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The birth of photography
History of photography; photojournalism
History of photography; photojournalism
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The nature of photography has changed dramatically due to multiple developments in digital technologies. We as humans now have a greater understanding and visual of the world because of this as well as a different perception of ourselves. With relating technologies to photography like supporting computer software’s, the very meaning of photography and it as an art form has changed also due to its development. In this essay my aim is to understand how the changes have happened if at all, and how it affects us.
From the first successful photograph by Joseph Nicéphore Niépce in the mid 1820’s to the 21st century high definition three-dimensional cameras, photography over time has changed dramatically with the help of digital technology [1](Hirsch,
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But with the ever-expanding growth of technology and photography combined, we as humans now have access to see more than the human eye through the lens of a camera. Writer and curator of photography Paul Wombell created a piece of work called Le Mois de la Photo à Montréal 13, the outcomes were created by a photographic machine call a Drone [4](Sorenson, 2014). The drone is a lightweight aircraft, which are either controlled by ‘pilots’ from the ground or independently following a pre-programmed mission. The drones have a camera attached to the base, which allows the pilot to see an extended vision [5](Cole, C. Wright, J. 2014). Because of the development of technology we can now create cameras that can see more that we can, maybe due to the fact that some locations like the top of a volcano, are too dangerous for a human to venture to. So the nature of photography is change as well as our perception. There are other developments in photography, which support this like the works of Mona Hatoum, for her project she used endoscopic technology to place a camera used for medical examinations into her body. The camera extends the human vision to the interior of the human body. “I wanted to give the feeling that on the one hand, the body becomes vulnerable to this scientific eye: an invasive device, probing it, turning it inside out, objectifying it . . . On the other hand, when you’re inside the structure, in places you feel like you are on the edge of an abyss that could swallow you up.” [6]. So this form of technology has changed the nature of photography by capturing it in an internal way that again humans wouldn’t have had the ability to see with the naked
Camera Lucida was Roland Barthes’ last written piece, published posthumously in 1980. This book deals with the topic of photography and the death of Barthes’ mother in 1977. The role of photography is questioned; he asks what about photography makes it a valid media? We read about the operator (the photographer), spectrum (the subject) and spectator (the viewer), also about the studium (what we see in the photograph) and the punctum (the unclassifiable, the thing that makes the photograph important to the viewer). According to Barthes the photograph is an adventure for the viewer, but it is ultimately death, the recording of something that will be dead after the picture is taken. This idea is the main focus of Barthes’ writing, the photograph “that-has-been”, in Latin “interfuit: what I see has been here, in this place which extends between infinity and the subject; it has been here, and yet immediately separated; it has been absolutely, irref...
"History of Art: History of Photography." History of Art: History of Photography. N.p., n.d. Web. 24 May 2014. .
2 Gustavon, Todd. Camera: A History of Photography from daguerreotype to Digital. New York, NY: Sterling Publishing, 2009
... qualities, and focal ranges, meaning the camera could calculate the appropriate settings, which before, were a educated and process.
Photography is defined at the art or practice of taking and processing photographs. To understand photography is having insight or good judgment to know how to take the picture, but also edit it if need be. Does photography limit our understanding of the world? What some people haven’t realized is that photography is all around us, whether it is in the person’s mind to see it or not. While we see photography throughout our daily routine, people dismiss the small types of photography and focus on the bigger sceneries like other countries beautiful cities and landscapes. It’s true that in this day and age, most photographs we see have been altered in some way. When photographers use Photoshop to edit our photos, we use many different ways to make that image appealing to the eye. Although, photographers unless told to do so will not change an image into something totally absurd that takes away from being astatically pleasing. Images are a gateway to the insight of the rest of the world’s cultures landscapes, and architecture, and photography is the key aspect to it. Photography is a one way to see the world, but it is better if you go and travel around the world to see it. In order to see if photography actually limits our understanding, we have to first look at the positive side of photography.
This trend also found roots in the emergence of photographic technology, originally developed in the early 1800’s and advanced continuously until the present. During this time, artists and photographers suddenly found that they could much more easily captur...
I believe that in able to see the world we should photograph life at a certain moment in time so we can capture reality, and able to look back at it. Susan Sontag expresses, “Although there is a sense which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are” (Sontag 6). Interpreting this quote can go a different way such as, that the photographer is capturing the world by the lenses, not the eyes. I believe that if we’re experiencing the world through the lenses, or rather
The industrial revolution created the societal circumstances necessary for photography to be born. The first and most obvious condition is that of technological advancement. Industry was advancing and expanding so rapidly that history appeared to be distancing itself from the present with unusual speed. Up until this time period life had not changed much from decade to decade or even from century to century. Photography’s popularity during the industrial revolution was, in large part, a result of people’s desire to slow down the perceived acceleration of history (McQuire). It has been argued that the acceleration of historical time is “leading to the possible industrialization of forgetting” and that “we will not only miss history…we will also long to go back to space and times past.” (Virilio)
...an take better photographs, even while daily activities. Now when people go on walks, they can bring their camera and take pictures of the beauty around them. The deer with her fawns eating the meadow grass, a bench in a park, or a picture of the orange, luminous sunset. The beauty is all around, people just have to go out and snap the picture.
2) It is getting ever easier to record anything, or everything, that you see. This opens fascinating possibilities-and alarming ones.”
“When photography was invented it was thought to be an equivalent to truth, it was truth with a capital ‘T’.” Vicki Goldberg
It’s really interesting to see the changes that technology has come to. The advancements in technology in just the past decade have been astounding. It’s hard to think that there really was life without high-speed Internet, e-mail, and AOL Instant Messenger. However, not only have there been so many advancements in technology, but also with it came advancements in the visual field, in that our culture and society became so much more driven with such a visual drive.
In Sontag’s On Photography, she claims photography limits our understanding of the world. Though Sontag acknowledges “photographs fill in blanks in our mental pictures”, she believes “the camera’s rendering of reality must always hide more than it discloses.” She argues photographs offer merely “a semblance of knowledge” on the real world.
The question of how society will function when all checks that a few thousand years of civilization have imposed have disappeared has yet to be answered. Society has been trained to view photographs as representations of Reality, but digital imaging has quickly tossed that mindset aside. The underlying Problem results in questioning of everyday events such as, the ability to look at a Photo and trust that the images we see are truly representative of the situation.
There was a time when the only way to capture a moment or surrounding was by a painting. Joseph Nicephore Niepce created the first photograph ever in 1827. Photography went thru many beneficial changes since then only improving and