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Emergence of witch hunting
Representation of women in the Elizabethan period
Representation of women in the Elizabethan period
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I will be discussing the impact that women have on the play, and how they were treated in this time period. I feel that while they may have been under-represented, they were still quite respected throughout society. The first thing that I wanted to point out is that while the majority of the accused are women, they are still given a chance to prove that they are not a witch. It just so happens that they would rather confess to it. Getting a chance at all shows that this society respected their rights almost as much as anyone else. Women are extremely important in the play because of the fact that they make up most of the characters, and in them is where the problem lies. If they simply didn’t respect, or care about women, then the Salem witch trials wouldn’t have been such a big deal. In some countries, women are restricted from wearing certain types of clothing. This seems like the case in the Crucible as well, but it very well may also be that they do not have any other styles of clothing yet. I assume that even if they did have other styles, women would wear exactly what they are now. They do not want to go against their Puritan religion. Abigail is a major character in the play. She leads a group of liars, has a lot of power, and can get …show more content…
Mary Warren has a crucial role in Act III, as she tries to talk about the poppet found in Mrs. Proctor’s house, and eventually turning on John Proctor. Mary Warren initially seems like an “Orphan” archetype. She is a regular girl who works all day for John Proctor. Eventually, in Act III, Mary Warren changes. She stabs John Proctor in the back with what he told her, and seems somewhat like she is trying to become an innocent girl. She wants to be on the winning team, so in her testimony she says that John Proctor threatened her (which he did). She makes him look bad, so therefore people will feel bad for her and turn on John Proctor, instead of
In the first stage rests Mary Warren. She is not a character with strong conviction, and in the course of the play, she changes sides to whichever will keep her safe from harm at the time. During the first act of the play, we come to understand that she had been one of the girls dancing in the forest with Abigail and Tituba. She saw that the girls were being cornered, and felt that they should confess before it got out of hand, but was silenced after being threatened by Mercy Lewis and Abigail Williams. When Elizabeth Proctor was arrested, John Proctor employed his power as her boss and as a stronger human to coerce her to go with him to the court and expose the girls as frauds. Because he’s stronger than she, she agrees. When they g...
“What a grand peeping courage you have!” This quote was said by Mercy Lewis referring to Mary Warren in The Crucible during 1692. Mary and the other girls were dancing in the woods when Reverend Parris found them. When the girls were asked who all danced, Mary said that she was just watching. Mary Warren and I have a few of the same personality traits and that we both are caring, shy, and honest.
A story is only as good as its characters, because the characters are what capture our attention, they are what keeps our attention. A good writer pressures us to feel empathy for those beyond redemption; as a story advances, the characters evolve with it, and sometimes we do as well. These characters may not change in a favorable manner, they may go back to their old ways, but they change at some point, and even the tiny changes matter. In The Crucible by Arthur Miller, Mary Warren changes for the better, until she goes back to her old ways. Yet that's what made her so realistic, she wasn't invariably good or honorable, she wasn't heroic. Mary Warren was unequivocally, without a doubt, a coward, and a selfish one at that. Nevertheless, she
Throughout history, every story (or at least the ones worth telling) changes us for the better. We change because the characters change, whether they change for the better is up for debate. In The Crucible, Mary Warren goes through a rare form of character change; she evolves, and then goes through a stage of devolution. In other words, she begins to change, and then regresses back into the state she was in at the beginning of the story.
(80). Mary demonstrates her fear of Abigail by the fact that she thinks Abigail could actually kill her. Mary Warren’s last lie and most consequential is when she gets fed up with the torture and pressure that Abigail puts on her when Abigail is trying to convict her of murder. Once Mary Warren can no longer handle the pressure she says, “He [John Proctor] wake [her] every night his eyes… like coals and his fingers claw[ing]
During the early years of the colonies, there was a mad witch hunt striking the heart of Salem. Anger, reputation, and even religion play an important part during the play of The Crucible, written by Arthur Miller. The author allows us to witness the vivid idea of the hysteria taking place in Salem, Massachusetts, and why it was so vulnerable during the time.
Mary Warren is a villainous character due to her poor choice of actions. Mary uses excuses to avoid trouble and gain some power through this. Elizabeth states: “It is a mouse no more… ‘I must go to Salem, Goody Proctor; I am an official of the court!’” (192) It is given that Mary had the changed the tables on her masters and decided to set her foot down. She claims that because she is an official of the court, she cannot be held back by anything that is not as important as going to court to do her work. If she was a real hero, she would keep her word to fulfill her duties at the Proctor house when it is time, not to go off to her pretense of a job of declaring wheth...
In literature, a dynamic character changes significantly as a result of events, conflicts, or other forces. In the play, The Crucible by Arthur Miller, Mary Warren, the young servant of the Proctor’s is a dynamic character. Throughout the play, Mary’s personality takes a turn for the better. At the beginning of the play, Mary is shy, timid girl who hides in the shadows of Abigail Williams and lets people walk all over her. As the play develops, Mary realizes that what Abigail is doing isn’t right and rebels against Abby. Instead of following Abby, she follows in the footsteps of John Proctor to bring justice to the girl’s accusing innocent people of witchcraft.
Mary Warren is an important character in Arthur Miller’s play, THE CRUCIBLE. Much of the action in Act III revolves around Mary’s testimony in court. She is a kind and basically honest girl who tries to do the right thing, saving her friends from harm. However, throughout Acts I and II, Mary is a follower who allows Abigail Williams to negatively influence her good judgment. To make matters worse, Mary is terrified of Abigail’s threats. Because of her weak will, the reader isn’t certain if Mary will maintain the courage to help John Proctor to win his court case in Act III.
When Abigail and the girls go against Marry Warren, they pretend that Mary is trying to hurt them through her spirit. They repeat whatever Mary Warren says and act like she will attack them. Mass hysteria can be seen during this scene. Overwhelmed, Mary, who was on John Proctors side, blames everything on him. “No, I love God; I go your way no more. I love God, I bless God. Abby, Abby, I’ll never hurt you more!” (Mary Warren, Act 3, pg. 52) She goes back to Abigail and John Proctor is arrested.
The Crucible: Hysteria and Injustice Thesis Statement: The purpose is to educate and display to the reader the hysteria and injustice that can come from a group of people that thinks it's doing the "right" thing for society in relation to The Crucible by Arthur Miller. I. Introduction: The play is based on the real life witch hunts that occurred in the late 1600's in Salem, Massachusetts. It shows the people's fear of what they felt was the Devil's work and shows how a small group of powerful people wrongly accused and killed many people out of this fear and ignorance.
Arthur Miller’s 1954 play, The Crucible, toys with the emotions and morality struggles of the 1690 Salem Witch Trails involving the repercussions of government corruption and the desire for personal liberty and integrity. Miller’s artistry as a playwright, positions the audience to believe that women are largely suppressed by men in the community which ultimately leads to an uprising of power from the “powerlessness” members of the community. The Crucible challenges preconceived audience perceptions that change can only be accomplished with power, by presenting an opportunity for the powerlessness gender of Salem to congregate and upturn the pillars of society that Salem thought were most strong such as theocratic justice.
Abigail and Elizabeth are foils in the play by character traits. Abigail is a trouble maker, wicked, vengeful, a liar, and would do anything to stay out of trouble. “Let either of you breathe a word,
In 1692 Salem, Massachusetts, a group of teen girls caught in an innocent act of love potions to catch the love of men are compelled to tell lies that Satan had invaded them and forced them to participate in the rituals and are then forced to name those involved. Thrown into the mix are greedy preachers and other major landowners trying to steal others ' land and one young woman infatuated with a married man and determined to get rid of his innocent wife. Those who demanded their innocence were executed, those who would not name names were incarcerated and tortured, and those who admitted their guilt were immediately freed. The Salem Witch Trials are possibly the most notable examples of the persecution of witchcraft in the New World. In Arthur Miller’s 1996 film, The Crucible, it portrays the witch trials from the point of view of a small community that becomes disintegrated by frenzy and lunacy. The film, emphasizes the role of a group of girls led by Abigail Williams, and illustrates how society was so strict for not only women, but even young children. This caused an uncommon form of hysterical fear of witches, spirits and the Devil. This group of girls created an outlet of their own from their reality. “The witch trials are often taken as a lens to view the whole Puritan period in New England and to serve as an example of religious prejudice, social persecution, and superstition” (Ray
Firstly, Abigail is one figure that blatantly abuses her newfound power in the play. " 'You are charging Abigail Williams with a marvelous cool plot to murder,