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How has german expressionism effected film making
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In Blade Runner, directed by Ridley Scott, robots known as replicants are built very similar to humans, in fact they are almost identical to humans. They have a conscious and the ability to reason. During some instances in the film the replicants are morally superior to humans. This contrast is used by the film to highlight the German Expressionist belief of the madness of humanity. The film represents the darkness of humanity by portraying the replicants as moral beings while humans are ruthless killers, which is done by different shot selections throughout the film. One scene in the film that embodies this is the scene where Roy is playing with Deckard. Roy knows that he is superior to Deckard and can easily kill him; however, Roy does not
kill Deckard. In fact, Roy helps Deckard when Deckard is about to fall off the ledge of the high-rise building. This is to accentuate the fact that these sub-humans have a superior moral ability than humans. Deckard was going to kill the very thing that saved his life. In German Expressionism this relates to the darkness of humanity because even though there is this being that is not all bad, Deckard was going to kill him. The use of a low angle shot when Deckard looks at Roy represents how Roy is superior to Deckard. This is not only in a physical sense, that Roy is stronger and faster, but also in a moral sense that Roy knows what is acceptable and what is not more so than Deckard. The scene with Sebastian and Pris also exemplifies this. This is because Pris is nice to Sebastian and makes him comfortable. She does not try to hurt him. However, when Deckard comes he immediately kills Pris even though she is not bad. She is a good person. This juxtaposition heightens the effect that humans are killers while the replicants are moral. This represents the madness of humanity through the dark and messy place of Sebastian’s home. Many things are everywhere and a messy place can represent a cluttered mind. Overall, the film Blade Runner employs many scenes to exert German Expressionism. This use of German Expressionism comes in the form of the darkness of humanity which represents a social criticism that humans are not that good. In reality, humans are bad and other things, like robots as seen in the film, can be more moral than humans.
Another aspect of the movie “Bladerunner” is of those that broke away from the system. The “Nexus 6” were androids that developed emotions and escaped from slavery, because they wanted to live longer. Roy and Priss are good examples of androids showing that they have emotions. They were manipulative, passionate for what they wanted, and even had loving sides. Roy was the leader of the “Nexus 6” and Priss was his girlfriend
The eradication of humanity from society set machines on a pedestal of control. The new society was rid of all the workers, simply viewed as “human errors”, by the innately robotized engineers. These inefficient humans, when placed across a river in a quarantine, sparked a revolution incapable of being ignored, as their “pathetic” lives had been for years after the war. The Ghost Shirt Society formed out of vengeance against the non living, yet enslaving devices. Vonnegut portrayed the thematic aspect of man against machine by illustrating Homestead, a prison without bars, as the home of thousands of human beings whose flesh and bones had become their own kind of prison due to the superiority of bolts and metal in the futuristic society.
...be, as the Tyrell Corporation advertises, “more human than human.” Ridley Scott uses eye imagery to juxtapose the tremendous emotion of the replicants with the soullessness of the future’s humans. By doing so, Scott demonstrates that our emotions and yearning for life are the characteristics that fundamentally make us human, and that in his vision of our dystopian future, we will lose these distinctly human characteristics. We are ultimately losing the emotion and will to live that makes us human, consequently making us the mechanistic, soulless creatures of Scott’s dystopia. Blade Runner’s eye motif helps us understand the loss of humanness that our society is heading towards. In addition, the motif represents Ridley Scott’s call to action for us to hold onto our fundamental human characteristics in order to prevent the emergence of the film’s dystopian future.
...ir courage as they prepare. Nelson uses the example of Beowulf’s last great battle to show how even with an extensive, powerful boast of bragging and promise, his objective of slaying the dragon was not accomplished. Beowulf did in fact kill the dragon, but the problem with his boasting lies in these lines: “I shall through courage / gain gold, or battle, fierce mortal wound, / will take your king!” (2535-2537). Beowulf’s use of either-or boasting did not save his life. His initial bragging did push him to victory over the dragon, but in his second boast he claimed that he would gain from victory
Androids and humans are being contrasted in the novel; Humans are only aware of the desire they long for, humans and androids feel an urge to belong, humans can see the deeper meaning to almost everything in life yet androids see situations very literal. Both the humans and the androids are in search for empathy, to be able to feel and relate to one another. In the novel, Garland says “ I think you’re right; It would seem we lack a specific talent you humans posses. I believe it’s called empathy”(Dick 124). This quote demonstrates that the android believe that they cannot relate to the humans. Yet they fail to understand the bigger picture. That the humans are very much disconnected with themselves and that around them. The humans do not know what it means to experience a feeling, the majority of their feelings come from the empathy box. Philip K. Dick view of human nature inherently is overall viewed in a negative
Upon making an honest and accurate assessment of his character, it seems evident that man is not such a creature divinely set apart from the trappings of selfishness and immorality. Rather than put man at either extreme, it seems more accurate to describe man as a creature whose tendency is to look out for himself first, as a means of survival. It is true that on many levels humans act in a cooperative way to benefit all -- but does that warrant a claim that man is genetically altruistic? Perhaps the reasoning behind his actions would lead to another view? As Ridley examines man's dependency upon others in his species, it becomes apparent that man is not necessarily a savage beast out to do everyone in, but rather a lone creature trying to ensure his survival.
Blade Runner became a cult classic. “The film may have survived long enough to benefit from a renewed taste for darker, more violent sci-fi. It’s appeal has less to do with a fascination for outer space (which does not feature beyond reference in a few lines of dialogue) than with a vision of earth and humankind in the near future” (Roberts and Wallis Pg 157-8). Both films have a timeless quality to it, as they are representative of the future of our planet earth. I find it so interesting that even though these films were made in different times their ideas about the futuristic city and society are almost identical.
Like any other film based on a book Blade Runner takes several liberties with the original text Do Androids Dream of Electric Sheep? By Phillip K. Dick. Despite their differences however both book and film focus on the themes of humanity and morality. The main way this is done is by comparing and contrasting the different characters and how they portray a different argument about the theme. The main character of Richard Deckard as well as Rachel, Roy Batty, Pris Stratton, and Harry Bryant are found in the book and its adaptation. It is through each of these characters that we explore the ideas of humanity and morality.
In Beowulf, the main protagonist, Beowulf, is no exception to this truth. Beowulf chooses to demonstrate this quite frequently, especially proceeding to or following a feat of his. Beowulf is greatly aware that the results of a particular brawl are already predetermined by a deity superior to himself when he concludes that "the Divine Lord in His wisdom grants the glory of victory to whichever side He sees fit."(685-687) Beowulf speaking of "the Divine Lord" in the first place demonstrates the presence of the awareness of fate in the lives of individuals, proving an even larger point that even the greatest of individuals have to succumb to their predetermined fates, no matter how grandiose they may
Haraway defines the cyborg as "a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction" (CM, 149). Her argument is introduced as "an effort to build an ironic political myth faithful to feminism, socialism, and materialism" (CM, 149). She claims blasphemy and irony as her vantage tools. Blasphemy invokes the seriousness of the stance she adopts, as well as her distancing from the moral majority without breaking with the idea of community and connectivity, and "irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true […]. It is also a rhetorical strategy and a political method" (CM, 149). Thus, she posits the embracing of difference and partiality as a different perspective on identity, while the "Manifesto" of the title evokes notions of political commitment and avant-garde activism, alongside with historical reverberations of Futurists’ acclamations to the new machine-age.
The exact opposite of the points mentioned thus far are made manifest within the character of Beowulf. Beowulf is easily able to defeat Grendel once Grendel has lost all hope of winning, ". . . remembered his final / Boast and, standing erect, stopped / The monster's flight. . ." (440-443). Beowulf is also, instead of insecure and under-confident, overly confident and a braggart.
Frankenstein is a 1994 gothic film directed by Kenneth Brannagh and is based on the novel written in 1818 by Mary Shelley. The film explores what makes us human. Shelley and Brannagh have emphasised on many theories of humanity. What are the attributes of a human being and how do we become integrated into society. Are we born with human nature or are we raised and nurtured to have humanity or not? Some humans have less humanity than some animals or monsters. There are many examples of these theories in the film, which will be outlined in this essay.
Throughout science fiction films, there are different icons that vary from film to film. One of the most predominant icons in science fiction film is the robot. Iconography is the visual images and symbols used in a work that can be studied or interpreted. Elements of visual content that appear over and over again in film become visual conventions or icons that are understood by the filmmaker and the audience. Robots are seen in a wide range of science fiction films, which allows the viewer to be drawn to recognition of their expressive singularity. Both Gort from The Day the Earth Stood Still and Robby the Robot from Forbidden Planet, are icons of science fiction robots, who each carry out a different function and are presented differently to spectators, but are still both visualized as science fiction robots. Gort is a mysterious “policeman”, while Robby the Robot bears no resemblance to Gort and serves as a sort of “butler”. Gort and Robby the Robot obtain super-human qualities which allow them to be innovative and intellectually complex to the audience. Although, both characters may be called the same thing,
Another example of this is given in Beowulf when the king Beowulf is preparing for battle against the dragon. "This fight is not yours, nor is it up to any man except me to measure his strength or prove his worth" (Beowulf 86). This passage again illustrates that it is ultimately up to the hero to fight the enemy and protect the kinsman from pillaging and death.
This is clearly seen in Terminator, Age of Ultron, and in the Matrix. Although the movies themselves are very different, the theme is the same: The robots turn on their human masters and a bloodbath follows. Even pre modern societies warned against artificial intelligence. In an old Jewish tale called “The Golem”, a rabbi in a village created a golem out of clay to defend the village. When a small force attacks the village, the golem massacres them and is thereafter corrupted by the idea of violence. After time has passed, the golem destroyed the village and killed everyone except the rabbi, so he could be forever tormented because he had been the downfall of everyone he