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Good and evil in literature
Good and evil in literature
The battle of good and evil in literature
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Recommended: Good and evil in literature
Most if not all humans have a secret that resides in the shadows of their souls. These creatures of the dark are usually embarrassing, disturbing, and are just not suitable subject matter for common conversation such as obsessions or fetishes. In his review of his own book, Phil Hogan suggests just this. In the article “How I Wrote from the Villains POV”, Hogan discusses where the antagonist or villain in a story derives from, using his own and personalized characters as the perfect example of the semi-unintentional connection between character and creator.
This article basically begins with the question “So is this character based on you?” which has become a common reaction to Hogan’s characters (Hogan). This comment entices the audience making them want to press on
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into the rest of Hogan’s work. Hogan utilizes the unsettling description of his character to officially hook his readers with deep interest towards his work.
Hogan's character William Heming was a "[…] a smalltown real estate agent who creeps into other people's homes and snoops through their private affairs[…]"(Hogan). When introduced to a character, such as William Heming, who comes off as strange or disturbing, a common question is how the author creates such a spine-chilling persona. In regards to the previous question, many authors inadvertently add bits and parts of their own personality and lives to their characters, so when a reader meets the character, he or she cannot help but seek the connection. For example, in Truman Capote’s novel In Cold Blood (a first- person narrative), there is a widespread theory that Capote fell in love with the real life character Perry as he visited and questioned him while Perry was on death row. Once Perry had finally been executed, these feelings of admiration and love became stronger as the novel came to a close. Now, while this is not an example of the author’s personality showing through his or her character; however, it is an example of the personal and private feelings of Capote being revealed unintentionally throughout his work. In parallel, Hogan hits the nail on the head with his claim that “[…]
there’s an undeniable appeal of not having to make someone up out of nothing.”(Hogan). By this he is saying that it is easy for one’s inner persona to shine through the actions of their character whether it is done intentionally or unintentionally. This remark is credible because many authors actually do this and sometimes they do not realize that their characters are almost a close replica of their creators. To build on this claim, Hogan continues by stating that he “[…] pretty much knew what [his] character would need to be capable of once he was made.” (Hogan). In this situation, some authors use their own experiences as a foundation for each of their characters which is why many say that certain characters reveal a lot about their creator, the author. Now back to the topic of what hides in the shadows of most humans' souls. Hogan, while discussing the origin of one of his characters, raises the question of "[…] who among us—even those with the best concealed fetishes and disorders—can really say why they turned out as they did?" (Hogan). By this, Hogan is saying that not many can determine why or where their secrets came from. This question is the perfect starting point for someone wondering the origin of a character. It calls for the evaluation of the characters actions which may lead to the understanding of why and how a character was created. In regards to a certain character, such as a villain, some of the actions taken by the villain may reflect the imagination of the author as well as his or her past or present dark desires. To most readers, the idea of Heming is disturbing and unsettling. Many antagonists share these similar traits, especially villains. With a villain comes a bombardment of darkness, disturbance, and ill intention. However, even though ill intention is the driving force behind all villains, it was not what Hogan intended when creating Heming's story. It is now obvious that most characters resemble their creators as they hint at different aspects of the authors' lives. However, according to Hogan "Heming presents his tale with candor, but if his insights look too maddeningly like guesswork or lack rigor, well, that’s no worse than the rest of us. I suppose what I’m really saying is, blame him, not me."(Hogan). What Hogan is saying is let the character speak for itself. Yes, authors do sometimes shine through their creations, but that should not draw the reader's attention away from the story itself. Maybe there is a touch of Hogan in Heming, but that should not replace the significance of the story. Hogan touches on this by writing "My crucial aim, in trying to inhabit a character weirder than myself, was to persuade the reader that there was nothing weird about him at all— to keep faith with Heming in his cheery pronouncements and deeds, to be his unjudging proxy."(Hogan). Heming's purpose was not to make the reader wonder why or even where but to draw the reader to his side ignoring the fact that he does some unusual things. This may sound like Hogan was trying to hide something, maybe a connection, but in all honesty Hogan is right. Do not lose sight of a character's true purpose. Do not be eager to look past the character in search of the author. The reader must understand the character and follow it throughout the story in order to create his or her own judgment about the origin of the character. That is the only way to enjoy a story. In conclusion, many characters either purposely or inadvertently reflect their authors. In regards to a villain, this can be interesting as well as disturbing, raising questions that dive into the personal life of the author. However, that is not a villain’s purpose, while the purpose behind a villain is an interesting subject; the true purpose of a villain is to intrigue the reader. A villain's purpose is to give the reader something to be attracted to or resent, not to purposely make the reader contemplate the dark secrets of the author that built the character. Phil Hogan's explanation of his character, William Heming, stands to justify this claim. While the purpose behind a character and its creator is interesting, why not sit back and enjoy the story just as Hogan suggested?
Throughout the first part of In Cold Blood, “The Last to See Them Alive,” the reader can find extensive descriptions of the characters and setting. Much of the first forty pages is Capote giving elaborate descriptions of the Clutters and of the Holcomb area. For example, Capote gives us insight on Nancy’s personality when one of the
Although Perry lives a complicated life and it’s hard to explain the way he thinks, Truman Capote utilizes rhetorical devices such as imagery and metaphors to make clear his past life, thus relaying what drives him to make the choices he makes.
Capote in his book In Cold Blood set out to create an image of the murders and their motives with the use of rhetorical devices. He uses certain devices, such as diction and syntax to give each character their own distinct personality and also develops their characteristic and tendencies as a person as well. Capote also brings the characters to life with the switching of tone between them and with the things they say about themselves and events going on in the story. Another way Capote develops the reader's perception of the murderers was by the use of imagery to draw the reader a picture in their minds to what the character would look like face to face. With all of these combined he gave each murderer their own personality and views, ultimately
Richard Mulcaster, a British instructor of English, once wrote, “Nature makes the boy toward, nurture sees him forward.” Mulcaster recognizes that both genetic and environmental factors determine the type of a person one becomes. Truman Capote’s nonfiction novel, In Cold Blood gives the reader an opportunity to see prime examples of how nature and nurture influence one’s character. Capote’s novel, In Cold Blood introduces the reader to two men; Richard Eugene Hickock known as Dick throughout the novel, and Perry Edward Smith whose lives of crime are almost identical; although both Perry and Richard come from very humble backgrounds, their childhood particularly their family life, has very little in common. It is not until later in their lives that we begin to see similarities between the two men. Despite their differences, Perry’s upbringing and Dick’s genetic disposition allow both men to share a disregard for life, which becomes apparent on the night they gruesomely burglarized and murdered four innocent members of the Clutter family.
...ion...” (“Truman” 84). Capote creates a story that was based on true events while being able to evoke emotions out of the readers. The use of an objective writing style was a fundamental part in adding to the garnering of emotions to the story as well. Through In Cold Blood, Capote alerts the audience to “...Ambiguities of the American legal system and capital punishment” (“Truman” 84), stating that in the court of law in America there are some flaws and laws that are obscure in their purpose that one should be weary about. Capote wrote In Cold Blood in order to convey the idea that whenever a person or a group of people is murdered, vengeance is always sought upon the murderers. In a place where everyone knows everyone, it is hard for the community to adjust to the losses without proper compensation, and sometimes the only way is through punishing those by death.
In the novel, In Cold Blood by Truman Capote, Capote uses literary devices to describe many characters. One character that is described thoroughly is the main investigator Alvin Dewey.
In most stories we enjoy, may it be from childhood or something more recent there is many times a theme that shows a clear hero and a clear villain. But ordinarily this is not the case in real life, there are few times that this is quite that simple. There are many sides to each story, and sometimes people turn a blind eye to, or ignore the opposing side’s argument. But if we look at both sides of a situation in the stories we can more clearly understand what is going on, moreover the villains in the book or play would seem more real, instead of a horrible person being evil for no reason, these two people have their own agenda may it be a ruthless vengeance or misplaced trust.
In the book “In Cold Blood” we meet Perry Edward Smith one of the men accused of killing the Clutter family. Perry is a unique man for how he see the world and how the world sees him. Although the townspeople and those who had heard of the murder only saw Parry as a murder. There is however one man who sees Perry more than he appeared to be and that man was Truman Capote. Perry had an interesting life from how he was raised, becoming friends with Richard Eugene Hickock, to the murder of the Clutter family, all the way to Capote writing about him and the trail he and Dick must face. It was Capote who brought the idea that Perry was not a bad person persa but rather he made a mistake that has caused him to spend the rest of his life behind the bars of a jail.
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Each person, whether they realize it or not, has been shaped by their relationships with others. The effects that piercings or family members can have on someone are limitless and often times profound. In many instances, people do not even know that they are being influenced by others. Even if it is in the most subtle manner, all characters in novels are directly influenced by other figures. Authors use rhetorical strategies to demonstrate the different ways in which relationships affect and shape a character’s identity.
The film Capote, based on the how the writer of “In Cold Blood” did his research to write his book, a masterpiece of literature, has portrayed Capote’s behavior during his research vividly. Capote’s behavior during the years Perry waits on death row in order to get personal testimony of the night of killings is a controversial topic. Some argue that what Capote did was absolutely necessary for an ambitious writer to create such a master piece while other argue that human ethics is more important than the creation of an ideal “non-fiction noble” and the paths he took to get there are morally ambiguous. Even though he gave the world a milestone in literature, his behaviors seem unethical because he lied, pretended to be a friend of an accused murderer who was in a death row, and did not have any empathy to him.
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
A big issue with In Cold Blood is also the ethical aspect of the novel. Capote was not always truthful with Dick and Perry and even blatantly lied to them to get more information for his book.