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Analysing twelfth night
Shakespeare's use of language
Analysing twelfth night
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In the play Twelfth Night, Or What You Will by William Shakespeare, there are many parallel plots and subplots that help create suspense. Many great playwrights have used various structural components in their plays to provide a feeling of suspense for the audience. From the subplot with Sebastian to the parallel plot with Malvolio being pranked, there are many structural factors that create suspense. In the play Twelfth Night, Shakespeare’s enticing tone along with the use of parallel plots and subplots creates a suspenseful mood for the audience. There is one main subplot that provides great suspense for the readers. Viola thinks that Sebastian is dead, however, the audience discovers that he is actually alive. “My brother he is in Elysium” …show more content…
Malvolio is being pranked by Sir Toby, Maria, and others, which is very important to the story. In this parallel plot, the audience can see many close interactions with either Cesario or Sebastian. At one point, Sebastian says that he is going to Orsino’s palace, where the audience knows Viola is. “I am bound to the Count Orsino’s court. Farewell” (Shakespeare 2.1.36-37). The audience thinks that Viola and Sebastian must meet then which creates suspense.These encounters tie in with the subplot as well to provide even more suspense for the audience. The fact that the other characters in the play are confusing Cesario and Sebastian for one another means that they will inevitably be discovered. This greatly helps develop the suspenseful mood of the play. Many structural components of the play Twelfth Night create a feeling of suspense. Shakespeare’s mastery of parallel and subplots adds many interesting components of the play. The subplot with Sebastian provides the greatest suspense, while the parallel plot with Sir Toby and others aids in this suspense. These plots also leave the audience with great anticipation as to what will happen next. Shakespeare uses a very enticing tone when creating parallel and subplots, which all are major factors in developing the suspenseful mood of the
The Ways Shakespeare Makes Act Three Scene Five Full of Tension and Exciting for the Audience
...volio declares revenge on the lot before exiting, giving the floor to Orsino. He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.”
Throughout A Midsummer Night’s Dream by William Shakespeare, there are multiple analyses that one can follow in order to reach a conclusion about the overall meaning of the play. These conclusions are reached through analyzing the play’s setting, characterization, and tone. However, when one watches the production A Midsummer Night’s Dream directed by Michael Hoffman, a completely different approach is taken on these aspects, leading to a vastly different analysis of the work. Though there are many similarities between the original written play A Midsummer Night’s Dream by William Shakespeare and the on-screen production of the aforementioned play which was directed by Michael Hoffman, there are differences in setting and
Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others. For this reason, it could be perceived that Shakespeare views the `Elsinorean' tragedy as one great puppet show, "I could see the puppets dallying".
In all of Shakespeare's plays, there is a definitive style present, a style he perfected. From his very first play (The Comedy of Errors) to his very last (The Tempest), he uses unique symbolism and descriptive poetry to express and explain the actions and events he writes about. Twelfth Night, The Tempest and A Midsummer Night's Dream are all tragicomedies that epitomise the best use of the themes and ideology that Shakespeare puts forth.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Hamlet makes extensive use of the idea of theatrical performance; from revealing characters to not be what they seem - as they act to be - to Hamlet’s play The Mousetrap and his instruction of acting to the players. The extensive use of the stage in the stage directions, as well as numerous monologues and asides, have Hamlet itself acting as a literary device for the motif of theatrical performance.
In Shakespeare’s play, Twelfth Night or What you Will, the characters are involved in a plot complete with trickery, disguise, and love. Each character is defined not by his or her gender or true identity, but by the role they are forced to take because of the complicated situation that arises. Unlike their gender, the speech the characters give an insight to their true personalities. In the Twelfth Night, the character Duke Orsino uses flowery and over-dramatic language, long poetic sentence structure, and melodramatic metaphors to display his overemotional romantic nature despite the different emotions in his various speeches.
How Shakespeare Makes an Effective Use of the Soliloquy to Increase the Audience's Understanding of Character and Plot in Twelfth Night
Even though different plays have different morals, settings, plots, and characters, the subliminal messages are clear; plays can have certain likenesses between them. If the plays had not been written by the same author, they could have traits shared among them. William Shakespeare never ceases to amaze thousands with his brilliance. Obviously, The Tragedy of Romeo and Juliet, and A Midsummer Night’s Dream have qualities and characteristics that tie them together in a bond of unmistakable comparisons and contrasts.
Esslin's book consists of eleven chapters each of which touches on a dramatic phenomenon or critical issue. His book is opens with a preface and is appended a general index of plays and secondary resources. There are three explanatory diagrams in the book through which Esslin clarifies his theory on suspense. The book discusses the common definitions of drama in the first chapter, goes over the theories and critical aspects of drama as a genre in the following chapters, and concludes by declaring some statements about the truth of drama in the last chapter. Esslin often follows a pattern throughout his chapters; he undermines a critical thought or unravels a common critical confusion then injects his own notions and critical thoughts.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
Through the elements of technique portrayed in this essay, it is clear to see that Shakespeare is able to influence the reader through soliloquies, imagery, and dual understanding. This overall influence being both the communication of a deeper meaning, and a more complex understanding of the events and statements within Hamlet.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.