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Relationship between truth and photography
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Recommended: Relationship between truth and photography
Chapter 4: Images and Truth representation
4.1 History of manipulation
Photography was recognized as the perfect documentary medium because the mechanical nature of the medium when it was first introduced approximately 150 years ago, because it ensured unadulterated, exact replicas of the subject matter. The technological advances of cameras and the subsequent development of photojournalism led to clearer, more realistic photos. With a lighter, transportable camera, photojournalists can now take unrehearsed snapshots of the exact moment unlike the stiff poses we have seen before captured by early, long-exposure cameras back then. Photo told the truth by exposing people in an unrehearsed and candid manner. Photography has become a proof of recorded
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the story that a piece of photograph tells is usually not the accurate truth that occurred on the event itself, photographs were stories that has been cleverly dissected and put together again according to the will and intention of the photographer. Aspect of reality were just a matter of story that the photographer wanted to represent for certain publications. No matter how precise a photographer tries to capture the scene, the essence of the scene before him might be missed out. In this case, in order to represent the scene or subject to be as accurate as possible, manipulation would be seen as something NECESSARY to be done. Not to mention how important a caption of a picture is, as events are often not seem clear and self-explanatory in photographs, without a caption, stories told from photographs could become decidedly ambiguous. The ironic part is, in order to represent the scene as faithfully as possible, a photographer may be compelled to manipulate a picture instead of using the straight out of camera ones, not to mention personal opinion sometimes plays a part in depicting …show more content…
Journalists were trusted to give life relevant objective information, As journalists are seen as “news specialists”, we have strong faith in the truthfulness of the information they broadcasts
News and documentary narratives are not necessarily all in spoken or written form. Most news and documentary formats are heavily dependent on both still and live-action photography. The pictures form a narrative that is sometimes more compelling than speech or the written word. News and documentary photography effectively record the texture of current experience, and invest that experience with meaning. Photographs, as stated earlier, are symbolic narratives. But in order for these symbolic narratives to remain effective, the photographs must remain current.
[From: Truth in Photography - Perception, Myth and Reality in the postmodern
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
Susan Sontag once wrote, “To collect photographs is to collect the world.” In her article entitled “On Photography,” she overviews the nature of photography and its relation to people using it. Sontag discusses photography’s ability to realistically capture the past rather than an interpretation of it, acting as mementos that become immortal. Continuing on to argue the authenticity of photography and how its view points have shifted from art into a social rite.With the use of rhetorical devices, Sontag scrutinizes the characteristics of photography and its effects on surrounding affairs; throughout this article Sontag reiterates the social rites, immortality and authenticity of photographs, and the act of photography becoming voyeuristic. With the use of the rhetorical devices pathos, appeal of emotion, ethos, appeal to ethics and credibility, and logos, appeal to logic, Sontag successfully persuades the audience to connect and agree with her views.
Some people may have the same or similar interpretation but as a whole group of people, it is different. The artist whom took painted or drew the piece most likely had a different perspective than the audience. Every moment is different from the present or past. When an artist is creating their artwork, their interpretation can be different than their views a few years ago. Capturing the picture at a certain point in time can be powerful because it shows what the feelings, interpretations, emotions that were expressed at that time. These emotions translate to what the artist chooses to put in their piece, which can be very powerful. In this short essay, “Every Portrait Tells a Lie” by Debra Brehmer, she says “The portrait, in the choices the artist makes, alludes to the fact that who we are involved selection, interpretation, and chance.” (386) Brehmer makes an excellent point that the artist has the control to choose what goes into their piece. The artist can choose to include what they want into their piece, like a person, a plant, and etcetera. In the book The Picture of Dorian Gray by Oscar Wilde, the artist, Basil Howard claims that another character, Dorian Gray, is his muse. Basil paints a portrait of Dorian and this indicates how much power Basil has over the portrait. Basil has the power to choose what goes into the painting and how Basil wants to paint Dorian. Taking or painting a photo shows how much power the artist has because of their interpretation when taking the photo and their decision of what goes into the photo. The choice is completely up to the artist, which makes taking photos such a powerful
The mass media carries with it unparalleled opportunities to impart information, but also opportunities to deceive the public, by misrepresenting an event. While usually thought of as falsifying or stretching facts and figures, manipulation can just as easily be done in the use of photography and images. These manipulations may be even more serious – and subtle – than written manipulations, since they may not be discovered for years, if ever, and can have an indelible and lasting impact on the viewer, as it is often said, “a picture is worth a thousand words”. One of the most significant images of Twentieth Century America was the photograph of a migrant mother holding her child. The photograph was taken during the Great Depression by photographer Dorothea Lange, and has remained an enduring symbol of the hardship and struggle faced by many families during the Depression Era. This image was also an example of the manipulation of photography, however, for it used two major forms of manipulation that remain a problem in journalistic photography.
The camera is simply a portable extension of our eyes that captures images we may otherwise never see, and freezes them into eternity for our scrutiny. If photographs provide any true knowledge, it is that of a visual stimulus, a superficial comprehension that barely scratches the surfaces. What would photographs be without captions? Merely anonymous pictures of anonymous things, anonymous places, and anonymous people. Photography all...
Globally, different art forms do not necessarily throw their definition in your face. It should be interpreted for subsequent comprehension. (Grundberg 1990: 3) Even though the extra information such as a caption and additional background info can be beneficial to the analysis of a photograph, it is not compulsory to the interpretation and consequent emotional response. (Butler 2009: 66) So, being more dependent on personal perspective, a photograph is widely open to different kinds of interpretation.
Between 1500 and 1900, paintings and drawings were the main medium of visual art. They represented the universe based on the author’s imagination and technical skill. However, the birth of photography presented new possibilities and a new means to depict and show an accurate, complete and ‘authentic’ reproduction of reality. Based and inspired by Susan Sontag’s book, On Photography, this essay will discuss and explore the notion of the authentic image as well as what makes for an authentic photograph.
When I first sat down to write this article, I was focused on the other prompt. After a few days of flipping through various photographers and their works, option B still plagued me. In the back of my mind, I kept thinking about how photography could possibly be of any use inside the world of creative writing, my major. I thought of cover art first. A lot of cover art is not pictorial in its nature, most all of it now is digital, but there are covers that do use usually panoramic scenes of nature, or are closely tied to movies These novels run headshots of the stars or action sequences from the film on the cover. Another, rather common practice in which photographs appear as the covers of books is in the genre of autobiography. Biographies usually present the grinning head of the person the book is about, in what can only be considered as a creepy cross between a mug shot and a campaign photo. Therefore, I had now destroyed my original thesis that photography and creative writing were incompatible or at least separate mediums that could not benefit from the inclusion of the other. Now to see just how deep the connection seemed like a reasonable next step.
John Berger gave another rhetorical strategy, Logos, in which he writes “The painting maintain its own authority. Paintings are often reproduced with words around them.” (136) By supporting these statement, Mr. Berger mentioned and provided different paintings from artists and how the history behind each art can change the perspective of others. He tries to engage the audience on how art, paintings, can influence each individual and how the each can interpret and approach from their own prior knowledge. He stated that the use of camera can only shows the world the way the lens can see it and that it can produce fresh perception. According to Mr. John Berger, images does not worth the same value of an original art. Each individual only look at the images not knowing the prior knowledge of what it exactly meant in the history from the past. Every artwork has its own uniqueness. Inventing the camera, has definitely change the way people understand and interpret
Schwartz, Donna. “Objective Representation: Photographs as Facts.” Picturing the Past: Media History & Photography. Ed. Bonnie Brennen, Hanno Hardt. Chicago: University of Illinois Press, 1999. 158-181.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
“When photography was invented it was thought to be an equivalent to truth, it was truth with a capital ‘T’.” Vicki Goldberg
Have you ever seen a painting or picture that captivates you and directly stirs up emotion within you? More than likely, you have. Usually, viewers merely observe the picture and enjoy the way it looks and how it makes them feel. But, have you ever asked yourself, “why?” What about the picture makes it pleasing to the viewer? With each strategy the photographer uses creates their own touch and passion that floods all over the picture. The emotional connection nearly goes unnoticed for when the picture is well photographed, the viewers experience the sensation in their subconscious. This is one of the most powerful tools that a photographer holds in their hands. If one can become a master of manipulating how the photo affects its viewers, the said photographer can potentially maneuver people’s minds and thoughts with one click of a button. The time spent with my mentor has opened up the door for me to tap into that power though the use of background, focus, shutter speed, angles, and most importantly, lighting. Even with all these techniques, the person behind the camera must remember that creativity must be at the forefront of all operations. Caleno (2014), when writing about the basics of capturing a beautiful moment in a picture commented, “If we want to be creative we must drop these pre-conceptions and start looking at things from a small child’s innocence.”
Newton, Julianne H. The Burden of Visual Truth: The Role of Photojournalism in Mediating Reality. Mahwah, NJ: Lawrence Erlbaum Associates, 2001. Print.
Taking photographs and photography itself is a great tool of power in many different aspects of life that one might not realize day to day. Photography has the power to reveal things that if expressed in words, would cease to be as powerful a truth. It serves as evidence of something larger. Yes, photos can be manipulated- yet because they can it makes the viewer even more cautious and observant on the details of these photos. Taking pictures is so much more than what it is painted to be on the surface. It is not always superficial and inconsequential. If you look deeper into the photo meaning and the details about the photos’ source, you observe things you would have never seen otherwise, like the slight hint of sorrow on her face, the contradiction in human ability, and the subtle external truths about the reason we do things, such as take pictures.