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More handpicked essays just for you.
The portrayal of women in 19th century literature
Society in the importance of being earnest
Gender roles throughout literature
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Recommended: The portrayal of women in 19th century literature
Similar to Clara, I am going to talk about Vivie breaking stereotypes. However, I want to specifically talk about Vivie breaking Victorian gender-conventions. I want to show that Vivie, while she certainly makes me mad with her lack of empathy, is an empowered woman.
The first piece of evidence I see for Vivie breaker gender conventions is when she shakes the hand of George Crofts. He says, after shaking her hand, that “She has a powerful fist” (Shaw 1789). Here, Crofts shows that he expects the handshake of a “lady” to be soft; yet is is taken aback when Vivie gives a strong handshake. This, according to Victorian (and even modern) gender conventions, is masculine. Vivie, then, breaks the gender convention by stepping outside what she is
“supposed to do.” Another reason why Vivie breaks gender conventions is because she is independent. A great example of Vivie showing her independence is when she refuses a gender-specific kindness from Praed. He observes that her chair is hard, and he offers to switch chairs because, according to Praed, “I like hard chairs” (Shaw 1784). However, she abruptly replies “So do I. Sit down, Mr Praed” (Shaw 1784). I think this shows the independence of Vivie well. She does not need a man to facilitate her life. She does fine by herself, as we can see with her great education (i.e. her education, wittiness, and intelligence, are other related reasons why she breaks Victorian gender-stereotypes). Essentially, I think it is quite obvious that Vivie breaks Victorian gender-stereotypes. This is perfect, though, because at the time of this play, the Era was dying. Women would slowly start gaining civil liberties through social battles. Perhaps Vivie foreshadowed women in the 20th century-- this is not to say that all women were able to enjoy civil liberties in the 20th century: that is, unfortunately, not the case.
In the Victorian era, in New York City, men and women roles within the society were as different as night and day. A man regardless of his extra curricular activities could still maintain a very prevalent place in society. A woman’s worth was not only based family name which distinguished her class and worth, but also her profession if that was applicable.
James’ character did what most rebellious young American women would do. She broke free from cultural restrictions and lived her life as she pleased. A woman of passion, she chose to ignore the repressive attitudes of those around her. Women of today are still fighting for equality, but have authors of the past and women like the characters in their stories to thank for the improvements they made.
I noticed many scenes where the background male dancers for Victoria during her performances, did very feminine dance movements. A great example of a scene where the director uses gender based non-verbal messages would be when the director, off camera, cues Julie Andrews to throw her hands up after removing her wig at the end of her first performance. In my opinion, her throwing her hands up was a way of solidifying the audience's perspective of her being a man.
Mill’s and Nightingale’s work both have the main theme of men dominating over women. Mill introduces his work with, “the principle which regulates the existing social relations between the two sexes — the legal subordination of one sex to the other — is wrong in itself…and it ought to be replaced by a principle of perfect equality” (Mill 1156), letting the reader know his stance on the issue right away. Nightingale’s article also starts off with a strong statement in the form of a question. She wonders why women are given such useful gifts if utilizing them is socially unacceptable: “Why have women passion, intellect, moral activity...and a place in society where no one of the three can be exercised?” (Nightingale 1734). Although these works both have the same thread running through them, they place the blame for the occurrence in different places.
We come to scene which is most important when talking about dependency on male counterparts. Evey is caught in the act of prostitution by fingermens who then decide to do whatever they want with her and even kill her but that’s when V a character from V for Vendetta comes to rescue Evey as a damsel in distress (Moore and Lloyd 6). This shows how Evey’s character is defenseless and couldn’t take on a masculine role and is instead waiting for someone in a masculine role to come and save her. By showing that scene Moore and Lloyd have separated male from a female according to their bodies and their representation of masculine and feminine. In an article about gender stereotyping and under-representation of female character in children’s picture
In conclusion, the theme of crime and punishment in the novel becomes evident in the portrayal of these characters. None of the presently discussed characters fulfill the ideals of a Victorian woman, as they reveal undesirable traits such as being dominant and cold-hearted. Therefore, they are condemned as committing a moral crime by not conforming to Victorian values, and are consequently dehumanized and depicted in a reproachful way. Thus, it is conveyed that women who challenge the Victorian norm are immoral and unfeminine, a crime which seemingly can be reversed by punishment.
The literary titles by Frances Power Cobbe, Sarah Stickney Ellis, Charlotte Bronte, Anne Bronte, John Henry Cardinal Newman, Sir Henry Newbolt, and Caroline Norton reveal society's view on women and men during the Victorian era. Throughout the Victorian era, women were treated as inferior and typically reduced to roles as mothers and wives. Some women, however, were fortunate to become governesses or schoolteachers. Nevertheless, these educated women were still at the mercy of men. Males dominated the opinions of women, and limited their influence in society. From an early age, young men were trained to be dominant figures and protectors over their home and country. Not until after World War I would women have some of these same opportunities as men.
Masculine traits especially in the character Jane Eyre are what cause the novel Jane Eyre to be a forward thinking book in the terms of female empowerment. “Jane’s somber appearance, reflective of the lesson in androgyny given by Brocklehurst, boasts none of the pampered adornment of Jane’s coquettish rival, Blanche Ingram, or Jane’s highly feminine pupil, Adele” which adds to the masculinity of her character and definitely separating her from the rest of females in society (Godfrey 858). Jane Eyre is portrayed as a rather androgynous, if not masculine,
The portrayal of women throughout the history of literature has changed greatly over the years. The once elegant, quiet, and helpless damsels in distress has changed into strong independent women who try to speak their mind and fight for themselves, just as any male would. More modern writers try to weave many of these modern ideals of women with all its complexity into cohesive, interesting and even awe-inspiring heroines both on film and in novels. And many times, these same ideals of intelligence, strength, and complexity are even implemented in villainous female characters. However, not all writers would feel this way about modern female characters. Famous writers such as Charles Dickens had a different set of ideals for women that
...them. The” Women’s Movement,” was on a start but definitely making changes for recognition of the female race. During the reign of Queen Victoria, a woman's place was considered to be in the home. Then the mood changed, as charitable missions began to extend the female role of service, and Victorian feminism began to emerge as a potent political force.
In Shakespeare’s Much Ado About Nothing and Williams’ A Streetcar Named Desire, the female protagonists of the play, Beatrice and Hero, and Blanche and Stella, are submitted to battles against misogyny. Unlike the stereotypically submissive Elizabethan woman, Beatrice is ready to be ‘a man’ (Act 4.1.315) for the sake of her wronged cousin Hero and duel against ‘Count Comfit’ (Act 4.1.314). Blanche, while fighting against Stanley as ‘he advances’ (Scene Three, page 41) towards, and hurt, Stella, became relatable to a modern day audience when fighting against Domestic Violence. These women challenge the status quo of their eras, whether it is effective or not.
Gorham, Deborah. A. A. The Victorian Girl and the Feminine Ideal. Bloomington: Indiana University Press, 1982. Martineau, Harriet.
Over the centuries, women’s duties or roles in the home and in the work force have arguably changed for the better. In Pride and Prejudice, Jane Austen teaches the reader about reputation and loves in the nineteenth and twenty-first centuries by showing how Elizabeth shows up in a muddy dress, declines a marriage proposal and how women have changed over time. Anything a woman does is reflected on her future and how other people look at her. When Elizabeth shows up to the Bingley’s in a muddy dress they categorize her as being low class and unfashionable. Charles Bingley, a rich attractive man, and his sister had a reputation to protect by not letting their brother marry a ‘low class girl’. Reputation even today and back in the nineteenth century is still very important aspect in culture. In the twenty-first century, women have attempted to make their lives easier by wanting to be more equal with the men in their society. Women are wanting to be the apart of the ‘bread winnings’ efforts within a family. Since evolving from the culture of the nineteenth century, women have lost a lot of family and home making traditions but women have gained equality with more rights such as voting, working, and overall equal rights. In the twenty-first century world, most women are seen for losing their morals for and manners for others. As for example in the novel when Mr. Darcy is talking badly about Elizabeth she over hears what he and his friend, Mr. Bingley, are saying about her but she does not stand up for herself.
But at the same time, Victorian men were putting women on pedestals. Yet, this privilege of being put upon a pedestal was really more condescension than a privilege. Duncan Crow, author of The Victorian Woman writes, "They were not privileges at all, but a code of prison rules; and the women were not queens, ...
Lord Tennyson’s “The Woman’s Cause is Man’s” in itself is a manifestation of such issues going on during the Victorian period. As described by Henderson and Sharpe, “The Woman’s Cause is Man’s” is an excerpt from Tennyson’s “The Princess, in which the feminist heroine gives up her feminst ideals and beliefs to settle down and get married (p. 1203). This is a mirror image in itself of the challenge to woman’s roles within Victorian Society. The traditional roles of women as wife and mother were vigorously debated, yet still conformed to, since even “[powerful] proponents