of those who viewed it. It confronts the deaths caused by the Civil War as well as touches upon the controversial issue over what would happen to the slaves once they had been emancipated. This picture represents the Civil War as a trade-off of lives- fallen soldiers gave their lives so that enslaved black men and women could be given back their own, even if that life wasn’t that different from slavery. In his carefully constructed stereograph “The Burial Party,” John Reekie confronts the uncertainty behind the newly
The American Civil War caused a dramatic shift in style, form, and thematic discourse in American literature because it affected the people in the way they saw morality and reality. The works after the Civil War were mainly focused on how they experienced the war and its effects. It also caused some antiwar works and more on
Brought into this world on October 17, 1821, Alexander Gardner’s work as a Civil War photographer has often been accredited to his mentor, the better-known Mathew Brady. Only recently has the true extent of Alexander Gardner’s work been acknowledged, receiving the credit that has been long overdue. Born in Paisley, Scotland, Gardner and his family were quite the movers. Relocating to Glasgow, Scotland, shortly after his birth, and later in 1850, to the United States with his brother James in attempt to establish a community in Iowa (CWO). In need of more money to fund the establishment, Gardner returned back to Glasgow and purchased what would soon become one of largest newspapers in the city, and one of the most known newspapers in the entire country, the Glasgow Sentinel. The newspaper made a considerable amount of profit for Gardner and he returned to the United States a year later in 1851, but this time paying another state a visit, New York.
Shaw, William B., et al. A Photographic History of the Civil War. Six Volumes. New York, New York: The Blue and Grey Press, 1987.
Even visual media, which has improved remarkably over the last several decades, cannot express these feelings accurately. Today’s movies, photography and other digital media about wars are considerably more visual and realistic than in the past. They are capable of portraying events very close to reality. However, these photos and movie scenes still cannot make a person experience the exact feelings of another person who actually fought in a war.
It’s his compassion for his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia, he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions left to be made by the viewer. Have you ever been at the beach safely shielded by a dark pair of sunglasses and just watched?
Simpson, Brooks D., Stephen W. Sears, and Aaron Sheehan-Dean, eds. The Civil War: Told by Those Who Lived It. New York: The Library of America, 2011. Print.
The Civil War had many large technological advancements that would greatly evolve warfare. The war introduced the first ironclad ships, the first repeating rifles and carbines, and the first metallic rifle and pistol cartridges. The military didn't solely rely on this new technology, however. Older weapons and other tools were still trusted, such as paper cartridges and smoothbore muskets.
The Civil War was the first major conflict to be documented by photography. At the time of the Civil War, it was vital to have public support on both the North and the South side of the dispute. It is also said that if war efforts do not have complete support of its’ citizens that it will not result to any benefits. Photography was one way that was almost guaranteeing support of citizens on the homefront. Photographers had power within their photographs, toying with the pathos of the civilians, and causing them to feel whatever the photographers wanted them to. This power was abused at time by manipulating people’s opinions towards the war. There were pictures coming back from the warfront one after the other which made it impossible for people to feel an emotional connection to the soldiers at war. These photographs allowed events happening miles away to feel like they were closer to home causing people to support the war efforts more heavily. Instead of people having their own opinions during the war, photographers used manipulative
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.