The Achilles heel of Wilson’s argument is his repetitive use of the word causality and the hypocritical manner in which he approaches Hamlet and Claudius respectively. He implores his audience to disavow or “refuse to be diverted from a clear vision by questions of praise and blame, responsibility and causality” (Wilson Knight, G. 1957: 186) in terms of how the audience views Hamlet but re-introduces causality in terms of Claudius who “as he appears in the play is not a criminal. He is-strange as it may seem- a good and gentle king, enmeshed by the chain of causality linking him with his crime.(Wilson Knight, G. 1957: 188)” He seems to be trying to wash Claudius clean of his sins and the effects these have had on Hamlet’s state of mind, which might have been different if Claudius’ actions had been, by removing causality from our view of his actions and their consequences but tries to purge the audience of, or redirect sympathy to Claudius by referring to him as a “good and gentle king”(Wilson Knight, G. 1957: 188) who has gotten entangled in the web of cause and effect of one evil deed. This approach is unbalanced and this essay will aim to establish a full analysis of both Hamlet and Claudius’ behaviour and mental states by examining the play and the essay in terms of causality as a prime factor.
Firstly, Knight tries to persuade us of the fact that the chain of causality might have been broken if Hamlet had left the past in the past and forgiven his uncle’s treason. This however is an unrealistic expectation of any character. Death and its consequences become an obsession of Hamlet’s as his father’s ghost reveals the truth of his death to Hamlet. This signifies the beginning of Hamlet’s mental deterioration and his inn...
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...reme provocation which does not betray either moral code.
In conclusion Hamlet is portrayed as a different type of tragic hero, one that is not undermined only by his own fatal flaw but by the direct result of faith in a system that is, in itself, flawed and unjust that holds power over the universal man. Hamlet is idolised because it is commendable for any heart to try, even if they sometimes stumble, to remain honourable and just when confronted with all the wicked things that surround us.
References:
Wilson Knight, G. 1957. Embassy of Death: An Essay on Hamlet. In: The Wheel of Fire: Interpretations of Shakespearean Tragedy. Fifth ed. New York: Meridian books, pp. 184-191
Shakespeare, W. 1993. Hamlet, Prince of Denmark. In: The Illustrated Stratford Shakespeare.
London: Octopus Publishing Group Ltd: Chancellor Press, pp. 799-831
An Exploration of the Ways Shakespeare Presents the Character Claudius From Claudius’s first speech the audience gains the impression the character is political and educated. Shakespeare uses metaphorical language to emphasis this. Claudius’s first speech in the script is full of metaphorical language, and it shows a manipulating, persuasive character who can convince a kingdom that it was perfectly acceptable for him to marry his brother’s wife just a few weeks after his death. It is the language Shakespeare has chosen to give Claudius that can convince others that he is morally correct. He uses imagery of facial features to represent the kingdom as one body.
An interesting comparison between King Hamlet and Claudius is a biblical reference between Cain and Abel. Cain was the first person to be born and Abel was the first person to be killed. Cain was jealous of his brother who was younger yet he became a shepherd while he was a farmer. Whenever they would give offerings to god, Abel’s offering would be accepted while Cain’s offering wasn’t. Cain was jealous of his brother and angered that he was allowed such a better life than him. Besides being a shepherd, Abel’s wife which was decided for him was much more beautiful than Cain’s wife. On one fateful day. Cain invites Abel to the fields and then there Cain murders his brother. This biblical story is commonly associated with Hamlet. One brother takes the life of the other brother because they think that they are more deserving than the other brother. In both cases, the murderous brother is left to walk to their doom in the future and in a sense gets justice inflicted upon them.
Manning, John. "Symbola and Emblemata in Hamlet." New Essays on Hamlet. Ed. Mark Thornton Burnett and John Manning. New York: AMS Press, 1994. 11-18.
Manning, John. "Symbola and Emblemata in Hamlet." New Essays on Hamlet. Ed. Mark Thornton Burnett and John Manning. New York: AMS Press, 1994. 11-18.
Peter Leithart in “The Serpent Now Wears the Crown: A Typological Reading of Hamlet,” considers the gravity of the main sin of offense of Claudius:
Although many different positions could be taken on writing an essay for this Shakespearian play, the author took it upon himself to write about Hamlet’s grief. His grief is obvious from the beginning of the play and he continues to grieve althroughout the play. Within his twenty-one-page essay, I chose this line to represent that I agree with his outlook on the play. “…his focus is on his grief and the profound impact in which the ghost has upon it. (Hamlet pg.18 paragraph 3)
Hamlet’s dogged attempts at convincing himself and those around him of Claudius’ evil, end up being Claudius’ best moments. The audience doesn’t have just one view of Claudius; the other characters favorable ideas of Claudius as king and person lets them see the humanity, good and bad, in Claudius. An allegory for the human soul, Claudius is many things: a father, a brother, a husband, and a king. He, like anyone else, has to play the role to the best of his ability, but is still very human and susceptible to the evils of human emotion ranging from concern to jealousy, all of which could have easily fueled his decisions. Page 1 of 6 Works Cited Hamlet, Shakespeare.
King Claudius, as illustrated in Shakespeare’s Hamlet, displays both charm and eloquence. Claudius is an intelligent person and is able to deceive people into believing he is innocent and morally guided. He is adept at manipulating people in order to advance and maintain his own power and fails to show any remorse for his actions. Claudius utilizes his linguistic skills to portray himself as an innocent and prudent leader; however, upon further inspection his diction is a mere smoke screen that hides his manipulative and cunning nature.
William Shakespeare's Hamlet is a play that tells of a young man, Hamlet, who wanted revenge for the death of his father. After speaking with his father's spirit, Hamlet was led to believe that the person who murdered his father was his uncle, Claudius. Claudius kills his brother mainly because of jealousy, the crown, the queen and a hatred of his brother. Therefore Claudius is guilty of the murder of his brother.
In the play Hamlet by William Shakespeare, Hamlet the king of Denmark is murdered by his brother, Claudius, and as a ghost tells his son, Hamlet the prince of Denmark, to avenge him by killing his brother. The price Hamlet does agree to his late father’s wishes, and undertakes the responsibility of killing his uncle, Claudius. However even after swearing to his late father, and former king that he would avenge him; Hamlet for the bulk of the play takes almost no action against Claudius. Prince Hamlet in nature is a man of thought throughout the entirety of the play; even while playing mad that is obvious, and although this does seem to keep him alive, it is that same trait that also keeps him from fulfilling his father’s wish for vengeance
The path one takes to seek a personal reward may result in the treacherous acts that causes devastation for others. In William Shakespeare’s Hamlet, the moral corruption that occurs between family members causes animosity that results in their downfall, and eventually their ultimate demise. More specifically, the tainted view of an individual in a family may result in the downfall of the other family members involved. Evidence of the tainted view of a family member causing undue harm can be found in the relationship between Hamlet and Claudius, Hamlet and Old King Hamlet, and Hamlet and Gertrude
One main theme that arises in the Hamlet is the power struggle between Hamlet and Claudius. The main problem is between Hamlet and Claudius; they are in an ongoing battle throughout the play to see who will rise with the power of the throne. Claudius is the antagonist in the story and has multiple people under him that follow his every rule (Innes). He is a manipulative character who seeks revenge on Hamlet through other people he knows. On the other hand, Hamlet is the protagonist of the story, he is very unhappy after finding out the news of how his father had been killed (Innes). He is overtaken though by the ghost of his father, Old Hamlet, and is seen to become mad as a consequence. Although Hamlet seeks revenge against his new stepfather he procrastinates killing him. Hamlet has also considered killing himself beforehand because of the struggle of power between his stepfather and himself. In the last scene of the play the power struggle that had been between Hamlet and Claudius comes to a conclusion as Gertrude, Laertes, Claudius and Hamlet die. Throughout the play Laertes, Horatio and Gertrude choose a side to be on, either between Hamlet’s and Claudius’s who both are trying to obtain the utmost power.
Hamlet is a scholar, speaker, actor, and prince. For some reason, Hamlet is not able to avenge his father's death without considerable delay. There is one major flaw in Hamlet's character which causes him to postpone the murder of Claudius. I believe that this flaw is Hamlet's idealism. While his idealism is a good trait, in this case, Hamlet's environment and his...
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.