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Social classes in shakespeares plays
Humor in Shakespeare plays
Humanism in Shakespeare plays
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In “Twelfth Night,” we are quickly drawn to the character, Malvolio. He brings the emotions of sympathy and humor into the play, but more humor in the beginning. Malvolio serves as a background character but helps develop one of the main plots in Act II, Scene 3. Sir Toby, Sir Andrew, and Feste are creating a lot of commotion and Maria looks to Malvolio to escort them out. Malvolio uses this opportunity to criticize the men. However, this isn’t a surprise. As you know, Malvolio is a character completely different than all the others. He is always serious, critical, holds himself with dignity, and has a negative attitude about everything. Malvolio criticizes the men on their lack of class, being drunk all at all hours of the day, and the unnecessary singing. He rudely points out their intolerable behavior and positions himself as better and more mature. “Are you all crazy? What’s wrong with you? Are you making all this at this time of night because you have no manners, or because you’re just stupid? Are you trying to turn my mistress’s house into a noisy bar? Is that why you’re squealing out these ridiculous vulgar songs without lowering …show more content…
His use of degrading words and harshness leads towards the small occurrences in this scene continue to build up and eventually lead to the central idea of the play, which is the humor. Sir Toby makes a remark to Malvolio and questions, “That’s out of tune, sir. You lie. You’re nothing more than a servant here. Do you think that just because you’re a goody two shoes, no one else can enjoy himself?” which stirs up more complications. This assertion creates a picture of the two different types of people in the world. Those like Malvolio who can’t find enjoyment in life and then those who are like Sir Toby, and find pleasures in life. Maria and the men take matters into their own hands and strive to get revenge on Malvolio and his undesirable
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
...sh; his practical joke against Malvolio helps to prevent Malvolio's continued vanity. Feste's wit also helps the audience to understand better some of the other characters in the play. He highlights the foolishness of Orsino as he wallows in his love for Olivia; he shows how pompous Malvolio is and makes a fool of him; and he shows how Olivia is over-reacting to her brother's death. Feste becomes a sort of commentator for the play, as he does not ally himself with any of the other characters so he notices and comments on them more than any of the others.
One of the reasons that none of the characters seemed to get along with Malvolio was because of his strict adherence to the rules. For characters like Sir Toby and Maria, this was considered especially (outcast-like) behavior because of their blatant disregard for the rules. Nancy Lindheim supports this point in her article by stating, “Malvolio alone acts with a moral severity that angers most other members of the household and is inimical (not friendly) to comedy itself.” (Lindheim 700) In this quote she is stressing the fact that Malvolio tends to act more morally than the other characters. This is seen in act 2 scene 3 of the play. Sir Toby, Sir Andrew, and Maria are all having a good time, drinking and speaking very loud when Malvolio comes in and informs them that they are not showing respect to Olivia by being so rowdy in her house this late at night. Sir Toby then tells Malvolio to go hang himself. From this example we can see that very early on in the play there are some characters that really do not like Malvolio at all. Things only get worse after this point in the play.
...s garters. While Malvolio is reading the letter in the gardens, Maria, Sir Andrew Aguecheek and Sir Toby Belch are all eavesdropping and laughing at how he’s falling for it. After that Malvolio goes to see Olivia, and gets locked in the jail for acting crazy.
In addition, Maria plays the role of the lady in waiting who essentially doesn’t do anything for herself except take orders. Later on the reader soon realizes that, Maria is a strong witty character that takes matters in to her own hands. Maria developes a strategy, first she goes for the messed up drunken Sir Toby and her goal is to straighten him out. Maria confronts Sir Toby about his drunkenness, “That quaffing and drinking will undo you: I heard my lady talk of it yesterday” (1.3.128). Sir Toby begins to take notice in Maria. Maria begins to plot with Toby to bring down Malvolio (the condescending butler) as a practical joke. Through the process of plotting against Malvolio with Toby, Maria develops a back bone something she was not known for with Olivia. Maria took the lead in the plotting and Toby starts taking her orders, “Observe him, for the love of mockery, for I know this letter will make a contemplative idiot of him” (2.5.18-19) As a result of the jokes success, Mari...
something that he would not notice or be able to get out of if he did
Twelfth Night is written by William Shakespeare. It was named after a Christian feast of the Epiphany, which is celebrated on the 6th January (12 days after Christmas.) Twelfth Night is a comedy and a very entertaining play, surrounding the character Malvolio, who is very impolite and disrespectful to the rest of the characters. As a result to this they decide to trick him, but however it gets out of hand when they decide to lock him up and claim that he is mad. Malvolio then stands as an unpopular steward and a vulgar character. He is more expressive about what he says than being witty but he is more self-important and big-headed. Malvolio brings both humour and sympathy to the play, and as a result he is the main character that brings the humour to the play. Malvolio is the steward of Olivia’s (countess) household, and thinks that he is powerful enough to get married to Olivia who is way powerful than him. Being a steward is a very sensible job, which he takes seriously. However being in that position he is powerful than the other servants, and bosses them around but that’s acceptable but however being impolite to Sir Toby (who is the uncle of Olivia and therefore in charge when Olivia is absent), is not acceptable. The reason why Malvolio is rude to Sir Toby is because of various reasons. The first one being is that, that’s who he is, and he can’t help being rude and stubborn. The second reason is that he thinks it is fine to act in this manner because he has been given a little bit if power, by Olivia; he goes and abuses this by using it in the wrong way. He is very organised and likes to take charge of everything and everyone. The social hierarchy was used in the Elizabethan times; to show the power, status, and wealth of a ...
Shakespeare makes Malvolio part of a harsh practical joke after he ruined everybody’s fun and is labelled ‘a kind of puritan’ by Maria. As the puritans were opposed to the theatres, it is no wonder that Shakespeare created devastating parodies of the puritan mentality on stage; this is done by mocking the puritanical ways and highlighting their opposition to the Globe theatre. The fact Malvolio is aligned with the puritan and is humiliated makes his disgrace an important part of the play's rebellious spirit. Puritans were accused of being power hungry and Malvolio's secret social ambitions fit the bill. When Malvolio is daydreaming about marrying Countess Olivia, we learn that his desire has less to do with love and more to do with his aspirations for social power. In Twelfth Night Maria, Sir Toby, Feste, Sir Andrew and Fabian all cleverly engineer Malvolio’s downfall by playing on the hidden side of him which includes his ambition to marry Lady Olivia and become in charge of the household. When Malvolio finds the letter which he believes to be from Olivia he is ecstatic and he finds a loop hole in which he can achieve these secret desires if he undergoes a stark transformation. Originally Shakespeare represents Malvolio as a method...
Shakespeare's theatrical comedy ‘Twelfth night’ follows a plot full of tricks and lies leading it to effectively represent the theme of trickery in many ways. This is an important theme in this play as most of the action revolves around trickery and its outcomes. There are three main characters that represent the theme of trickery and its many forms; Malvolio - who shows how trickery can lead to madness, Maria - who exemplifies the art of lies and deception, and Viola - who demonstrates how some are unaware of the amount of confusion their tricks can cause. Through these three characters, we can see how trickery is a dominant theme in ‘Twelfth Night” and how it remains relevant, even today.
The play begins with Antonio, a rich merchant of Venice is depressed, which shows that money and wealth did not bring happiness to this man. Shylock, a wealthy businessman who lives in Venice is not happy because he is an outsider and he is treated badly because of his Jewish religion. All his money could not buy him the happiness he wanted. Shylock¡¯s daughter, Jessica says, ¡°Our house is hell.¡± This is a woman who belongs to the privileged class of Venice but still she is not happy, even with all that money she possesses. This rich society of Venice is pathetically dependent on money for support and satisfaction but it still does not bring happiness to them.
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
This play on the surface is funny because of the love triangle and all the mistakes made because of the two twins looking so similar. The audience can really laugh at the hilarity of those involved. Everyone is in love with someone even though they don’t really know them. All of the characters make it very easy to laugh at them. But then on a deeper level Shakespeare is also making fun of the shallowness of humankind. All of these people are saying they are in love with people that they don’t even know. Orsino is in love with Olivia because he thinks she’s beautiful, although he’s never spoken to her. Olivia is in love with Cesario when he is really a she. Viola is in love with Orsino when she is pretending to be a man. Malvolio is in love with Olivia because he wants to move up in station. There is no one who loves anyone because of who they are only their surface aspects and physical appeal. Then to add to the hilarity of this Olivia marries Sebastian without knowing who he really is. In the end everything seems to be happily ever after but Orsino will not marry Viola until she has her own clothes back, which is just another jab from Shakespeare at the absurd shallowness of
To conclude, therefore, conflict is not absent from the play totally. It is As You Like It's knowledge and recognition of the dangers of love "Men have died from time to time, and worms have eaten them, but not for love" and is still capable of being love struck: the affection being like "Bay of Portugal", and how it plays off that against the comedic exuberance of its interludes, verbal sparring and digressionary expositions, that provides the drama of the play. "Sweet", indeed, "are the uses of adversity".
Malvolio, like Rosalind in As You Like It is in disguise. He pretends to be a
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.