How Hitchcoc Hitchcock Uses The Theme Of Greed In Film

197 Words1 Page
bulb-icon

Recommended: Hitchcocks portrayal of women

Hitchcock uses the themes of a self-determined woman, the power of money, and the wrongfully accused criminal based on his past or to depict the problems of society. A prominent Hitchcock is the wrongfully accused criminal or fugitive. Hitchcock incorporates his traumatizing past of being locked into a jell cell as a punishment in his movie scenes. It is shown with I Confess where Father Logan gets accused for a crime he did not commit.15 Hitchcock also liked “to create a visual critique of the darker side of American culture” which is why he shows the theme of greed in the films.16 For example, in Family Plot, the reason Adamson and his girlfriend kidnap famous people is for the jewels they receive in exchange for the return of their captives. Their misdeeds are motivated by their selfish desire for money. …show more content…

Hitchcock also wanted to shine a new light to women because at the time, women were seen as submissive and dependent on men.17 He does this by displaying the theme of an independent and strong-willing

Show More
Related

  • Hitchcock’s Work at an Auteur in his Movie, Vertigo

    446 Words  | 1 Pages

    Hitchcock has characteristics as an auteur that is apparent in most of his films, as well as this one.

    Read More

  • Auteur In Rear Window

    812 Words  | 2 Pages

    Now we will address a few of these from the film. First, Drawing parallels between characters with a difference, usually a negative one, is a repeated concept in Hitchcock films. Such as in the film “Strangers On a Train”, where Bruno ends up killing Guys’ wife while Guy had himself been desiring to be rid of her somehow. Here in “Rear Window” early in the film we can see this between Lisa and Jeff to Thorwald

    Read More

  • Dysfunctional Families In Hitchcock's Films

    608 Words  | 2 Pages

    { Hitchcock never explicitly referred to or mentioned developments of the period or the ongoing political machinations that made daily news; and while he hardly stove to substantiate David Lehman’s claim for the overriding theme in Hitchcock’s America, that “paranoia is sometimes a reasonable response to events in a world of menace” (qtd in Pomerance 12). As pointed out by Marshall Deutelbaum Hitchcock’s films were diligently faithful in their representation of the look and style of American everyday reality and it repeatedly focused on the

    Read More

  • Scene Analysis of Alfred Hitchcock’s Film Shadow of a Doubt

    1253 Words  | 3 Pages

    Through his choice of setting, camera angles and lighting, Hitchcock makes the conversation at the bar a pivotal scene. The audience and young Charlie are finally brought into Uncle Charlie’s world. This scene’s contrast to the stereotypical American town is what makes this scene so important. Even though Uncle Charlie was able to conceal his true self from most of Santa Rosa, a few people saw him for what he really was. Just like there is a bar in every American town, there is evil as well.

    Read More

  • Rear Window And Psycho Theme Analysis

    1143 Words  | 3 Pages

    Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.

    Read More

  • The Alfred Hitchcock Signature in his Films, Shadow of a Doubt and Vertigo

    382 Words  | 1 Pages

    One major attribute in Hitchcock films is how creatively Hitchcock tricks the audience about the fate of the characters and the sequence of events. Many people argue that it is a tactic by Hitchcock to surprise his audience in order to increase the suspense of the movie. For example, in Shadow of a Doubt, the audience assumes that young Charlie is an innocent young girl who loves her uncle dearly. However as the movie progresses, Young Charlie is not as innocent as the audience suspects. Young Charlie, once a guiltless child, ends up killing her evil uncle. In Vertigo, the same Hitchcock trickery takes place. In the beginning, the audience has the impression that the Blond women is possessed by another woman who is trying to kill her. The audience also has the notion that the detective is a happy man who will solve the murder case correctly. Just before the movie ends, the audience realizes that the detective was specifically hired by a man to kill his wife. The detective, in the end, seems to be the hopeless, sad victim.

    Read More

  • Common Themes and Elements in Psycho and The Birds

    656 Words  | 2 Pages

    Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.

    Read More

  • The Role Of Mothers In Notorious, Pyscho, And 'The Birds'

    1964 Words  | 4 Pages

    In nearly all of Hitchcock’s films, behind many male characters lies a strong mother figure. In keeping with Freudian psychology, the mother plays an important role in our understanding of the characters. During his career, Hitchcock’s own mother had passed away and many critics speculate that he crafted these mothers to express those repressed emotions. Three films with particularly interesting mother characters include Notorious, Pyscho, and The Birds. Each have a very unique backstory but remain a central part of the movie’s storyline and our understanding of the son. In Notorious, Madame Sebastian is a vicious and controlling mother figure. Pyscho features a mother that controls half of Norman’s mind, and The Birds displays a mother with

    Read More

  • Miss Representation Summary

    1350 Words  | 3 Pages

    These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).

    Read More

  • Microcosm In Hitchcock's Rear Window By Alfred Hitchcock

    734 Words  | 2 Pages

    As the paradigm in which this curiosity is exposed inhabit the human being, that voyeurism that uncounted of us have inside. Hitchcock is able to use this element to catch the spectator, building a devilish and fascinating tale of suspense set in a microcosm. In which there reflects the intimate and daily life of the current man, where the protagonist observes from his window. The viewer sees what Jeff (the protagonist) observes, has the sensation of being the protagonist, observing through his window.

    Read More

  • The Truman Show vs Rear Window

    1709 Words  | 4 Pages

    Stam, Robert & Pearson, Robertson., ‘Hitchcock’s Rear Window: Refluxivity and the Critique of Voyeurism’ in Deutelbaum, Marshall & Poague, Leland A. ed., A Hitchcock Reader (John Wiley & Sons: 2009).

    Read More

  • Alfred Hitchcock’s Vertigo

    1271 Words  | 3 Pages

    Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.

    Read More

  • Psycho, The Movie

    2312 Words  | 5 Pages

    Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.

    Read More

  • Freudian Psychology In Rear Window, By Alfred Hitchcock

    712 Words  | 2 Pages

    Alfred Hitchcock’s favorite subject was the superficial placidity of American life, whose clean, bright surfaces disguised the most shockingly moral, political, psychological and sexual aberrations. For Hitchcock, the most striking, funny, and terrifying quality of American life was its confidence in its sheer ordinariness. Beneath the surface, ordinary people and normal life were always ‘bent’ for Hitchcock.

    Read More

  • Suspense In Alfred Hitchcock's Film Psycho

    419 Words  | 1 Pages

    In suspense moments the viewer gets involved in what is happening on the screen, he feels as a direct participant in the events that unfold in the film. The most important thing is the ability of the director to suspense and mystery. Hitchcock had the ability to involve the viewer in a movie. The verdict of the three movies Sabotage, The Man Who Knew Too Much, and Psycho is Alfred Hitchcock designed everything to achieve what he believe was the important distinction “mystery” vs. “suspense”. He has done it with great attention to the applicable musical accompaniment, delivery of information to the audience, and penetration of

    Read More

More about How Hitchcoc Hitchcock Uses The Theme Of Greed In Film

Open Document