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How it Feels to be Colored Me response essay
Essays on sojourner truth's ain't i a women
Essays on sojourner truth's ain't i a women
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Pursuit of equality When write an essay or make a speech, the way a writer use to deliver his message is especially important. A good writer or lecturer is fully aware whom he will be delivering his message to, and what kind of rhetorical strategies he will be using to convince his audience. The purpose of this essay is to analyze the rhetorical strategy of two articles, “Ain’t I a Woman” by Sojourner Truth and “ How it Feels to Be Colored Me” by Zora Hurston. Both Sojourner and Zora speaks about the inequalities that women and blacks faced at that time in America, and their goals is to make their readers--usually the vulnerable groups in society, to pursue their rights of equality and identity. However, the rhetorical strategies …show more content…
In “Ain’t I a Woman”, Sojourner uses repetition, pathos and addressing opposing viewpoint to make her argument more persuasive, while in “ How it Feels to Be Colored Me”, Hurston changes her tones of writing and use metaphor to convince her audience. In article “Ain’t I a Woman”, Sojourner …show more content…
She begins talking about her childhood experience in a Negro town, where she has no idea her difference between other white people. “During this period, white people differed from colored to me only in that they rode through town and never lived there.”(417). Then she immediately realize the difference at age of thirteen. However unlike most other black people, she didn’t talk much about how unequally she was treated or her anger towards discrimination. Instead, she said” But I am not tragically colored” and “ I do not mind at all”(417). By saying so, Zora wants her reader to know that she was not feeling the hatred toward her own self of who she was and what colored skin she had, she showed who she was and as she mentioned” I do not mind at
Angelina Grimke and Sojourner Truth were both prominent American civil rights activists of the 19th century who focused on the abolition of slavery and women’s rights issues, respectively. While both of these women challenged the societal beliefs of the United States at the time regarding these civil rights issues, the rhetorical strategies used by each of these women to not only illustrate their respective arguments but also to raise social awareness of these issues was approached in very different fashions. Angelina Grimke promoted the use of white middle-class women’s positions in the household to try to influence the decision makers, or men, around them. On the other hand, Sojourner Truth, a former slave turned women’s rights activist,
Sojourner continues her speech with rhythmic and repetition, building up an energy in her voice and audience with a brief personal experience followed each time with that same rhetorical question. She draws a picture of her equality to men by expressing her strength and hard-working efforts as she “ploughed and planted, and gathered into barns, and no man could head me.” Again, following this statement , “and ain’t I a woman?” She rhythmically continues this pattern, making a claim to her equality she feels with males and then following it with the powerful question “and ain’t I a
...dies the theme, because Zora was never a nigger. She tried her best to be everything but that just as she promised the man. Zora was so much more than just a ‘nigger” she brought the best that any black women could bring in that time period. She made sure she stood outside her color where ever she went. Not because she was ashamed of who she was, but because she wanted to be more than her color. Not be black women who have not accomplished much but that black women who open doors. Going through her life making an impact on things she believed in rather it hurt blacks or rather it disappointed whites. She made the best with what she had even though she knew what she had could have been more. You can believe in so much but you have to eventually go out and find out for yourself. Zora proved that quote so many times to ensure that she did what she had to do many times.
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
In Sojourner Truth’s speech “Ain’t I a Woman?” and Frederick Douglass’ “The Hypocrisy of American Slavery” use rhetorical questions for emphasis, anecdotes to connect with the audience, counterarguments to Christianity’s opposing stance and repetition to force the audience to listen. These contemporaries used similar ways to prove their causes were not only worthy but necessary for society to move forward from its oppressing history. Both of them draw from personal experience, as former slaves. Although neither of them would live to see their goals fully realized, these speeches played an immense role in changing public opinion and they continue to inspire marginalized societies.
From slavery to the Harlem Renaissance, a revolutionary change in the African American community, lead by poets, musicians and artists of all style. People where expressing their feeling by writing the poem, playing on instruments and many more. According to the poem “ I, Too” by Langston Hughes and article “How it feels to be Colored Me” by Zora Neale Hurtson, the poem and article connects to each other. The poem is about how a African Man, who sits in the dinning café and says that, one day nobody would be able to ask him to move anywhere, and the in the article written by Zora Neale Hurtson, she describes how her life was different from others, she was not afraid of going anywhere. They both have very similar thoughts,
It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than Wright. When she did write politically, she was very subtle about stating her beliefs.
In the essays How to Tame a Wild Tongue by Gloria Anzaldúa and How It Feels to be Colored Me by Zora Neale Hurston, both writers are discussing their experiences when they discovered how people viewed them. Views which were seen through eyesight, as well as views of judgement on how someone speaks. They both use their experiences as lessons and remain true to their identity. With using their experiences, these ladies overcome negativity and focus on embracing who they are.
In ‘How it feels to be colored me’ Neale Hurston opens up to her pride and identity as an African-American. Hurston uses a wide variety of imagery, diction using figurative language freely with metaphors. Her tone is bordering controversial using local lingo.
Walker and Marshall write about an identity that they have found with African-American women of the past. They both refer to great writers such as Zora Neale Hurston or Phillis Wheatley. But more importantly, they connect themselves to their ancestors. The see that their writings can be identified with what the unknown African-American women of the past longed to say but they did not have the freedom to do so. They both admire many literary greats such as Charles Dickens, Virginia Woolf, and Jane Austen, but they appreciate these authors' works more than they can identify with them.
Though her race was a victim of brutal, harsh discrimination, Hurston lived her life as an individual first, and a person of color second. In the narrative “How It Feels to Be Colored Me” by Zora Neale Hurston, Hurston says, “The cosmic Zora emerges. I belong to no race nor time. I am the eternal feminine with its string of beads” (Hurston 3). She feels as though an extraordinary form of herself is brought out. This form is not bound by physical traits and is the everlasting woman with the cards she is dealt. The “cosmic Zora” emerging represents the empowered, fearless Zora from Orange County, Florida. When she says that she belongs “to no race nor time”, she means that her race and background do not define who she is as an individual. “The eternal feminine” symbolizes the
In “How it feels to be Colored Me”, Zora Hurston is trying to explore her own identity and find who she is in a world full of discrimination. She is a young black girl who is living during a time when it is tough to be black because of the way they are treated and used. In “Theme for English B”, Hughes writes about a young black man about the age of 22 who is given an assignment by his teacher to write a one page report from the self. The young man questions whether or not his paper will have the same truth behind it as a young white man’s paper. I am comparing these two works because the setting is similar. They are both in school during a time that blacks and whites were still trying to get used to being around each other in a learning atmosphere.
But soon she is off, true to her free-minded self. It is interesting to note that Hurston does not dwell on the socio-economic situations (i.e., slavery, poverty) that bring about the two rapes, as another black author (perhaps Richard Wright?) might have done. Hurston instead focuses on Janie’s very real, very necessary search for self-fulfillment. This kind of focus was not common in Black literature at the time of the writing (early 1930’s), and Hurston drew much criticism for what was seen as a refusal to address the social, economic and political issues that preoccupied her contemporaries such as Wright and Ralph Ellison. However, it can be argued that what Hurston was attempting, a portrayal of a culturally “self-sufficient” black community, was just as necessary for a full realization of Black consciousness as was the “protest” literature of the Harlem Renaissance.
Hurston writes about how she moved to Jacksonville, Florida, and it wasn’t until then that she realized she wasn’t just Zora—she was also colored. She says, “I was not Zora of Orange County any more, I was now a little colored girl” (941). It was after she was thrown against the backdrop of a white community that others made her feel colored. But even though she was made aware of her differences she did not feel any anger about slavery or the discrimination she was faced with. She states, “…I am not tragically colored. There is no great sorrow dammed up in my soul, n...
Sojourner Truth, an African American woman and former slave, fights a double war within winning her rights. The fact that Truth is an African American female put an addition strain on her journey. Truth traveled thousands of miles giving speeches against slavery and for women’s rights. In 1851, Truth gave her famous speech, “Ain’t I a Woman” at the Women’s Convention. In her speech, she attacked the idea of women and blacks being inferior. Truth used her personal experiences to describe the discrimination she faced as a black, ex-slave woman. Truth’s main objective through her speech was to show how she is equal to any man. She declared,