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Dickens tale of two cities literary criticism
Dickens tale of two cities literary criticism
Dickens tale of two cities literary criticism
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“‘Is that his child?’ said Madame Defarge, stopping in her work for the first time, and pointing her knitting-needle at little Lucie as if it were the finger of Fate.” (Dickens 277). Is Madame Defarge just a scary old woman, about to poke little Lucie’s eyes out with her gargantuan knitting needles, or do Dickens’ words about the “finger of Fate” have more meaning than first meets the eye? Although many people who read Charles Dickens' A Tale of Two Cities come away with the impression that Madame Defarge is just a classic evil figure because all she does is look for revenge, Madame Defarge is also meant to represent the 3 Fates from Greek mythology through her knitting, and through bringing justice to France. Many will assume that Madame Defarge is just a normal evil figure within A Tale of Two Cities because she never changes from her position of killing off everyone she does not like, and trying to get revenge. Madame Defarge is the wife of a wine shop keeper who holds meetings for Revolutionaries. She keeps their …show more content…
The opposition would state that Madame Defarge was just a basic evil figure because she always was thinking of getting revenge. However, they failed to recognise that not only did Madame Defarge constantly knit, a key trait of the Fates, but she also handed out justice to those who deserved it. Although Madame Defarge is a scary old woman, pointing her knitting needles at little Lucie, she is not just evil. Dickens words about the “finger of Fate” clearly illustrate that there is more to many people than meets the eye (still not little Lucie’s). In this case, it was to understand clearly that even though Madame Defarge seemed evil, she was meant to represent the Fates, and to hand out justice to a world that needed it so
In the first book of the novel, the goal of Madame Defarge includes exterminating the noble race. She is constantly knitting in the wine shop she owns. The knitting shows a passive way to express her hatred towards others. “Her knitting was before her, but she had laid it down to pick her teeth with a toothpick” (Dickens 55). The quote shows how even in her first showing in the book, she is knitting. Her knitting and constant plotting brings frequent fear to her husband, Ernest Defarge, and all other wine shop patrons. Considering even her own husband is afraid for his life, Defarge keeps death in secrecy and shows extremely negative qualities. Defarge knits a register for the intended killing of the revolution in secrecy to show her hatred towards certain people. She has negative characteristics in regard to the loss of her family and her plot to kill all of her enemies. Madame Defarge lasts as the leader attributed to all women fighting in the revolution and
Villains have been a quintessential part of the novel for generations, ranging from deranged madmen to methodical criminals. Dickens does a particularly good job in formatting his villains, and due to the levels of complexity and detail put into them, he is able to express more through them than what appears at face value. In particular, Madame Defarge in A Tale of Two Cities is one of his most well thought out villains in terms of character design and development, conflict creation and supporting characters, and thematic representation. Dickens created Madame Defarge’s character as one of great importance to the novel and thus needed to elaborate on her character immensely.
The relationship formed between these two characters intensifies their ultimate intentions in support of the Revolution. With provocation from The Vengeance, Madame Defarge’s thirst for the execution of Lucie and her child and the Revolution as a whole is amplified. Madame Defarge, her cronies,and her stitches “knitted, in her own . . .symbols, [it] will always be as plain to her as the sun” (Dickens 303) play a significant role in the headway of the
On the subject of the French she says, “I am a subject of His Most Gracious Majesty King George the Third and as such, my maxim is, Confound their politics, Frustrate their knavish tricks…God save the King.” (338) Since she is such, she is the perfect foil for Madame Defarge. Madame Defarge epitomizes chaos and violence. With her unrelenting bloodthirstiness and unceasing desire for revenge she symbolizes the intensity and bloodiness of the French Revolution. “The Evrémonde people are to be exterminated, and the wife and child must follow the husband and father.” (418) Madame’s chilling certainty and willingness to kill an innocent mother and child show the hatred that makes up the revolution she personifies and the peasants that were a part of it. Although Madame Defarge and Miss Pross are foils they share a common ground. They both have an uncompromising sense of duty; Miss Pross to Lucie’s safety and happiness, and Madame to a new and better France. They are both willing to do anything for these causes, including lying down their lives. As Miss Pross says, “I don’t care an English Twopence for myself. I know that the longer I keep you here, the greater hope there is for my Ladybird.” (427) Dickens uses these similarities he suggests that even seemingly opposites can have underlying
...l of men. The oppressed male peasants join together to form a group of Jacques, or soldiers, to overthrow the aristocracy. The Jacques use The Defarge's wine-shop as a meeting place. Throughout the story, Madame Defarge is either murdering someone or knitting. She is always "sitting in her usual place in the wine-shop, knitting away assiduously" (162). Her friends are a twisted as she. Her closest confidant is known as The Vengeance. Both Madame Defarge and the Jacques fight until the end.
Monsieur Defarge is a revolutionary disguised as a mere bartender. He communicates secretly with his fellow revolutionaries in the bar and helps to orchestrate the plot to overthrow the French aristocracy. Despite the power he holds, he is overshadowed by his ruthless wife, Mrs. Defarge. Mrs. Defarge is a very powerful woman with a lot of influence, and she is ultimately the driving force behind the revolution’s plot. She decides who to kill and knits their name into a coded list. Monsieur Defarge is cooperative and submissive to her, as seen when he agrees with every part of the story she tells without being prompted. Monsieur Defarge is a masculine character with a lot of influence, but his relationship with his wife is not reflective of what was typical during the time period of the French revolution. This is used by Dickens to show that society’s attitudes towards masculinity and femininity are
...to revenge. She turned into this cold killer to kill the entire Evermonde family for what they had done to her family. She uses her power in the revolution to take revenge on the Evermonde family. Madame Defarge loses her true self and becomes someone who disregards the lives of people include hers. Dickens’s theme of how history repeats itself appears again when Madame Defarge kills innocent people similar to what the Marquis of Evermonde did.
She plays the Force of Evil, as she plots against Darnay and those around him, despite occasional disapprovals from her husband. “‘One must stop somewhere. After all, the question is still where?’ ‘At extermination,’ said Madame’” (263). She’s described as a, “ruthless woman, now taking her way along the streets. Of a strong and fearless character, of shrewd sense and readiness, of great determination… but, imbued from her childhood with a brooding sense of wrong, and an inveterate hatred of a class, opportunity had developed her into a tigress” (281). Madame Defarge did what she thought was right in order to try and compensate for the damage done during her childhood, “that sister of the mortally wounded boy upon the ground was my sister, that husband was my sisters husband, that unborn child was their child, that brother was my brother, that father was my father”
She thought the only way she could get revenge would be if every party involved in her family’s suffering was punished and this is demonstrated when Madame Defarge says that ‘[she] care[s] nothing for this Doctor. He may wear his head or lose it, for any interest [she has] in him; it is all one to [her]. But, the Evrémonde people are to be exterminated, and the wife and child must follow the husband and father’(Dickens 356). If Defarge does not succeed in harming every last member of the Evrémonde family, she will feel like she has failed avenging her family’s legacy. The riches and happiness of this family are not deserved in the eyes of Defarge as peasant blood was spilled as a costly
Through the symbol of knitting, the metaphor of the fountain and water, and the metaphor of the wine, the theme of fate is used fantastically by Dickens in A Tale of Two Cities. Because fate determines the outcome of many situations, these metaphors help guide these situations to their outcomes. The outcomes for many characters were inevitable no matter what because of fate and could not be changed. Without the theme of fate in the novel, the story would have turned out differently because fate determined the events in the novel and how the novel continues. Because of this, Dickens’ use of the theme of fate is superb throughout his novel and enhances the story and to adds to the plot.
“There is no such thing as accident; it is fate misnamed. “ – Napoleon Bonaparte. The idea that we control our own destinies has existed since the 16th century. Charles Dickens’ novel, A Tale of Two Cities, written in 1859, depicts a story of loss and love during the French Revolution of 1789. Throughout the novel, Dickens uses many symbols and characters to develop the theme of fate and destiny. Many symbols used in Tale of Two Cities revealed the fates of many characters and foreshadowed conflicts. A character analysis of Sydney Carton also reveals that fate guided his path to make the ultimate Christ-like sacrifice to save the Manette family. The fate of the major characters such as Darnay, Carton, and Dr. Manette were all like through
Madame Defarge, on the other hand, does not just hate Lucie, but she hates the Manettes and all the Evremondes. One would think that such a strongly fueled hatred would permit Madame Defarge to overpower Miss Pross, but, as the reader finds out, Miss Pross' determination to keep her darling "Ladybird" safe, from any harm that might come to her or her family, allows her to overpower and kill her enemy. This time, the power of good overcomes the power of evil due to Miss Pross' true love and dedication to Lucie. Another struggle between love and hate can be found within Monsieur Defarge. In this particular case, it is evil that eventually triumphs.
Lucie Manette, daughter of Dr. Manette and the perfect wife of Charles Darnay. Her strength could be derived from her early life and upbringing by Miss Pross. To Charles Darnay, she is the ideal wife. She even fights Madame Defarge when she exclaims ' “As a wife and mother…I implore you to have pity on me and not to exercise power that you possess against my innocent husband, but use it in his behalf. O sister-woman, think of me. As a wife and mother!"(278) This strong yet very compassionate woman is able to confront Madame Defarge who she clearly fears, especiall...
Throughout the novel, Dickens employs imagery to make the readers pity the peasants, have compassion for the innocent nobles being punished, and even better understand the antagonist and her motives. His use of personified hunger and description of the poor’s straits made the reader pity them for the situation caused by the overlord nobles. However, Dickens then uses the same literary device to alight sympathy for the nobles, albeit the innocent ones! Then, he uses imagery to make the reader better understand and perhaps even feel empathy for Madame Defarge, the book’s murderous villainess. Through skillful but swaying use of imagery, Dickens truly affects the readers’ sympathies.
The French Revolution was a period of time when the entirety of France went against the monarchy. King Louis XVI was taken down by the people at this time. The change brought along a replacement for the monarchial society (French Revolution 2). The now formed republic run by the people is now forever an example of what can happen to those whom live in places run by kings and queens, and that those who wish to escape tyranny can always make a change. The tyranny that was present brought along the eventual execution of the two royalties (2). This is evident in Dickens’s novel, in which the story centers around the revolution. Madame Defarge exists as on...