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The dead analysis essay
The dead analysis essay
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In “The Dead” by James Joyce, Gretta is what truly defines depression. Since the beginning, we get a sense of sorrow. Everything is based solely during their holiday dinner. From the moment Gretta set foot in Gabriel’s aunt's house, they did not greet her, they separated her and Gabriel at the dinner table, and they do not care enough to include her in their holiday activities. Gretta seems to be very disconnected with Gabriel, yet neither of them make an effort to better their marriage. Overall, Gretta gives us the impression of wanting to be isolated.
In that moment, James Joyce wrote this story in relation to his life. For example, James was married to Nora Barnacle, but had an affair with Kitty O’Shea. Much like in the story, Gabriel was married to Gretta but sent out flirtatious remarks to Lily. He might have felt disconnected with Nora, in which he thought to make Gabriel and Gretta disconnected too, considering her heart belonged to someone else. It was no secret that Gretta and Gabriel were just not in love, totally isolated from one another.
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Right before dinner was ready, the family sang a Christmas carol.
Without hesitation, Gretta claimed that she did not know the words. Over the course of dinner, she looked at everyone in Freddy’s point of view; when he said that Gabriel was “blind”, a sense of realization came to her. They were living an empty life together. He did not seem to realize that the one he was hurting the most, was Gretta. He thinks Gretta is insane for walking in the snow, completely unaware of the reason why she enjoys it. After the party, in their hotel room, Gretta mentions that she did know the carols. The only thing keeping her from singing, was Michael, her long lost
love. At the hotel, Gabriel was very distant with Gretta. He watched her dig her face into a pillow, sobbing, and did not even bother to comfort her. He simply looked out the window and gave his own soliloquy about himself. He says, “I have never felt this way about anyone”, in which he was right because if he did, he would not have let Gretta die of a heartache. Michael was her one true love. He died in the rain, confessing his love for her, and ever since, Gretta has not been the same. Telling Gabriel about Michael, helped her release what she has been holding on for so long, relieving her of depression. The only other escape, was through death. “Snow is falling upon the living and the dead’, Gabriel says. He is expressing his life and how he feels that although he is physically alive, he is mentally dead. He feels nothing for anyone, while his family helps feed his ego-mania. Through Gretta’s death, she reconnects with both Michael and Gabriel. Now that I have had some time to reflect, Gretta puts the melancholy in the story. From the very beginning, we can tell she is unhappy. Her marriage with Gabriel has seem to run its course. Gretta seems to be distant with his family, along as with him. Gabriel talks about her like she means nothing to him. He thinks she is crazy for going for a walk in the snow, unaware that it brings her comfort. If he were truly in love with her, don’t you think he would know what is going through her head? Why she seems to be so disconnected with him? During her final moments, she confesses her love for Michael. Even so, Gabriel has his back turned to her the entire time. After being so selfish, voicing his own thoughts, once he turns around, Gretta has passed. It is unfortunate she died from heartache; depression. In the contrary, she has finally reunited with her one true love.
Updike is famous for taking other author's works and twisting them so that they reflect a more contemporary flavor. While the story remains the same, the climate is singular only to Updike. This is the reason why there are similarities as well as deviations from Joyce's original piece. Plot, theme and detail are three of the most resembling aspects of the two stories over all other literary components; characteristic of both writers' works, each rendition offers its own unique perspective upon the young man's romantic infatuation. Not only are descriptive phrases shared by both stories, but parallels occur with each ending, as well (Doloff 113).
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
...ce her to do something she didn’t really want to do. Brenda too had her faults, she was raised thinking she was a princess, just as Daisy thought that she was special because she had always been raised as a wealthy young girl, and both women always got what they wanted. So when Brenda was with Neil she expected him to treat her the same way her father had always treated her, and she expected to get what she wanted when she wanted it. The conflict between what each person wanted is what lead to the end of both novels. In Goodbye Columbus Neil and Brenda split after Neil realizes that he wants a way out of the relationship, so the two end up breaking up in the end. In The Great Gatsby Daisy and Gatsby never end up together, but Gatsby’s undying devotion to Daisy does end up getting him killed. This shows that the theme of sex in both novels is there to prove that it is not always the best thing to have and that it is not the foundation for a very good relationship. The theme of sex has more to do with having power, which is something that all of the characters in both novels dream about having.
Gatsby and Blanche are blinded by their own pasts. Gatsby decides to live in a constant fantasy that he will get Daisy back. He is not willing to accept that she is married and loves another man. This is shown through this quote: "He stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. "
...ces throughout the novel demonstrate how he is not as innocent or quiet as readers think. In The Great Gatsby, Fitzgerald portrays Gatsby as not being a Romantic hero due to Gatsby`s attempts in faking his identity, his selfish acts and desperation for Daisy`s love and his fixation with wealth, proving that love is nothing like obsession. Gatsby does not understand love; instead he views Daisy as another goal in his life because he is obsessed with her and is willing to do anything to buy her love. Obsession and love are two different things: love is something that sticks with a person till his or her death, while obsession can cause a person to change his or her mind after reaching their goals. Thus Gatsby`s story teaches people that a true relationship can only be attained when there is pure love between both people, untainted by materialism and superficiality.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
The Great Gatsby presents the main character Jay Gatsby, as a poor man who is in love with his best friends cousin, Daisy Buchanan. Gatsby was in love with Daisy, his first real love. He was impressed with what she represented, great comfort with extravagant living. Gatsby knew he was not good enough for her, but he was deeply in love. “For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s”(Fitzgerald 107). Gatsby could not think of the right words to say. Daisy was too perfect beyond anything he was able to think of. Soon Gatsby and Daisy went their separate ways. Jay Gatsby went into the war while telling Daisy to find someone better for her, someone that will be able to keep her happy and provide for her. Gatsby and Daisy loved one another, but he had to do what was best for her. Gatsby knew the two might not meet again, but if they did, he wanted things to be the same. “I 'm going to fix everything just the way it was before”(Fitzgerald 106). He wanted Daisy to fall in love with him all over again. Unsure if Daisy would ever see Gatsby again, she got married while he was away. The two were still hugely in love with one another, but had to go separate ways in their
In Mourning and Melancholia (1917), Freud distinguishes ‘melancholia’ from ‘mourning’ and charges it with pathological implications. He states that unlike the physical manifestation of grief, in the form of lamenting over the lost object in ‘mourning’, the melancholic is in a perennial state of grief without any repercussive manifestation. Sally Bowles, the central character of Christopher Isherwood’s semi autobiographical novel, Goodbye to Berlin, almost immediately from the beginning, fits into this role of the melancholic. The introduction of Sally in Fritz’s apartment, is brilliantly significant in understanding her uncertain air of melancholy. Fritz broods over his unsuccessful love and Sally comes to his rescue with an assertion, ‘I believe the trouble with you is that you’ve never really found the right woman’. ...
Friendship, Role model, Boyfriend/Girlfriend- all these are examples of a relationship. Everyone sees them constantly begin and end throughout life, but they are still always there. In this short story, Frances and Michael are having a problem with their marriage because Michael can’t keep his eyes off other women. “This is the story of a troubled relationship of which only one climatic moment is overly depicted” (Giles 5). This quote shows how Frances stayed in this relationship for many years, even though Michael looking at other women is a reoccurring problem. Frances stayed in this relationship because she was afraid to lose her romantic relationship.
In a sense, because he is so firmly embedded in this tradition, struggling against it, Joyce seems both hopelessly dated and eternal: hopelessly dated because we don't have enough residue of the sense of sinfullness in our culture to have it be much of a force we have to struggle against, and eternal because it remains true for everyone that passing into adulthood (especially through adolescence) means somehow coming to terms with what is a strand of conflict between sexuality insofar as it is self-aggrandizing and aggressive and the affectional life as it is non-self-aggrandizing and other-centered and in some sense more "pure"-seeming. It is of course possible to come to good terms with this contradiction, but it is also possible to understand and be undermined by its existence, and Gabriel is a very clear instance of the person who can't really reconcile simple physical desire for his beloved wife, a 'getting close to and taking' motive, with equally simple adoration and affection for her in the grace and authenticity of her autonomy, a 'standing back and in some sense giving' motive (I read two passages from Portrait, 171, as against 99-101).
From the beginning of the story, Joyce uses the narrator’s infatuation with Mangan’s sister to show the narrator’s transition from childhood to adulthood. He begins isolate and hide himself and the only thing that now exists in his mind is her. He thinks of nothing but his love for her. For example, “ Every morning I lay on the floor in the front parlour watching her door. The blind was pulled down...so that I could not be seen. When she came out on the doorstep my heart leapt.” This shows the narrator’s infatuation with Mangan’s sister because of the way he talks about his heart leaping for her, though he has never physically spoken to her. It also shows his infatuation because of the way he is watching the door waiting for her to come out. Another example that shows his infatuation for Mangan’s sister is when the narrator
Garret is grieving after the death of his wife, Catherine. The two come together, but still struggling to come to a relationship. Theresa finds it near impossible to deal with the ghost of Catherine and Garrett find it near impossible to let either of them go. Some excerpt of the book that supports the theme, they are: “You 've got your whole life ahead of you. Don 't throw it all away by living in the past.”(Sparks). “I may not have lost a wife, but I did lose someone I really cared about, too. I know all about pain and hurt...I 'm ready to go on now and find someone special to be with.”(Sparks)
“The Patient Griselda”, by Giovanni Boccaccio, has hidden meanings to it. Domestic violence from Gualtieri to his chosen wife, Griselda is apparent. Gualtieri feels as though his is condoned to such abuse of his wife because of her low-born social class status, her non-nobility. He further oppresses his power over her by disallowing her to have control over the upbringing of their children.
The novel starts off in a train station in England where a widow named Lilia Herriton prepares to leave on a trip to the fictional Italian town of Monteriano. Her mother-in-law, Mrs. Herriton, and her two children, Phillip and Harriet, are sending her on this trip in the hopes of separating her from her suitors. Lilia is accompanied by a family friend, Caroline Abbott, who the Herritons hope would watch over her. A month passes by and the Herritons receive a letter that informs them that Lilia is engaged to an Italian man, Signor Gino Carella. Enraged, Mrs. Herriton sends her son Phillip to break up the engagement. However, Phillip arrives too late and Lilia had already married Signor Carella. Phillip and Ms. Abbot then return to England after failing to break up the marriage.
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.