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How claudius influences hamlet's behaviour
Analysis of Hamlet by Shakespeare
How claudius influences hamlet's behaviour
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Cecilia Paz Ms. Carlson AP Lit.- Bl. E 5 Dec. 2017 Claudius’ Soliloquy In Claudius’ soliloquy in Act 3 of William Shakespeare’s Hamlet, Shakespeare reveals Claudius’ deep regret for his sins using various allusions and metaphors in order to make the audience feel more sympathetic toward Claudius. Shakespeare’s use of a religious allusion makes the audience feel more sympathetic toward Claudius. Claudius’ offence “hath the primal eldest curse upon’t a brother’s murder” (3.3.2) a strong way of communicating his sorrow for sins. Shakespeare alludes to the first murder in history, Cain and Abel, to convey how grave his actions were toward the King. Through this reference, the reader connects a murder that divided God from humans to a murder that has divided a family. This is significant because, for the first time, Claudius views his sins in the proper light, acknowledging the intensity of his actions, making the audience feel more sympathetic toward Claudius. Furthermore, Shakespeare uses comparative adjectives to illuminate Claudius’ remorse for the murder. Claudius’ “stronger guilt defeats [his] strong intent” (3.3.5)functions to convey Claudius’ …show more content…
contrition. The use of comparative adjectives points to Claudius feeling more guilty for his actions, making the audience feel more sympathetic toward him. Claudius recognizes his intentions are outweighed by his guilt, as demonstrated through Shakespeare’s use of “stronger” and “strong.” This structure supports Shakespeare’s purpose to heighten Claudius’ awareness of his wrongful actions. Claudius’ offences have been placed in the proper light and he can finally ask for forgiveness.
Claudius wishes for his “heart with strings of steel”(3.3.35) to “be soft as sinews of the newborn babe.” (3.3.36) This wish is significant to the soliloquy because Claudius recognizes his heart is heavy and full of sin and is asking for his heart to be soft and pure like a newborn. Claudius’ longing for forgiveness and purification in this part of the soliloquy heightens the audience’s feelings of sympathy toward Claudius because his guilt, and regret about his actions is revealed passionately through longing for a heart comparable to the softness of a baby. His exclamation for forgiveness is noteworthy because it underscores how sorrowful Claudius truly is, thus making the audience feel sympathetic toward
Claudius. The audience feels sympathy toward Claudius because of Shakespeare’s use of figurative language. The audience understands Claudius’ struggle to find peace with his past, however his ability to acknowledge the gravity of his actions and beg for forgiveness makes his soliloquy powerful and fulfills Shakespeare’s purpose to evoke feelings of sympathy from the audience. x
In Act 3, Scene 3 of Hamlet, Claudius’ soliloquy begins with a confession of killing his brother which then progresses into praying for the capability to feel deep remorse. This soliloquy portrays Claudius’ evolution from one who wants to be pardoned for his sin to one who is asking to gain true repentance.
An Exploration of the Ways Shakespeare Presents the Character Claudius From Claudius’s first speech the audience gains the impression the character is political and educated. Shakespeare uses metaphorical language to emphasis this. Claudius’s first speech in the script is full of metaphorical language, and it shows a manipulating, persuasive character who can convince a kingdom that it was perfectly acceptable for him to marry his brother’s wife just a few weeks after his death. It is the language Shakespeare has chosen to give Claudius that can convince others that he is morally correct. He uses imagery of facial features to represent the kingdom as one body.
In the soliloquy, Shakespeare accentuates the shared characteristics between Hamlet and a submissive servant. Hamlet submits to his cowardice and falls victim to his tendency to reflect on his profound thoughts instead of acting upon them. Additionally, he accuses himself as a troublesome scoundrel. He views himself as a criminal although he had not done anything indictable yet. This metaphor introduces Hamlet’s perception in his current emotional state to the audience.
Claudius feels much guilt about the death of his brother he also faces the desires of power. The guilt of his brother death drives Claudius to be on his toes around the kingdom. He remains very scared that someone like Hamlet Jr. might avenge his father’s death. Hamlet Jr. chooses to use a play to test Claudius’s guilt. He rewrites parts of the play to replicate the story voiced by the ghost. Hamlet Jr. watches Claudius carefully during the performance, and the king leaves during it (Gale). Claudius gets up and leaves because he cannot bear to see the reenactment of how he killed his own brother. The internal conflict of the guilt about his brother eats Claudius up and he goes to repent for the corrupt act he has done: “My stronger guilt defeats my strong intent,/ And like a man to double business bound,/ I stand in pause where I shall first begin,/ And neglect; what if this cursed hand,/Were thicker than itself with brothers blood” (3.3.40-45). Claudius repents but knows his words will mean nothing to the heavens because Claudius is an insincere being whom
...o Claudius and he admitted to killing King Hamlet. A brother’s murder, Claudius says, is the oldest sin and “hath the primal eldest curse upon’t” (III.iii.37). Thus, the eye and ear did not have to work simultaneously for Hamlet to prove Claudius to be guilty.
Claudius’ first speech effectively reveals his character to the audience. Shakespeare’s use of diction and doubling suggests Claudius’ façade conceals his true intentions. Claudius’ artful yet manipulative use of language and his diplomatic foreign policy, prove him to be a commanding politician. This speech sets the stage for the rising action of the play. It plays a major role in revealing plot elements key to an understanding of the play and enables the audience to make an impression of Claudius and decide for themselves his possible role in King Hamlet’s death.
Furthermore, it is possible to propose that Shakespeare merely uses this scene to provoke irritation and consequently suspense from the audience. If Hamlet wasn’t given this opportunity to kill Claudius we would have not this insight into Hamlet’s indecisiveness, possible cowardice and inability to kill Claudius in cold blood. It is probable to suggest that through this soliloquy we are shown that Hamlet’s initial passion for revenge after the Ghost’s visitation has faded as the play progresses to merely thinking about killing Claudius.
[4, 1, 40] These idiosyncrasies are observed in the play when Claudius becomes concerned he will lose power as King and the likelihood Hamlet will murder him to avenge his father’s death. This is apparent when Gertrude informs Claudius that Hamlet is, “Mad as the sea and wind, when both contend which is mightier”. [4,1,6] With these thoughts daunting Claudius, he approaches Laertes in a Machiavellian manner to convince him to murder Hamlet, for he knows Laertes is angry, deranged and “Vows to the blackest devil” [4,5,131] after the death of his father. In doing so, Claudius has the intent to use Machiavellian powers over Laertes who is currently mentally unstable, with the objective being that Laertes will murder Hamlet to avenge his own father’s (Polonius) death. Claudius is able to successfully persuade Laertes in a manipulative speech, especially with his snide comment, “Not that I think you did not love your father, but that I know love is begun by time, and that I see a passage of proof.” [4,7,96] Claudius’ malicious comment indicates he is using his power over Laertes, so that the burden and repercussions do not rest on him, so that he may retain his authority as King. By utilizing his power over Laertes, Claudius is successful, as Hamlet is slain, however, as reflected in Claudius’
Claudius' soliloquy about his remorse over his murder of Hamlet's father is important to the play because it's the one place where we learn how Claudius feels about what he has done. The rest of the play is all about how Hamlet feels about what Claudius has done, and I think it rounds out the play to get it from a different perspective.
In Hamlet, the motif of a young prince forsaken of his father, family, and rationality, as well as the resulting psychological conflicts develop. Although Hamlet’s inner conflicts derive from the lack of mourning and pain in his family, as manifested in his mother’s incestuous remarrying to his uncle Claudius, his agon¬1 is truly experienced when the ghost of his father reveals the murderer is actually Claudius himself. Thus the weight of filial obligation to obtain revenge is placed upon his shoulders. However, whereas it is common for the tragic hero to be consistent and committed to fulfilling his moira,2 Hamlet is not; his tragic flaw lies in his inability to take action. Having watched an actor’s dramatic catharsis through a speech, Hamlet criticizes himself, venting “what an ass am I! This is most brave, that I, the son of a dear father murdered, prompted to my revenge by heaven and hell… [can only] unpack my heart with words” (Hamlet 2.2.611-614). Seeing how the actor can conjure such emotion over simple speech, Hamlet is irate at his lack of volition and is stricken with a cognitive dissonance in which he cannot balance. The reality and ...
...3.57). Though Claudius appears to show remorse for his actions, he shows his true character by focusing on maintaining the power and rewards that came from murdering his brother.
Claudius feels guilty about killing his brother. We can see Claudius;s remorse when he is talking to God and gives his monologue about his his murder. Therefore, Claudius says, "My stronger guilt defeats my strong intent(pg.165)." This quote proves that Claudius realizes that he made a mistake and he also realizes that he cannot put everything behind him as mich as he wants to. Everything reminds him about his brother, the kingdom, the queen and the crown.
Claudius is seen in Hamlets eyes as a horrible person because he convicted murder and incest. Claudius had killed the king of Denmark, Old Hamlet, to obtain the position of the throne. He had been jealous of Old Hamlet’s wife Gertrude and wanted to marry her for her power. Although, such an act would be called incest and considered unnatural he did not care, all he had cared about was the power that he would be stealing from Hamlet and Old Hamlet, Gertrude’s son and husband (R). When Hamlet had talked to his f...
Hamlet’s tragic flaw was shown to him in a dream by the ghost of his father. His father tells him that he was murdered by his uncle, Claudius. In this scene, the tragic flaw was transferred and manifested itself in Hamlet’s actions. His obsession with revenge and death is all he can think about. He needs to act quickly and decisively but finds himself procrastinating about what to do. In Act III, Hamlet holds the knife over the head of his uncle, Claudius, but cannot strike the fatal blow. Instead, he writes a play about the same scenario to study the reaction of Claudius as to a clue of his guilt. After he decides Claudius is guilty of murdering his father, he still relents from taking his revenge. He says, “Haste me to know ‘t, that I, with wings as swift As meditation or the thought of love May sweep to my revenge.
... be overstepping the boundaries of morality. Not only does Hamlet want to kill Claudius, but he also wants to damn his soul. This contrasts greatly with Claudius’ act of murder, which is carried out with no preference for the victim’s afterlife. As a result of Hamlet’s tendency to over-think situations, his mission of vengeance is once again delayed.