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The development of Macbeth's character
Psychology theories in macbeth
Psychology theories in macbeth
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One of Shakespeare's most memorable and dark theatrical plays is Macbeth. Macbeth was a story that was written for King James I of England. It featured a variety of individuals including King James I’s ancestor Banquo. The main plot of the story focused around the character arch of Macbeth, as he slowly deteriorated into the mindset of a madman. One of the most drastic and heartbreaking changes that occurs in the play Macbeth is Macbeth's slow deterioration of his mind; sound and strong at the beginning of the play, scared and seething during the middle, and crazed yet confident at the end. During the middle of the play, Macbeth is introduced as a warrior. He is confident and as described by the captain in the beginning of the play. “For brave …show more content…
The middle of the play showcases Macbeth with a mental state that experiences extremes. One moment he is terrified, such as with Act 2, Scene 2, lines 49-51. At this point in the story, Macbeth has just finished killing King Duncan, and is too scared to return to the kings chambers to return the daggers. However, later on in the story, Macbeth expresses his fear as seething anger. After Macbeth has become king and murdered Banquo, he is having a feast with all of the noblemen in Scotland when the ghost of Banquo appears. Macbeth, even though obviously disturbed, reacts in anger yelling at the ghost telling it to, “Hence, horrible shadow! Unreal mock’ry, hence!” (3.4.107-108). After Macbeth starts down the path of murder, his mind begins to fail him as he is enveloped by anger and …show more content…
The once honorable man that had a strong mind, is now controlled by the most primal mindset, performing erratically and crazed. This is prevalent throughout the final two acts of Macbeth, but the biggest example is when Macbeth orders the slaughtering of Macduff’s wife, children, and servants (4.1.150-154). He seemingly no longer has the ability to think through his actions before executing them. When he figures out he has lost all, he would rather die than live to see King Duncan on the throne. “I will not yield, To kiss the ground before young Malcolm’s feet,” (5.8.27-28). This tragic drama ends with our once hero, dying as a monster and a madman in the eyes of all of his
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Following this murder, Macbeth sees Banquo's ghost at the banquet. He is filled with feelings of regret and, as a result of his troubled mind, sees Banquo's ghost.
A tragic hero is a person of noble birth or potentially heroic qualities. The role of a tragic hero is common in many of Shakespeare's plays such as Macbeth. The character of Macbeth is a classic example of a Shakespearean tragic hero. A tragic hero often has a noble background. This person is predominantly good, but suffers a terrible fate falling out due to glitches in their personality. The tragic hero has a monstrous downfall, brought out by their fatal flaw. Macbeth is named a tragic hero because he learns through suffering, he is isolated, and he exhibits personal courage in his acceptance of death.
Macbeth is told that Banquo is dead, but Fleance has escaped and Macbeth says that Fleance is like a serpent and will not be a problem just yet but will eventually become one. Macbeth then see Banquo’s ghost at the table and stops dead in his tracks, with horror on his face he begins talking to the ghost. Lady Macbeth covers the scene with saying that Macbeth has delusions. The ghost leaves and then the table makes a toast to Banquo and the ghost reenters causing Macbeth to scream at the ghost to leave, his wife, once again covers his outbursts with saying that he has delusions and they bid the lord farewell. Macbeth says that he will go see the weird sisters and says that he is not in his right senses. The three witches meet with Hecate,
After Macbeth committed a dreadful crime at the start of the play, he realizes that by killing even more people he can get what he wants whenever he wants. Macbeth reaches a point where he is too busy fulfilling his own ambitions that he was not fulfilling his obligations as king. “Those he command move only in command, / Nothing in love…” (5.2.22-23). His obsession with power caused him to murder his good friend Banquo, and Banquo’s son. Macbeth’s out of control ambition has caused him to lose his emotion. He progressively sta...
Others notice that Macbeth is insane as well, because Ross even suggests that he is not well. Macbeth also appears insane when he tries to talk to the ghost. Macbeth says “[To the ghost] Avaunt! And quit my sight!
William Shakespeare’s Macbeth is a play centring around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a nobel and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very naïve, gullible, and vulnerable. He is vulnerable and willing to be persuaded by many characters throughout the play, his wife, the witches to name a few, this is the first sign that his mental state is not as sharp as others. One will see the deterioration of Macbeth and his mental state as the play progresses, from level headedness and undisturbed to hallucinogenic, psychopathic and narcissistic. The triggering event for his mental deterioration is caused by the greed created from the witches first prophecy, that Macbeth will become King of Scotland (I.iii.53). Because of the greed causing his mental deterioration, Macbeth’s psychosis is what caused his own demise by the end of the play. In Shakespeare’s play Macbeth, the tragic hero Macbeth’s demise is provoked by his hallucinogenic episodes, psychopathic actions and narcissistic behaviours.
...on of the dagger alters his thoughts and actions, revealing that figments can lead one to his or her downfall. Last of all, Macbeth’s outrage upon Banquo’s ghost exemplifies he has transformed to an insane figure, just by the factor of ambition. At the banquet the Ghost of Banquo confronts Macbeth before the nobility and he furiously breaks out into, “Avaunt! and quit my sight! let the earth hide thee. / Thy bones are marrowless; thy blood is cold; / Thou hast no speculation in those eyes / Which thou dost glare with.” at Banquo’s ghost, revealing Macbeth loses all self-control (3. 4. 13-16). In point of fact, Macbeth fails to keep aware of his surroundings and converses to the ghost as if they were alone. Even with Lady Macbeth’s reasoning for her husbands madness, it is visible Macbeth exemplifies his insanity by acknowledging the fallacy.
Macbeth is a tragedy written by Shakespeare roughly between the years 1603 and 1606. It was a play written following the death of Queen Elizabeth. The king at the time - James I of England/King James VI of Scotland was known to be a big supporter of theatre, witchcraft and demonology. Shakespeare and his associates soon into their careers became known as the King’s men. The King's ancestry was traced back to Banquo, a character from the play.
Shakespeare’s account of who Macbeth was is close to the factual account, even down to the fact that he murdered the former King Duncan and his battle with an army led by Malcolm Canmore, the son of Duncan (Columbia University). Another character in Shakespeare’s Macbeth is Banquo, a Scottish nobleman, friend of Macbeth, and father of future Kings of Scotland, as predicted by the wicked sisters.... ... middle of paper ...
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
A combination of Macbeth’s ambition and paranoia lead to many senseless murders. He killed his best friend Banquo out of fear and he senselessly murdered Macduff’s family. The hallucination of Banquo’s ghost is a representation of Macbeth 's guilt, all of Macbeth’s guilt is manifested in the ghost. Macbeth states that he feels guilty because of the murders. “Ay, and since too, murders have been performed Too terrible for the ear.” (III, iv, 80-81) Seeing the ghost of Banquo is the breaking point for Macbeth. The ghost also causes him to think more irrationally which leads to the murder of Macduff. Also, after the murder of Duncan, Macbeth is full of regret and guilt. The voices he hears reflect his mental state. “Methought I heard a voice cry, “Sleep no more!” (II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145) Macbeth claims that after committing a murder, there is no turning back. He killed his best friend due to his ambition and fear. The third murder was outright moralless and unnecessary, he compulsively killed Macduff’s wife and children. Macbeth shows no remorse in his murders, he becomes an absolute monster towards the end of the play. As Macbeth loses his human morales, hallucinations appear to remind him of the sins he
Both Lady Macbeth and the Witches are able to tear Macbeth from his innocence and virtue and persuade him to follow his aspiration. When he hearkens to the Witches, he is robbed of his sanity, his conscience, and his ability to make logic-based decisions for the good of the world, rather than the good of the individual. However, Macduff is able to turn Macbeth from his ignorance and arrogance and return him to his morals. Macbeth’s subsequent banishment of the Witches from his mind results in the immediate restoration of his sanity. The brilliance of these imageries in Shakespeare’s
In Macbeth’s soliloquy, the conscious empowers the unconscious. “At the nonrational level of Macbeth’s psyche, conscience registers as “a dagger of the mind”: pricks of conscience that have assumed murderous, self-mutilating proportions” (Chauchi 337). In order for Macbeth to commit the murder, he has to do the act knowing with conscious. He must lose the principle of morality and enters in sublimation, which is satisfying the impulse with a substitute object, in this case, Macbeth’s desire for power. Shakespeare uses Macbeth character to exhibit the horrendous effects of ambition and guilt in men’s nature. From this point, Macbeth’s dramatic fall develops from his superego that makes a person feel guilty if the principle of behavior is not followed. The ego acts as a mediator between the id and superego to prevent an overwhelming anxiety (McLeod). Macbeth’s response is the result of anxiety, guilt, paranoia, fear, and distress. He plans a series of murders to protect his permanence as King. He orders Banquo’s death, Lady Macduff, and Macduff’s son. Macbeth’s paranoiac stage and inner conflict cause him to see Banquo’s ghost, and he has a confrontation between reality and metaphysical. He mislays the rational goal of being a fruitful king, and the tragic tension of his ambition drives him to become a tyrant. As Macbeth turns as an unscrupulous murderer, Lady Macbeth is not capable of losing her whole morality principle, so
However, this experience is not one that gives him courage or ambition but one that gives him fear, enough to make a man go mad. At the party, Macbeth sees Banquo’s ghost which he describes as “a bold one that dare look on that which might appall the devil” (III.vi.63). He begins to act like a madman in front of all those loyal to him and reveals that Banquo is dead. Despite Lady Macbeth’s attempt to cover up his act by blaming it on a childhood illness, Macbeth’s followers begin to lose question their king, lose trust in him, and even wonder if he is the one who murdered Duncan. After the banquet, Macbeth seeks the witches out of their cave so that he can learn more about his future and silence those who are plotting against him despite what the consequences may be. This reveals that Macbeth has completely fallen for the witches prophecy. There, he sees a line of eight kings followed by Banquo’s ghost. The last king holds a mirror to reflect a never-ending line of kings descended from Banquo. When he sees this, he exclaims“ thou art look like the spirits of Banquo: down!” (IV.i.123). This vision confirms that Banquo’s descendants inherit the throne and contributes to Macbeth’s anxiety, fear and to his further loss of control. He becomes even more insecure about his position as king and can no longer make his decisions