Harrison Schleeter Mr. Sherman American Lit. 29 May, 2024 Unveiling the Psychological Realities in “The Yellow Birds”. Through his book “The Yellow Birds,” Kevin Powers immerses readers in the real and harsh feelings of war. He weaves his real-life war experiences into a haunting story that portrays the harsh realities of combat and its impact on the human mind. Kevin Powers uses metaphors and other literary techniques to show the psychological aspects of war that he experienced. "The truth of what I'd done welled up in my chest, and I wanted to vomit it out onto the ground like black oil." (Powers 147) This quote, a reflection of John Bartle's thoughts, resonates with the guilt and regret that many soldiers experience. It is a reminder of the psychological toll …show more content…
Powers uses imagery, such as the yellow light, to “describe the sickly atmosphere of war.” (GradeSaver). The color yellow reminds Bartle of the war and brings back the unpleasant memory of combat; however, the color green is the opposite; green to him, represents safety and hope. The green trees help him realize that he is finally home and will be okay. Powers uses imagery in many different ways to help convey the message and deepen the story. It provides the reader with an improved understanding of the book and a mental image of what's happening, which can make it much more serious. Being able to visualize parts of the book helps show the reality of death and destruction in war, which Kevin Powers experienced in his real life. Kevin Powers uses symbolism to represent his real-life experiences in the book Towards the beginning of the book, John Bartle introduces a character named Murph, “soldiers like me and Murph” (powers 4). Murph is a significant character throughout the book, but eventually dies. His death has a significant impact on John. There is even symbolism in the title of the book, “The Yellow Birds,” because “In many cultures, seeing a yellow bird is considered a sign of good
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
It is apparent that the topic of war is difficult to discuss among active duty soldiers and civilians. Often times, citizens are unable to understand the mental, physical, and physiological burden service members experience. In Phil Klay’s Ten Kliks South, the narrator struggles to cope with the idea that his artillery team has killed enemy forces. In the early stages of the story, the narrator is clearly confused. He understands that he did his part in firing off the artillery rounds, yet he cannot admit to killing the opposition. In order to suppress his guilt and uncertainty, our narrator searches for guidance and reassurance of his actions. He meets with an old gunnery sergeant and during their conversation, our narrator’s innocence
In the aftermath of a comparatively minor misfortune, all parties concerned seem to be eager to direct the blame to someone or something else. It seems so easy to pin down one specific mistake that caused everything else to go wrong in an everyday situation. However, war is a vastly different story. War is ambiguous, an enormous and intangible event, and it cannot simply be blamed for the resulting deaths for which it is indirectly responsible. Tim O’Brien’s story, “In the Field,” illustrates whom the soldiers turn to with the massive burden of responsibility for a tragedy. The horrible circumstances of war transform all involved and tinge them with an absurd feeling of personal responsibility as they struggle to cope.
Many war pieces express a distinct sense of truth, hatred, and anger that can be found in the style, tone, and imagery they possess. Incredible images are created in ones mind as war writings are read and heard. Works written by such writers as Siegfried Sassoon, Wilfred Owen, and Tim OBrien really reach out to the audience by way of the authors choice of words and images that they use in their writing. These talented writers create very touching and heart-felt images as they write about the true occurrences, problems, feelings and emotions that soldiers encountered throughout times of war. It is by way of these writers words that the bloody truth of war is heard, rather than the glorified victories heard which overlook the pain that soldiers went through.
In conclusion, while books, photos, movies and other historical documentation can portray information or a message about wartime events, they will never be able to produce the feelings of those that were personally involved in wars have experienced. Yet, it is incorrect to criticize these writers. The information they reveal is still very important historical information. Even if a reader or viewer of this media cannot feel exactly the same emotions as those involved, they still often experience an emotional connection to the events being depicted. This is important, not only for the historical knowledge gained about wars, but also to understand the nature and futility of their occurrence.
...often times tragic and can ruin the lives of those who fight. The effects of war can last for years, possibly even for the rest of the soldiers life and can also have an effect on those in the lives of the soldier as well. Soldiers carry the memories of things they saw and did during war with them as they try and regain their former lives once the war is over, which is often a difficult task. O’Brien gives his readers some insight into what goes on in the mind of a soldier during combat and long after coming home.
Julianna Claire, an award winning poet once said, “War makes men act like fools, and makes fools pretend to be brave.” War is a very difficult and dangerous game. There must be a just cause to fight for, supporters on either side of the war, and clear plan on what the war ought to look like. Though, as much as countries plan their strategies and perfect their tactics, war never seems to go how people think it should. War creates heartache, makes countries question their governments, and changes the lives of the soldiers who fight in them. One such story that address the damages of war, is Ambush, by Tim O’Brien (1946). In this short story, Tim O’Brien tells a story of a young man fighting in Vietnam who kills a member of the Vietnam army. Robin Silbergleid, a neurosurgeon in Seattle, Washington, who minored in
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
...ust deal with similar pains. Through the authors of these stories, we gain a better sense of what soldiers go through and the connection war has on the psyche of these men. While it is true, and known, that the Vietnam War was bloody and many soldiers died in vain, it is often forgotten what occurred to those who returned home. We overlook what became of those men and of the pain they, and their families, were left coping with. Some were left with physical scars, a constant reminder of a horrible time in their lives, while some were left with emotional, and mental, scarring. The universal fact found in all soldiers is the dramatic transformation they all undergo. No longer do any of these men have a chance to create their own identity, or continue with the aspirations they once held as young men. They become, and will forever be, soldiers of the Vietnam War.
Birdy, who is a new soldier, fears that he will end up dead during the war. He said,“Then I realized that it was the noise, the constant booming, that just filled my guts with a trembling sensation. I knew if I heard the boom I was safe because whatever had exploded hadn't hit me. But it was the idea that at any moment it could be all over, that I could be dead or lie in the sand twisting in agony, that filled me with a terror that I hadn't known before. Terror. It wasn't just being scared. It was a feeling that was taking me over. I knew it but I hoped no one else saw it,” (Myers 71). This description of Birdy's fear develops the idea that in Iraq, surviving emotionally during the war is important to be alive. Walter Dean Myers wants the reader
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
War can destroy a man both in body and mind for the rest of his life. In “The Sniper,” Liam O’Flaherty suggests the horror of war not only by presenting its physical dangers, but also by showing its psychological effects. We are left to wonder which has the longer lasting effect—the visible physical scars or the ones on the inside?
Wars affect everyone in some way, especially soldiers who fight in them, like those in Tim O’Brien’s The Things They Carried. O 'Brien concentrates a lot on the psychological trauma that solders, like himself, confronted before, during, and after the Vietnam War. He also focuses on how they coped with the brutality of war. Some were traumatized to the point where they converted back to primitive instinct. Others were traumatized past the breaking point to where they contemplated suicide and did not fit in. Finally, some soldiers coped through art and ritual.
Bracken, Patrick and Celia Petty (editors). Rethinking the Trauma of War. New York, NY: Save the Children Fund, Free Association Books, Ltd, 1998.
Many individuals look at soldiers for hope and therefore, add load to them. Those that cannot rationally overcome these difficulties may create Post Traumatic Stress Disorder. Tragically, some resort to suicide to get away from their insecurities. Troops, notwithstanding, are not by any means the only ones influenced by wars; relatives likewise encounter mental hardships when their friends and family are sent to war. Timothy Findley precisely depicts the critical impact wars have on people in his novel by showing how after-war characters are not what they were at the beginning.