Nature’s Role as a Mirror in Frankenstein Mary Shelley’s Frankenstein uses nature to illustrate the emotional complexity of the novel’s characters. Frankenstein was written during the era of Romanticism, a movement in response to the earlier Enlightenment, which highlighted individual expression and emotion as opposed to strict rationality offered by Enlightenment thinkers. Nature was a common theme in romantic works as offering a natural refuge from an increasingly industrialized society. Similarly, the idea of the sublime was introduced, which was characterized as an experience in nature where the grandiosity of some vision overwhelms the onlooker’s normal rational faculties, leaving them in a state of shocked wonder. These themes contribute …show more content…
He is normally restored by nature’s beauty, not only because of its surface-level attractiveness, but because of the sublime experience of its grandiosity and perfection. He says after Justine was sentenced to death that, “bending my steps towards the near Alpine valleys, sought in the magnificence, the eternity of such scenes, to forget myself and my ephemeral, because human, sorrows” (). Victor is able to forget and ascend over his relatively minute human sorrows when in the presence of “eternal” nature. These experiences are especially favorable for Victor as the reality that awaits him back in society is one where he has created a creature that he desperately regrets. However, later in the novel when walking with Clerval, he remarked, “Alas, how great was the contrast between us! He was alive to every new scene. I was occupied by the gloomy thoughts, and neither saw the descent of the evening star, nor the golden sun-rise reflected in the Rhine” (149). This moment signifies that Victor’s troubles have changed from momentary troubles to a more permanent psychological …show more content…
The beauty he discovered upon being created gave him reason to live, but society’s rejection of him and his experiences have polluted that pure thing. He specifically felt as if, “The cold stars shone in mockery, and the bare trees waved their branches above me; now and then the sweet voice of a bird burst forth amidst the universal stillness. wishing to tear up the trees, spread havoc and destruction around me, and then to have sat down and enjoyed the ruin().” In contrast to Victor’s chosen isolation, the creature is forced into isolation because humanity finds his appearance too repulsive. Instead of providing a refuge from his mistakes, the sublime view of the vast night sky and the towering trees only amplified his feelings of loneliness and insignificance. In addition, nature’s perfection appears to invoke raging jealousy within the creature as it symbolizes the beautiful appearance that he may never possess and that which prevents him from experiencing the normal pleasures of life. This contrast also seems to be inspired by Romanticism thinking where their individual perspective shaped the reactions of Victor and his creature to their similar surroundings, not merely the physical fact of nature’s
At the beginning or the story, Victor lives in ecstasy, reveling in life’s every joy. Desolation and darkness no doubt had minor roles in his life, but these were glanced over in an instant, as Victor was remembering the times as good and perfect. The harsh dichotomy of this perspective and the perspective he maintained for the majority of the novel after the creation of the creature is stunning. After, he saw the world as always filled with darkness and loneliness. He even stated that he almost caught himself feeling happiness at one point and stopped himself. This distortion that the world became a fruitless wasteland is simply untrue, but it sheds light on how totally our feeling twist our perception of the world. By shoeing the polar opposites, the novel further emphasizes how our outlook on life shapes what we see in the world around us, for better or for
In Frankenstein, Mary Shelley indicts man for his determination to master nature, suggesting that human arrogance will inevitably result in destruction and death. Using rich imagery, permeating symbolism, and consistent foreshadowing, Shelley has written a cautionary tale of man’s collision with the natural world that eradicates beauty and corrupts the human spirit.
Throughout Frankenstein, nature is considered to be a healing remedy in the process of Victor Frankenstein’s recovery.
Victor’s obsession with the genesis of life prevents him from thinking clearly. Initially, Victor has a strong interest in science. However, during his time at Ingolstadt, when he becomes interested in the cause of the generation of life, he decides to create and animate a human being. He completely neglects his family and friends because his sole focus is on his creation. Victor prioritizes the creation of his creature over his own health and happiness. Since he works in complete secrecy, there is nobody to help him stop his obsession. In addition, there is nobody who can monitor the aesthetic quality of his creation. He is so fixed on completing his project that he fails to notice how ugly it is. As soon as the creature comes to life, Victor is so horrified and disgusted with it that he runs away. He feels like “the beauty of [his] dream [va...
Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hatred for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result, he loathes himself.
After killing his younger brother, Elizabeth , and his best friend, Victor after having no family left wanted to put an end to it all so he ended up chasing his creation and dying before catching it. After bringing the creature into this world and leaving it behind to fend for itself the creature endured lots of agony and pain from society which drove its rage to Victor and his family and he ended up kill this younger brother and soon to be wife. Both were isolated from society, Victor brought isolation upon himself through locking himself up to create the creature and ignoring everything around him as stated in the article, “The summer months passed while I was thus engaged, heart and soul, in one pursuit. It was a most beautiful season; never did the fields bestow a more plentiful harvest, or the vines yield a more luxuriant vintage: but my eyes were insensible to the charms of nature. And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time. I knew my silence disquieted them; and I well-remembered the words of my father: "I know that while you are pleased with yourself, you will think of us with affection, and we shall hear regularly from you. You must pardon me if I regard any interruption in your correspondence as a proof that your other duties are equally neglected.” As
Victor is so engulfed by his work that he is unaware of what is going on around him. He “bore onwards [with his work], like a hurricane, in the first enthusiasm of success” and he wants to “pour a torrent of light into our dark world" (Shelley 55). Blinded by his yearning for making new discoveries, Victor thinks that his knowledge of the sciences will be enough for him to be successful. However, he does not understand that in order to create an auspicious relationship between him and his creation, he needs to have knowledge of society as well. Once his creation is animated, Victor is unable to see that all the creature wants is to be loved and accepted. The creature craves the maternal love that Victor denies him. From the beginning, Victor is unable to realize the significance of his creation. He describes how the creature’s “yellow skin scarcely covered the work of muscles and arteries beneath... [and] his hair was of a lustrous black... [and] his shrivelled complexion and straight black lips” (Shelley 58). He immediately focuses on the negative features of his creation, and does not even attempt to learn the positive qualities. If Victor uses more social skills, rather than his knowledge of the sciences to manage his creation, all of the destruction the creation causes could have been
Victor finds solace in nature, and enjoys the beauty of it. He states that the cold takes away his sorrows and fills his heart with joy. The creature finds warmth in the spring time. The creature describes to Victor how he felt when the spring came. He says, “Spring advanced rapidly; the weather became fine and the skies cloudless. It surprised me that what before was desert and gloomy should now bloom with the most beautiful flowers and verdure. My senses were gratified and refreshed by a thousand scents of delight and a thousand sights of beauty.” Both, the creature and Victor should not be blamed for what happened.
Victor’s life starts with great potential. He comes from a decently wealthy family whose lack of love towards each other never existed. He is given everything he needs for a great future, and his academics seem to be convalescing. Everything starts to change once Victor`s ambitions become his life. He leaves to study at Ingolstadt where his destiny begins to unfold. This is when Victor’s isolation begins. The search for the secrets of life consumes him for many years until he thinks he has found it. For months, he assembles what he needs for his creation to come alive. The day came in which he was able to complete his life time research project. This day was described as the day “breathless ...
What society deems taboo can be a determining factor for compassion and humanity, this is evident in the world every day. Mary Shelley’s Frankenstein uses the Creature to bring to light how man should reevaluate what it constitutes a monster and take responsibility for committing truly monstrous acts. While mankind's reaction has changed and has become more accepting of that which is seemingly different, there are still questions raised about the general public: What value do we put on vanity and how does this affect how we live our everyday lives and treat others? How does vanity affect our humanity?
In Mary Shelley’s novel, Frankenstein, a major motif running throughout the novel is doppelgänger, which means double. Doppelgänger is a counterpart of a living person, meaning a mirror image of each other, and plays a prominent role in Frankenstein. Victor Frankenstein creates a creature, by lingering around graveyards consisting of old body parts. The creature is brought to life and Victor is frightened by what he has created. The creature is the counterpart to his maker, Victor Frankenstein. Victor and the creature resemble each other in more ways than one, exhibited throughout the novel such as their relationship with nature, or desires for family.
Unlike the Romantic who revered and honored nature, Victor wants to use it for his own gain. He expects “happy” and “excellent natures” to obey him, and he doesn’t dwell upon the consequences of his actions. His outlook changes after the creature comes to life. As Victor stares into the watery, lifeless eyes of his creature, he finally realizes his mistake in trying to disrupt the natural order of the world. Scared by the outcome of his actions, Victor attempts to run away and find comfort in nature.
“In the beginning GOD created the Heavens and the Earth”; thus, their power is limitless even in scenery. Mary Shelley’s 1816 gothic science fiction novel, Frankenstein: The Modern Prometheus, introduces us to a young intellectually inquisitive man, Victor Frankenstein, who walks a thin line between scientific exploration and blasphemous conduct while attempting to bring glory to his name by creating a new species as if it were human. The setting in this novel highlights much significance: the unnatural occurrences of man have caused them to seek refuge in nature’s pure beauty implying the restorative powers of nature in the face of unnatural events.
Frankenstein by Mary Shelley is a gothic science fiction novel written in the romantic era that focuses on the elements of life. The romantic era was sparked by the changing social environment, including the industrial revolution. It was a form of revolt against the scientific revolutions of the era by developing a form of literature that romanticize nature and giving nature godliness. This element of romanticized nature is a recurrent element in Frankenstein and is used to reflect emotions, as a place for relaxation and as foreshadowing. Frankenstein also includes various other elements of romanticism including strong emotions and interest in the common people.
Horrified by the grotesque appearance of his creation, Victor says: “I had desired it with an ardour that far exceeded moderation, but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.”(58) Yet Victor wants nothing more than to forget his creation and ignore his existence all together.