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Brief summary of Wuthering heights
Analysis Essay of Jane Eyre and Emily Bront
Analysis Essay of Jane Eyre and Emily Bront
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In Emily Bronte’s novel, Wuthering Heights, Heathcliff, the protagonist, is depicted as an evil, corrupt monster troubled by his inability to be accepted by his surroundings. Although on the surface, he appears to be evil and indifferent by nature; it is actually his desire to be welcomed into the Earnshaw family and his infatuation with his lover, Catherine, that result in his emotional deterioration, vindictive hatred, and pursuit of revenge towards those around him. This subjugated character, dark, haggard, and of lower class, is the embodiment of a Byronic Hero—he experiences moments of deep resentment and rejection, unable to transcend the negativity and feelings of ostracization. Despite his convoluted childhood, excessive alienation, …show more content…
Moreover, his remorseless demeanor is an expression of his thwarted love for Catherine and his evil practices are a facade of his soft, longing heart. Critic Steven Vine highlights this reoccurring pattern in Heathcliff’s life— his inability to be accepted paired with his longing for love and a genuine connection— observing that, “When he is in he is out, and when he is incorporated he is also excluded” (43). Thus, Vine emphasizes Heathcliff’s helplessness in respect to societal expectations— wealthy, white, elite. However, Vine’s spoken theme of consistent rejection also applies to his relationship with his lover, Catherine: regardless of their young love, which appeared they were destined for one another, Catherine’s concern for wealth and social prominence obstructs their relationship. Catherine explicates her doubt about Heathcliff to Nelly stating that, “It would degrade [her] to marry Heathcliff, now” (92). When Heathcliff finally begins to unmask his passionate, warm-hearted inner self, he is immediately shut down after overhearing Catherine announce his disservice to her social status and expectations in a life partner. His humiliation, a result of heartbreak, prompts him to seek revenge on those he believes are deserving of it. Thus, this revenge and vengeance paired with ambivalent emotions encourage Heathcliff to act
As a child and adolescent, both Heathcliff’s sullen manner and unpleasant appearance fail to comply with the so called heroic characteristics that are often encompassed by the genuine romance hero. He does however pursue many similar traits to that of the Byronic hero including his arrogant and selfish morality. “Is Mr. Heathcliff a man? If so, is he mad? And if not, is he a devil? I sha'n't tell my reasons for making this inquiry; but I beseech you to explain, if you can, what I have married”. Bronte commonly uses other characters prejudice outlooks to emphasise Heathcliff’s unruly behaviour and appearance. One character ...
In Wuthering Heights, it described vividly the goal of Heathcliff and Catherine, who wanted to be with one and another. However, when Catherine rejected Heathcliff, he turned his potential of dream of good into evil. It also reflected the Heathcliff was prejudged by Mrs. Earnshaw, Hindley, Edgar, Mr. and Mrs. Linton. It also showed that love and hate between Heathcliff and Catherine made their relationships quite intense.
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
The situation is terrible: Catherine is married to a man she does not love and she is more than happy to fix the problem by cheating on her husband with Heathcliff. The situation worsens when she refuses to attempt to conceal this from her husband. As Edgar, her husband, is arriving and Heathcliff, her lover, is leaving, she tells Heathcliff “‘You must not go!” (Bronte 103). Then, acting as the voice of reason, Catherine’s servant asks Heathcliff: “‘Will you ruin her, because she has not wit to help herself?’” (Bronte 103). When Heathcliff stays, it shows a lack of empathy and just how blatantly they do not care about the effects of their immoral actions. This will irreparably “ruin” Catherine’s reputation, yet they do not have the foresight to cease or at least conceal their actions. Their blatant disregard for how their actions might affect the future and hurt Edgar is what makes Catherine and Heathcliff grossly
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
On the face of it, it would seem that the relationship between Catherine and Heathcliff is self-destructive to an extreme. Due to the lovers’ precarious circumstances, passionate personalities and class divisions, it seems that fate transpires to keep them apart and therefore the hopelessness of their situation drives them to self destruction. However, although the relationship is undeniably self-destructive, there are elements within it that suggest the pain Heathcliff and Catherine put each other through is atoned for to an extent when they share their brief moments of harmony.
Catherine is free-spirited, wild, impetuous, and arrogant as a child, she grows up getting everything she wants as Nelly describes in chapter 5, ‘A wild, wicked slip she was’. She is given to fits of temper, and she is torn between her wild passion for Heathcliff and her social ambition. She brings misery to both of the men who love her, ultimately; Catherine’s selfishness ends up hurting everyone she loves, including herself.
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?
Longing to reacquaint with Catherine, Heathcliff requests Nelly to prepare Catherine for his arrival. Refusing his importunate request, Heathcliff frantically threatens to “take measures to secure” Nelly and harbor her at “Wuthering Heights till” the next “morning” (120). To influence Nelly to deliver a message “for his satisfaction” to his love, Heathcliff operates Wuthering Heights similar to a prison (120). Nelly agrees to comply to Heathcliff’s assertive demands to evade the restraint of Wuthering Heights. After Catherine’s death, Heathcliff uses his house to jail Nelly and Cathy in order to get revenge.
The sympathetic part of Heathcliff shows through when he sees Catherine in the beginning stages of her sickness after childbirth. “He neither spoke, nor loosed his hold, for some five minutes, during which period he bestowed more kisses than ever he gave in his life before, I dare say…” (159). The sympathetic part of Heathcliff kicks in when he sees the woman he loves dying right before him. Heathcliff began to ask Catherine the questions he had not been able to ask her before, whether it had been due to his pride or to his absence - was insignificant., “‘...You loved me - then what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton?” (162). When the novel begins, it is mentioned that Heathcliff is shouting, “‘Come in! Come in!’ he sobbed. ‘Cathy, do come. Oh do - once more! Oh! My heart’s darling, hear me this time - Catherine, at last!’” (28). Heathcliff attempts to get Catherine’s ghost to speak to him, because his main goal is to be united with her in death. Heathcliff’s character changes relatively fast when he sees Catherine dying in her bed. There is a sympathetic side shown that has not been quite expressed before, and also the feelings that Heathcliff kept bottled
A multitude of feelings and sentiments can move a man to action, but in Emily Brontë’s Wuthering Heights, love and revenge are the only two passions powerful enough to compel the primary actors. There is consensus, in the academic community,1 that the primary antagonist in the novel, Heathcliff is largely motivated by a wanton lust for vengeance, and it is obvious from even a cursory reading that Edgar Linton, one of the protagonists, is mostly compelled by a his seemingly endless love for his wife, and it even seems as if this is reflected in the very nature of the characters themselves. For example, Heathcliff is described as “Black-eye[d]” [Brontë,1], “Dark skinned” [Brontë, 3] and a “dirty boy” [Brontë, 32]; obviously, black has sinister connotations, and darkness or uncleanliness in relation to the soul is a common metaphor for evil. On the converse, Edgar Linton is described as blue eyed with a perfect forehead [Brontë, 34] and “soft featured… [with] a figure almost too graceful” [Brontë, 40], which has almost angelic connotations. When these features and the actions of their possessors are taken into account, it becomes clear that Edgar and Heathcliff are not merely motivated by love and revenge as most academics suggest, but rather these two men were intended by Brontë to be love and hate incarnate.
In the novel Wuthering Heights, the dark and mysterious Heathcliff once began his life with an open heart, but after mistreatment from Edgar and Hindley he turns to revenge. Heathcliff's actions are reasonable; he has been hurt from the unfair reason of discrimination. Heathcliff slowly becomes sickly obsessed with planning an elaborate revenge after eavesdropping a conversation between his beloved Catherine to Nelly. He hears his young beautiful and idolized Catherine say, “It would degrade me to marry Heathcliff” (77). Heathcliff, heartbroken and hopeless, abruptly leaves Wuthering Height for two years. Catherine is left wondering where he is. Heathcliff leaves in search of revenge.